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Most Helpful Customer Reviews
4 of 4 people found the following review helpful:
4.0 out of 5 stars
Barry Forshaw-Death in a Cold Climate,
By
This review is from: Death in a Cold Climate: A Guide to Scandinavian Crime Fiction (Crime Files) (Paperback)
Barry Forshaw,an expert writer and presenter on crime fiction,has produced a stimulating,extensive and innovative book on Scandinavian crime fiction. He gives space to crime fiction from Sweden,Norway,Iceland, Finland and Denmark,but is at pains to show that whilst these may be lumped together and called Scandinavian crime fiction, there are crucial differences and unique features about each of the above countries which are reflected in the novels. Pretty well all the current authors available at present in English translation are covered,and apart from Forshaw's thoughtful and often provoking comments on many of the books, this volume also includes illuminating interviews with many of the authors.Additionally, and unusually, the book also carries interviews with translators and publishers,which I found most enlightening. This is a very welcome book,that has enhanced my enjoyment and knowledge of the genre.
3 of 3 people found the following review helpful:
4.0 out of 5 stars
Sloppy but valuable and up-to-date,
By
This review is from: Death in a Cold Climate: A Guide to Scandinavian Crime Fiction (Crime Files) (Paperback)
"Death in a Cold Climate" is a sloppy book, poorly structured with lots of repetition - sometimes even in the same paragraph - and clunky prose, but nonetheless it is a very valuable and very up-to-date account of the rise of Scandinavian crime fiction, so I'll focus on the positive. The book includes (in approximate descending order of allocated space) Sweden, Norway, Denmark, Iceland and Finland, so it includes all the Nordic countries (except the Faroes, which as far as I know haven't yet produced any crime fiction translated into English). There is also some coverage of work by British writers set in Scandinavia, which is a bonus (I have already ordered two Michael Ridpath novels set in Iceland which I was previously unaware of).Forshaw doesn't attempt - wisely in my view - a complete run-down of every Scandinavian crime novel in English, instead covering all the authors that I at least know of, and more, by reference to selected titles. On Henning Mankell, for example, he has perhaps more to say about the non-Wallander novels than the Wallander ones, which is probably sensible given since surely everyone likely to read this book will be more than familiar with Wallander from the books and TV adaptations. Considerable space is given to interviews with authors, translators and English-language editors, and these are in many respects the best parts of the book (although they also suffer from repetition). I found the various discussions on translation particularly interesting, with editors and translators together trying to find the right balance between remaining true to the original text while making the story accessible to readers in a different language. There is of course also considerable discussion about the social and political themes present in most Scandinavian crime fiction, particularly - but not only - in Swedish books, going right back to the Martin Beck books of Maj Sjöwall and Per Wahlöö, which most authors acknowledge to be the real source of modern Scandinavian crime fiction. Questions are also raised about how long the popularity of this sub-genre is likely to continue, and whether standards can be (or indeed are being) maintained - this is a particularly thorny issue when a purchasing editor is unable to read the work in its original form and has to rely on agents and others. The book demonstrates well the wide variety of Scandinavian crime fiction, all the way from the "purer" crime fiction like that of Ruth Rendell, who seems to be much admired in Scandinavia, to what might be called the "American thriller" type. If there is anything lacking, it is perhaps a rather deeper analysis of what made the Stieg Larsson books so successful, but many others, including Forshaw himself, have done this elsewhere. Jo Nesbø seems to be taking on the mantle of Stieg Larsson, but I find his novels rather over-the-top and prefer the more refined work of authors like Karin Fossum. But the wide variety of styles and subject-matter on offer means there is something for everyone, and is one of the great strengths of Scandinavian crime fiction. Now excuse me, please, I've got some more books to order!
2 of 2 people found the following review helpful:
4.0 out of 5 stars
An Essential Guide,
By
This review is from: Death in a Cold Climate: A Guide to Scandinavian Crime Fiction (Crime Files) (Paperback)
Barry Forshaw's latest foray into the world of crime fiction is essential reading for anyone interested (either in passing or depth) in the world of Nordic Noir. From Maj Sjowall and Per Wahloo to Jo Nesbo; from Henning Mankell to Steig Larsson; from Hakan Nesser to Anne Holt - the players are there. Forget the Icelandic woes and immerse yourself into this fascinating book. You might need a warm brandy whilst doing it, though!
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