The concluding part of George A. Romero's cult horror trilogy opens with the undead roaming the planet freely. The living have been forced underground, where they make their base in a hidden missile depot, helping with the experiments of scientist Doctor Logan (Richard Liberty), who hopes to domesticate the zombies. However, the military faction of the human survivors favour a more direct approach, and with food stocks becoming ever more depleted, they decide to take action. What folllows is the final showdown between the forces of the living and the armies of the dead.
Day of the Dead
, chapter three of George Romero's mighty zombie trilogy, has big footsteps to follow. Night of the Living Dead
was a classic that revitalised a certain corner of the cinema, and Dawn of the Dead
was nothing short of epic. Day of the Dead
, however, has always been regarded as a comedown compared to those twin peaks--and perhaps it is. But on its own terms, this is an awfully effective horror movie, made with Romero's customary social satire and cinematic vigour--when a "retrained" zombie responds to the "Ode to Joy", the film is in genuinely haunting territory. The story is set inside a sunken military complex, where Army and medical staff, supposedly working on a solution to the zombie problem, are going crazy (strongly foreshadowing the final act of 28 Days Later
). Tom Savini's make-up effects could make even hardcore gore fans tear off their own heads in amazement. --Robert Horton
--This text refers to an out of print or unavailable edition of this title.