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Based on ideas from a ghost film script (not a full-blown concept album though) written by a friend of front man Steve Wilson (No Man, Blackfield, and many more projects), Deadwing is one of the more diverse albums the band has recorded, with more creative input from Colin Edwin (bass), Richard Barbieri (keyboards) and Gavin Harrison (drums) this time around.
The title track starts the experience with an electronic intro which leads up to the feet tapping main-riff. The band has carried on the heavier rock sound of 2002's In Absentia, but it's more blended into the overall sound this time. The track features some fantastic vocal contrasts, unlike any the band has done before.
Shallow, as Steve Wilson describes it, "is a big dumb rock song, done the Porcupine Tree way". It's probably the one song that will divide the long-standing fans opinion. Not the best on the album, but has received favourable radio airplay over in the U.S.
After the all-out-rock of the first two tracks, Lazarus calms things down; it's a really beautiful song, full of pianos and slide guitars. It really wouldn't sound out of place on mainstream radio alongside current pop acts like Keane and Coldplay.
Halo bring the sonic experience back into heavy rock territory, it's obviously a track Colin, Richard and Gavin gave a lot of input to - the drums, keyboard effects and bass are really prominent here.
Arriving Somewhere, But Not Here is my highlight of the album, it's pure perfection, all 12 minutes of it.Read more ›
The album is a masterpiece. Somehow this band, with the possible exceptions of The Sky Moves Sideways and Lightbulb Sun (though these are both excellent albums that should grace any music lover's collection) manage to keep improving with each release - an outstanding feat considering the consistent high quality of their output.
Based upon a film script written jointly between PT leader and multi-instrumentalist Steven Wilson and Mike Bennion (who directed the band's Piano Lessons video from the Stupid Dream album of 1999), the album is a complex and intelligent work of power and beauty. The undoubted highlight of the album, the centrepiece Arriving Somewhere But Not Here, clocks in at just over twelve minutes and flows between a smooth haunting beauty to an almost metal-esque structure and back without losing a sense of flow. The same can be said for the rest of the album, with harder tracks such as Shallow balanced out by mellower tracks like the excellent Lazarus and the emotive Mellotron Scratch. The switch in styles mid album is incredibly effective and in no way seems uncomfortable - the layout of the album is remarkably cohesive and well thought out.
Put simply, there is not a weak track, or even a weak point, on the album.Read more ›
*This is an absolutely stunning album!*
Track 5 especially is an absolute masterpiece, reminiscing the Pink Floyd animals sort of music. It lasts over 11mins and still u think it could go on!
Every track on this cd will move you in some way, either jumpin up and remembering u're alive, swinging the emotions back and forth, or just wishing you could crunch up the volume to levels worthy of a U2 gig!
This is a cd that will constantly find its way back into my heart I feel and I can't help but now feel thirsty for more porcupine tree music, old and especially, new!
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