Philip Roth's Deception is a whirlwind of voyeuristic visits with two witty, articulate adults engaged in an adulterous affair. In this swift novel, Roth has performed a stylish piece of literary legerdemain: no word is written outside of quotation marks. The flowing rivulets of conversation between the couple give the reader such a strong sense of proximity one almost feels he or she is eavesdropping. It speaks to Roth's authorial prowess that, despite this lack of background and description outside the characters' conversations, the reader is seldom left uninformed (and, if the reader can't always keep up, Roth sweeps them along anyway!). This cinematic technique lends a strong sense of immediacy and vitality to the characters. Roth's ear for spoken language is keen: nothing sounds contrived. The lovers' bantering undulates around the theme of deception -- deceiving one's spouse, deceiving one's self. Ultimately, we wonder if Roth himself is deceiving us. Roth also gives us glimpses, through the couple's banterings, of his important themes, such as nationality, Anti-Semitism, and love. After this compelling novel, the first-time Roth reader is inspired to tackle his longer, more epic works, such as Portnoy's Complaint and Sabbath's Theater. Our brief visit with Roth's world entices us to come again