I was taken to see this film by a friend. I went with misgivings and the expectation of being thoroughly bored. The opening ten minutes did nothing to allay those fears: the action was slow, of no apparent interest or dramatic impact, and seemed to be going nowhere. But little by little this opening sense of tedium and repression takes on a meaning; the four-square plot becomes increasingly eccentric; the humour builds; and soon the film is producing some delightfully quirky entertainment, helped by great acting and characterisation from the small cast. I was completely captivated. Then, unexpectedly, from out of this quirkyness emerges a very poignant and touching little drama. Ultimately the film makes a powerful statement about what is important in our lives and relationships - it makes us feel good about what it means to be human.
Dean Spanley is based on a short story by Lord Dunsany and as with most short stories, the plot turns on circumstances which create a single but profound change -in this case, in the inner life of a character. We are not used to this kind of plot structure in the cinema - but, here at least, it works beautifully.
Peter O'Toole is magnificent. His watery eyes and far-off look are perfect for the role and dominate the screen whenever he is in shot. His eccentric and walled-up character is wholly convincing, touching and entertaining. Sam Neil, Jeremy Northam and the rest of the cast are excellent too.
I guess if you demand plenty of action or complex plot lines, this film will not appeal. If, on the other hand, you like quirky, off-beat themes or films which allow a personal drama to quietly unfold, then go for it. I loved it.