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22 of 24 people found the following review helpful:
3.0 out of 5 stars
Where's the story ?, 14 Sep 2002
This review is from: Dead Air (Hardcover)
I've read all of Iain Bank's works, so I guess I'm a fan, but I found this book disappointing. The main character - as in Complicity - is left-wing, works in the media, takes drugs, is sexually active. Unlike Complicity, there is little or no real story, instead the vast majority of the book is spent listening to the narrator's views on what is wrong - and right - with the world. Now, I'm a Guardian-reading liberal who would agree with over 80% of the polemic in this book, but listening to the main character's diatribes becomes tiring. I was turning the pages looking for a story, a twist, a revelation, and ultimately I was not rewarded. Iain, if you read this, I think you are a wonderful writer and I share your viewpoints but please next time bring more of your story-telling arts and capacity for drama and humour to the party, and leave the rants at the state of the world behind. Finally, why do I appear to be the first person reviewing this book ?
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3 of 3 people found the following review helpful:
2.0 out of 5 stars
Politics Passed Off as a Novel?, 2 Aug 2008
Have to say I have mixed feelings about this story of the life of fictional shock-jock, Ken Notts. For one thing, I can't stand it when authors discuss or express political views through the dialogue between their characters, and this is frequently the case in this novel as Notts embarks upon long, uninteresting rants on politics, society and sport. The character felt nothing more than an excuse for the writer to express posssible views of his own that would have seen him linched if this wasn't a work of fiction. In the end I skipped them all until he took the reader back to the narrative. The dialogues also slow the novel right down, too.
The other thing I don't like about the novel is what I'd consider a blatant exploitation of the 9/11 disaster, for there's very little reference to, connection with, or discussion, on the tragedy at all in the book. It has simply been used to attract the attention of the reader, which I find very bad taste, and has put me right off Iain Banks.
The first half seems to drift nowhere in particular, with nothing of note other than the accident, the introduction of Nott's affair with a gangster's wife and the kidnapping, though these don't really hook you because of the distractions of the dialogue from the narrative.
Then, all of a sudden, the book kicks into life in the second half, becomes a fairly enjoyable read with some real moments of tension and you wonder what Banks was playing at in the first half. I particularly enjoyed Nott's confrontation with a Holocaust denier - even if this reflected a possible political argument of the author! - and how he gets himself in and out of the tight spot regarding his affair with the gangster's wife, I also liked how he Notts related what was going through his mind.
If you're the type of person that has a pile of books to get through, "Dead Air" is one to be put to the bottom until you've read all the others, since the first half makes it a get-it-over-and-done-with-style novel. If it hadn't have been for the second half I wouldn't have give "Dead Air" any stars.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
Really good but just doesn't feel quite right..., 25 Feb 2008
Barcode: 9780349116648
I read this just after i read The Wasp Factory and well... let's just say this is a very different story, both in content and quality. Don't get me wrong, Banks is a fantastic writer and it shows in this book, thus the 4 stars. The plot is tense, the dialogue witty and the characters likable. Above all, it is intensely realistic, and that is where my doubts first come in.
It is almost too realistic. When reading people like to escape but this is way too close to home, set as it is in contemporary London, dealing with terrorism and so on. This is one of those texts where you just wish the lead character would get a break and something good would happen but instead he just comes up against misfortune upon misfortune right up to the end.
The sex scenes feel overly seedy, the true love that is behind them not shwoing through enough although aside from that are are quite a few moments of genuinely charming interaction between various characters. Also, like another reviewer said, prepare yourself for major social/political views to come flying at you - it is quite clear the author likes to invest his characters with what he thinks and it shows all too clearly. Now, as best i can remember, i didn't object to his views overly, they't just a bit in your face and are they really the thing you want to read about when you pick up a novel?
I'd still recomend this book though as it is fascinating and it'd make for a great film. Bank's gift at realism is incredible and it is worth reading his book for that alone.
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