Product details
Would you like to update product info or give feedback on images?
|
If Livesey's engaging Clive Candy is the film's heart, Anton Wallbrook's Theo is its conscience; his exile speech delivered to an uncomprehending immigration officer is a heartfelt tour de force made all the more poignant by the Austrian actor's own circumstances, as well as those of Hungarian scriptwriter Emeric Pressburger. Powell's technically masterful and innovative direction illuminates every scene, from the surprising camera move in the duel sequence to the hunting montage of stuffed animal heads on a wall. Notoriously, this is the film that Churchill tried to have banned, and indeed its sympathetic portrayal of a German officer was contentious in 1943, though one suspects that Churchill's own blimpishness was a factor too.
On the DVD: The Life and Death of Colonel Blimp looks in excellent condition on this special edition DVD. The mono sound is crisp and the picture largely free of grain, allowing the subtle lighting and muted colours to be seen as intended. The main extra is a 25-minute documentary feature which tells us nothing revelatory about making the film, but has good new interviews with cinematographer Jack Cardiff (then an apprentice) and eloquent admirer Stephen Fry. Text biographies and stills are also included.--Mark Walker
I enjoy this film so much that I can watch it over and over. There are one or two things I could object to in it. For example, the reason young Candy gets in a bind in Germany and has to fight a duel, is that he's there to deny that Britain did some terrible things in the Boer war, involving concentration camps and the deaths of large numbers of Boer women and children. The concentrations camps and the deaths of the women and children are well documented and no longer denied. Churchill may have tried to have the film banned for other reasons, but it was still a propaganda film. It was made during WWII after all. General Candy seems such a nice old buffer though, it just seems he'd have been as shocked about the treatment of the innocent Boer non-combatants as any decent person, if he'd known. In order to really enjoy the cosy view on offer here, you have to accommodate a couple of uncomfortable carbuncles like the wildlife slaughter (not shown, but represented by a wall of mounted heads) and the concentration camp denial. Those bits only take up two or three minutes of this almost 3 hour film and both offer us a bit of information about what went on back in "the good old days" that Blimp harks back to with such nostalgia and detachment from reality. It's nice to share the rosy view of an idealised past from time to time. I recommend it.
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
|