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3.0 out of 5 stars
What???, 24 May 2001
By M. Konczewski - Published on Amazon.com
This review is from: Death and Diplomacy (New Doctor Who Adventures) (Paperback)
Okay, I have become a Dave Stone fan, espcially of his Doctor Who books, but this also means I've become aware of his more irritating qualities. That includes his tendency to include very, very strange aliens, scene changes right in the middle of the action, and a lot of DouglasAdams-isms. D&D is probably the worst offender in the Virgin Doctor Who range (with Sky Pirates! in a dead heat), and is further hampered by having to include the improbable romance between Jason and Benny.
On the plus side, the Doctor is (there's no other word for it) awesome! He's almost supernatural in this book, and I loved every minute he was on the page. Which wasn't enough.
4.0 out of 5 stars
A positive take on Death and Diplomacy ..., 4 Jun 2005
By Cynthia Cooper "Cyn" - Published on Amazon.com
This review is from: Death and Diplomacy (New Doctor Who Adventures) (Paperback)
Dave Stone essentially has the role in the Virgin Doctor Who NAs that Douglas Adams did in the television series ... he writes weird adventures with a lot of humor, with lots of scenes aimed at letting the Doctor be the Doctor. The biggest difference is that the Seventh Doctor isn't the Fourth ... there's more of a method to his madness, and he always knows more than he lets on.
Essentially, there are two plotlines here that intersect at the end (the bits with Roz and Chris have little to do with anything).
In the first story, the Doctor arrives in the middle of a conflict between three warlike races, abducted there by the seemingly omnipotent Hollow Gods. He must pretend to try and negotiate a treaty, while secretly working to solve the mystery of what the Hollow Gods are and what they want.
In the second story, Benny gets separated from the Doctor and trapped on a world on the outskirts of the war. Figuring that the Doctor will be in the center of things, she looks for a pilot who can get her there, and hires a Han Solo type named Jason Kane. Over the course of their adventures, the two of them fall in love.
Both plotlines are handled with humor, and the core characters are all fully recognizable and realistic. I wish I could say the same about the aliens; only one of the leaders really comes across as a full individual. Jason, though, is refreshing even if he is a little familiar, and it's believable that he and Benny are compatible.
I'm considering D&D independently here, of course, because later writers really had NO idea what to do with Jason. Overall, you have to go in expecting a weird comedy in the vein of Adams or Red Dwarf, but frankly the New Adventures NEEDS a few books like these to overcome the constant gloom-and-doom.
And yes, for those who care, the book is very gun but still a little frock.
2.0 out of 5 stars
Nonsense and Non-sensibility, 8 Dec 2003
By Andrew McCaffrey "The Grumpy Young Man" - Published on Amazon.com
This review is from: Death and Diplomacy (New Doctor Who Adventures) (Paperback)
Why am I writing this review? Why am I bothering? Nothing in DEATH AND DIPLOMACY inspired me to sit in front of a keyboard and type out my thoughts. The only excuse I have for putting fingertip to key is that I've done this for the first forty-eight New Adventures, and I might as well keep going for this one. It's a struggle though. Almost as much of a struggle as reading the book was. The book is just so pointless, really. I mean, would the world be that much worse off if this book had never seen the light of day? Did an author really wake up in the middle of the night screaming, "Yes! This is a story that absolutely MUST BE TOLD!"
One can see from the beginning that this is not exactly going to be a tightly plotted and intricately detailed story. The regulars are so clumsily separated, one wonders if this is supposed to be some hilarious meta-textual joke; if it is, it fails. In any case, Benny, Roz and Chris fall out of the TARDIS and become embroiled in subplots of their own. The Roz and Chris story is so clichéd and unoriginal that it scary bears discussing; let's just say that it puts the "bog" in "bog-standard" and we'll not speak of it again.
The Doctor's story actually appears to be relatively interesting for a while. Not because it's an engaging or witty narrative, but because there is a hint of some fascinating world-building going on. The Doctor finds himself in a portion of the galaxy inhabited by three different war-like space-faring races. The three are perfectly balanced as far as position and weaponry is concerned. So naturally, the Doctor shows up just as they are being ordered by their mysterious Hollow Gods to engage in a peace summit.
Unfortunately, this subplot eventually devolves into bland people walking quickly through corridors while Discussing Important Things. There are a few surprises to be had here, but by the time they're sprung I had gone beyond the point of caring. At one point, a character who belongs to one of those three races realizes that after spending time with his enemies he has begun thinking of them as people rather than faceless monsters. I wish I could have said the same thing. For the most part, all of the characters are as flat as the page they're printed on. The story takes the lazy road of telling us that these are three-dimensional characters without showing us anything to back up its own statements.
Now, the real meat of the book is contained in the passages involving Benny and her soon-to-be fiancé. I actually kind of enjoyed these sections, though they certainly feel superficial. Jason comes across as a standard pulp character, not too much depth apart from that which is applied with all the subtlety of a thrown brick. He's a relatively fun character, though I'm not sure he exactly works as a romantic foil for Benny.
Overall, well, this is a very mixed bag, ultimately with more negatives to its name than I would like. Sure, I laughed at a handful of the jokes, but I rolled my eyes at others. And that, is pretty much my summing up of this novel. It's slightly clever in one or two places, but never gets anywhere near to being as funny or as smart as it thinks it is.
The book opens with a rather defensive note from the author where he haughtily suggests (more or less) that there's a lot more going on in his books than people realize and that, damnit, people ought to appreciate it. My own comment to future authors out there is that this is a terrible way to start a novel. A novel should stand or fall on its own merits, so if you're going to blind us all with your brilliance, make sure you write a better book than DEATH AND DIPLOMACY.