Amazon.co.uk Review
When this collection was first released, back in 1961, it soon became the bible of that decade's folk-blues revival, a set of songs which had scorched deep lines in the blues psyche, subsequently modified, electrified and boogie-fied. This reissue also includes a freshly exhumed alternative take of "Travelling Riverside Blues", as good an excuse as any to upgrade from old vinyl. The original album pulled together all of Johnson's classic songs, his ghost suddenly made corporeal for a generation that had only heard of the rare 78s via whispered rumour. "Cross Road Blues", "Terraplane Blues", "Hell Hound On My Trail": they're all tortured cries for help, Johnson most likely at the end of his teens when he recorded his only two sessions, first in 1936, then 37. He was a complete individual: these songs may well be fodder for countless cover versions, but few modern artists can hope to reproduce the originator's stylistic mannerisms. Johnson favoured uneven lines, unpredictable emphasis, strumming and plucking around an implied central melody. For the experienced listener, it's probably wise to invest in
Complete Recordings, but as an introduction to Johnson's unique art, this disc has certainly stood the test of time. --
Martin Longley
CD Description
Of all the early blues singers and players, Robert Johnson towers above all the others. He lived fast, died young, and left a small body of music that laid the groundwork for electric blues as well as rock & roll. Johnson had a unique voice, capable of deep growlings and grumblings and eerie, almost ghostly wails and moans. His guitar illustrated his stories, making any other instruments irrelevant. His songs conveyed a sense of a man trying to outrun a pack of demons ("HellHound on My Trail", "Cross Road Blues"), were autobiographical ("I'm a Steady Rollin' Man") and, of course, dealt with love troubles ("From Four Until Late", "Love in Vain"). Johnson's songs have become blues standards--"Sweet Home Chicago", "Dust My Broom", and many others have been adapted by many rock bands, from the Rolling Stones' version of "Love in Vain" to the Red Hot Chili Peppers' "They're Red Hot". If youwant to hear the main architect of the twin dynasties of blues and rock & roll (who also influenced folk and country music), Robert Johnson is the man, and KING is a beautifully annotated introduction.