- Hardcover: 320 pages
- Publisher: SOHO PRESS (12 Jun 2008)
- Language English
- ISBN-10: 1569474915
- ISBN-13: 978-1569474914
- Product Dimensions: 19.5 x 14.2 x 2.6 cm
- Average Customer Review: 3.0 out of 5 stars See all reviews (2 customer reviews)
- Amazon Bestsellers Rank: 1,111,114 in Books (See Top 100 in Books)
Deadly Paradise: Commissario Cenni Series, Book 2
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Product Description
Product Description
In the peaceful Umbrian village of Paradiso, the shocking murder and mutilation of an elderly German woman is barely credible. Until, that is, Inspector Cenni of the State Police discovers that this retired cultural attache was not just a difficult tenant, but also a bisexual swinger with an African lover recently in residence as well as a blackmailer. The dead woman grew up in occupied Venice and some of her secrets may have been acquired during WWII. It turns out the bucolic village is not that innocent: it was the site of a famous, scandalous murder 50 years earlier.
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Customer Reviews
Most Helpful Customer Reviews
6 of 8 people found the following review helpful
Format:Hardcover
A reviewer on the cover compares Grace Brophy to Donna Leon, of course, but it's more interesting to spot the ways in which they differ. Commissario Cenni is not a family man - he's more your troubled and obsessed loner, but he thankfully doesn't write poetry or have a thing for the opera. As a character he'll remind you more of Michael Dibdin's Aurelio Zen and the story has a more muscular feel and more nastiness and bad people than Donna Leon gives us. The story progresses, revealing the life stories of the characters, good and bad, as Cenni investigates the murder and mutilation of a German woman who had been a diplomat, a blackmailer, bisexual, and nasty piece of work. The Commissario follows the trail of the victim's visitors and African lover to Venice, where his own past and demons get a good stirring-up too. The lives and secrets reveal in a smooth, compulsive and faultless fashion and later there's another visit to Venice, and cats prove crucial. I loved this book.
0 of 1 people found the following review helpful
Format:Paperback
This is the kind of drivel that should never make it off the publisher's desk or even past an editor's pen. Loose ends, middles, beginnings. A deadly dull plot with an ending which is totally unsatisfying and appallingly bad writing with endless irrelevant details thrown in along the way just to prolong the tedium. There are characters included for no reason, no twists or turns and absolutely no tension. This is one of the worst books I have finished - I wish I had given up half way through when I realised it was going nowhere. Save your money - this is terrible!
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
9 reviews
14 of 14 people found the following review helpful
A welcome addition to the Italian detective fraternity
10 July 2008
Format:Hardcover|Amazon Verified Purchase
Grace Brophy's "A Deadly Paradise" is an intricate and exceptionally well spun crime yarn set in Umbria and Venice with a side trip to Urbino. The locations are important to the story as the author wisely weaves in local color to punch up the plot and clarify the character sketches.
Brophy's police comissario protagonist, Alessandro Cenni, is an interesting personality, very much in keeping with the cynical but idealistic cops that star in Donna Leon, Michael Dibdin and Andrea Camillieri's Italian crime novels. Cenni has an alter ego--a twin brother, who is a Catholic Bishop seemingly destined for big things in the Vatican.
But what is most creative about "A Deadly Paradise" is the unfolding story of the principal murder victim of the piece, Jarvinia Baudler, a German woman with such a bizarre history of evil doing that the wonder is that she lived to the age of 77 before she was beaten to death by someone who had finally had enough.
A rich cast of other offbeat characters--a dotty and nasty Venetian Contessa, a larger than life village gossip, a cat-loving diehard Italian Communist, to name but a few--also populate this story to its benefit. Author Brophy attempts to dazzle the reader with this array of wild players and uncountable numbers of red herrings as well to hold our interest with an unusually credible plot. She succeeds across the board, in my opinion.
My only qualm with this well-done book is the slightly irrelevant and therefore less credible pursuit of a lost love by protagonist Cenni. It all may well be explained in the next book in the series, but in "A Deadly Paradise," it seemed a bit tacked on, without a purpose to the book's main story line.
Brophy's police comissario protagonist, Alessandro Cenni, is an interesting personality, very much in keeping with the cynical but idealistic cops that star in Donna Leon, Michael Dibdin and Andrea Camillieri's Italian crime novels. Cenni has an alter ego--a twin brother, who is a Catholic Bishop seemingly destined for big things in the Vatican.
But what is most creative about "A Deadly Paradise" is the unfolding story of the principal murder victim of the piece, Jarvinia Baudler, a German woman with such a bizarre history of evil doing that the wonder is that she lived to the age of 77 before she was beaten to death by someone who had finally had enough.
A rich cast of other offbeat characters--a dotty and nasty Venetian Contessa, a larger than life village gossip, a cat-loving diehard Italian Communist, to name but a few--also populate this story to its benefit. Author Brophy attempts to dazzle the reader with this array of wild players and uncountable numbers of red herrings as well to hold our interest with an unusually credible plot. She succeeds across the board, in my opinion.
My only qualm with this well-done book is the slightly irrelevant and therefore less credible pursuit of a lost love by protagonist Cenni. It all may well be explained in the next book in the series, but in "A Deadly Paradise," it seemed a bit tacked on, without a purpose to the book's main story line.
5 of 5 people found the following review helpful
A Deadly Paradise is another Cenni winner
3 May 2008
Format:Hardcover
A Deadly Paradise is Brophy's fascinating sequel to her bravura debut The Last Enemy, and here we follow Alessandro Cenni through the complex alleyways and back canals of Venice and of the Umbrian political scene to solve a diplomatic case of grisly murder and mutilation. The German-born murder victim, Jarvinia Baudler, is a nasty piece of work with diplomatic connections, a shady sexual history, and a dubious past connected with a post-war Italian family of a girlhood friend of hers. Aside from the mystery's wry and riveting social commentary on life in current-day Bell' Italia, we also get a tantalizing whiff of the love interest that had led the handsome and committed Cenni into his investigative career. (This reader is ready for more than a whiff in the next Cenni mystery!) Layers of complication, atmosphere, social nuance, and a palette of intriguingly wierd suspects make this a must-read.
3 of 3 people found the following review helpful
An Evocative Umbrian Mystery
22 Jun 2008
Format:Hardcover
Chiara, a woman leaning into the wind, pressed against the railing of a crowded waterbus on a Venetian canal, her straight black hair falling across the angry scar on her beautiful face, is a haunting presence in the second of Grace Brophy's Commissario Cenni series, A Deadly Paradise. She was the woman Cenni loved for her laughter and her irreverence, the woman he believed had been murdered twenty years earlier, and the reason he turned to police work. Deftly drawn, Chiara reappears at the heart of the book, and Cenni's search for the killers of a German-born cultural attache who knew too many secrets in occupied Venice during World War II is entwined with his search for her.
Reading about Cenni's investigations is a little like walking through a portrait gallery in a dark and cavernous Venetian palazzo, where characters step out of paintings with all their eccentricities and malice. Harboring long held hatreds, they connive with murderous intent. The settings are evocative, the politics intriguing. The murder takes place in a quiet Umbrian village, conjuring up the brutal murders of a mother and child in the same place fifty years earlier. It is a village where everyone knows each other's business but no one wants to dredge up the past.
When the latest murder victim, a selfish and egotistical expert on Renaissance art, discovers that vast sums of counterfeit money missing since the war were used to buy art after the fighting ended, she blackmails everyone involved, who would all like to see her dead. But they're not the only ones--friends she betrayed thirst for revenge; her secretary hates her; her landlord is trying to evict her and the neighbors want her out. In pursuing the killer, Cenni struggles with higher ranking police officers who would prefer not to solve the crime if that would mean raking over delicate post-war relations between Italy and Germany or embarrassing government officials. The investigation also fuels competition within Cenni's department, and gender issues faced by women officers determined to prove themselves.
From the Umbrian countryside to decaying Venetian palazzos, vividly described and drenched in atmosphere, Cenni digs for clues, a fading photograph, a cracked periwinkle dish, racing toward the last crescendo on a fourth floor balcony with a precipitous drop to the valley below. Throughout, the precision and wit of the writing is delectable, and Cenni's love for Chiara gives the mystery a tantalizing hint of romance.
Reading about Cenni's investigations is a little like walking through a portrait gallery in a dark and cavernous Venetian palazzo, where characters step out of paintings with all their eccentricities and malice. Harboring long held hatreds, they connive with murderous intent. The settings are evocative, the politics intriguing. The murder takes place in a quiet Umbrian village, conjuring up the brutal murders of a mother and child in the same place fifty years earlier. It is a village where everyone knows each other's business but no one wants to dredge up the past.
When the latest murder victim, a selfish and egotistical expert on Renaissance art, discovers that vast sums of counterfeit money missing since the war were used to buy art after the fighting ended, she blackmails everyone involved, who would all like to see her dead. But they're not the only ones--friends she betrayed thirst for revenge; her secretary hates her; her landlord is trying to evict her and the neighbors want her out. In pursuing the killer, Cenni struggles with higher ranking police officers who would prefer not to solve the crime if that would mean raking over delicate post-war relations between Italy and Germany or embarrassing government officials. The investigation also fuels competition within Cenni's department, and gender issues faced by women officers determined to prove themselves.
From the Umbrian countryside to decaying Venetian palazzos, vividly described and drenched in atmosphere, Cenni digs for clues, a fading photograph, a cracked periwinkle dish, racing toward the last crescendo on a fourth floor balcony with a precipitous drop to the valley below. Throughout, the precision and wit of the writing is delectable, and Cenni's love for Chiara gives the mystery a tantalizing hint of romance.
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