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Degas and the Ballet: Picturing Movement [Hardcover]

Richard Kendall , Jill DeVonyar
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

12 Sep 2011
Edgar Degas (18341917) is best known for his luminous studies of dancers.He captured his young female subjects warming up, practising at the bar ormid-performance with a stunning immediacy and accuracy, on canvas, paper and in bronze. Sumptuously illustrated with drawings, pastels, paintings, prints and sculpture, as well as photographs taken by the artist and his contemporaries, and samples of filmfromthe period, this beautiful book follows the development of Degass ballet imagery. The renowned Degas scholars Richard Kendall and Jill Devonyar examine the artists innovative approach to the subject, fromhis documentarymode of the early 1870s to the sensuous and expressivemanner of his late work. Parallel advances in photography and early filmare also explored, placing Degass lifelong engagement with the figure inmovement in a contemporary context.


Product details

  • Hardcover: 280 pages
  • Publisher: Royal Academy of Arts, London (12 Sep 2011)
  • Language: English
  • ISBN-10: 1905711689
  • ISBN-13: 978-1905711680
  • Product Dimensions: 28.4 x 25.1 x 3.3 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 393,889 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews
8 of 8 people found the following review helpful
5.0 out of 5 stars Brilliant! 11 Nov 2011
Format:Hardcover|Verified Purchase
I purchased two copies of this marvellous book in preparation for a visit with friends to the current exhibition, "DEGAS AND THE BALLET: PICTURING MOVEMENT" at the Royal Academy and I must say that we were certainly not disappointed by either!

This really is a lovely book. It is beautifully designed, with a well written and informative text which is lavishly illustrated with reproductions of paintings, sculptures and very early photographs from the Exhibition.

Degas' fascination with the ballet and in particular, with the physicality of the actions performed by the dancers themselves, is here set within the context of his time. Both book and Exhibition provide an overview of the developments taking place within the fledgling art of photography during the same period, postulating that Degas and many of his contemporaries in other branches of the arts had perhaps caught the same mood and were all exploring different aspects of the mysterious physical processes involved in animation. It was the movement itself which was important. As for Degas, he himself said;

"They call me the painter of dancers. They don't understand that, for me, the dancer was a pretext for painting pretty fabrics and rendering movement."

This book will inform and delight you, whether you are a fan of the arts in general, or of Degas in particular. It is a wonderful souvenir of a marvellous Exhibition - and it is 13 cheaper from Amazon than it is at the R.A. Shop! ;)
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5.0 out of 5 stars Fine 5 Nov 2012
Format:Hardcover|Verified Purchase
I have had no problem with the service I received and the product I purchased. All arrived as predicted and it was very easy
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Amazon.com: 4.0 out of 5 stars  1 review
6 of 6 people found the following review helpful
4.0 out of 5 stars Dance as a pretext 28 Nov 2011
By Reich Claude - Published on Amazon.com
Format:Hardcover
The catalog for the current exhibition at the Royal Academy in London, this book is based on the oft-quoted Degas comment that, for him, the dance was "a pretext for rendering movement". Apart from many large-scale reproductions of paintings and drawings, it is an interesting work in that it studies the relationship between the artist and the nascent art of photography. It is now well -known that Degas was a convert to amateur photography and many examples are reproduced in the book of the photos he took of dancers and women bathing. Also enlightening is the essay that dwells on Degas's interest in Edward Muybridge's photographic studies of movement, which, at the time, were revolutionary.

Now, I would make a slight qualification as to the quality of the reproductions, especially of paintings, which appear dark when compared to the originals.
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