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From Dawn to Decadence: 500 Years of Cultural Triumph and Defeat, 1500 to the Present [Hardcover]

Jacques Barzun
4.6 out of 5 stars  See all reviews (5 customer reviews)

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Product details

  • Hardcover: 704 pages
  • Publisher: HarperCollins (1 Sep 2000)
  • Language English
  • ISBN-10: 0060175869
  • ISBN-13: 978-0060175863
  • Product Dimensions: 23.6 x 15.5 x 5.6 cm
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Bestsellers Rank: 670,904 in Books (See Top 100 in Books)

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Product Description

Amazon.co.uk Review

At the outset of Jacques Barzun's colossal book From Dawn to Decadence 1500 to the Present: 500 Years of Western Cultural Life, the author admits that when asked by friends how long he has been writing his book, he can only answer--a lifetime. The book is worth the wait for its extraordinary energy and intellectual range. Barzun begins by arguing that "by tracing in broad outline the evolution of art, science, religion, philosophy and social though during the last 500 years, I hope to show that during this span the peoples of the West offered the world a set of ideas and institutions not found earlier elsewhere." In the process Barzun adroitly guides the reader from Luther's Ninety-five Theses and the religious revolution of the 16th century, through what he calls "the monarchical, liberal and social" revolutions of the subsequent 400 years that have shaped the culture of the modern Western world. All of Western life and thought can be found somewhere in From Dawn to Decadence. Portraits of Martin Luther, Shakespeare, Descartes, Florence Nightingale and James Joyce jostle alongside snapshots of cities at turning points in history--"The View from Venice Around 1650", "The View from Paris Around 1830", and finally "A View from New York Around 1995". Barzun's central argument is that "after a time, the Western mind was set upon by a blight: it was Boredom." This does lead Barzun to some more curmudgeonly comments towards the end of the book, where he deals with the cultural exhaustion of the last decades of the 20th century, but over 800 pages he offers more than enough insight into an incredible sweep of history to make this a riveting and rewarding book. --Jerry Brotton --This text refers to an out of print or unavailable edition of this title.

Review

'‘This astonishing and monumental work may fairly take its place alongside Gibbon, and for much the same array of qualities: a majestic view of five hundred years of history, done in great style, with vast erudition and a continuously entertaining idiosyncrasy of judgement’
ALISTAIR COOKE

‘To define Western culture is the most delicate and difficult of all operations. Jacques Barzun is one of the most cultivated exemplars of Western civilization and his book contains the experience and the reflection of a lifetime. He tells us not to judge past centuries by our standards and to recognize that, however different, those centuries have made us what we are.’
NOEL ANNAN

‘Jacques Barzun’s summa is the work of a very great historian and of a seer. The phrase from the Bible in apposite: “The hearing ear, and the seeing eye” is his great gift – and a gift to his readers.’
JOHN LUKACS

‘From Dawn to Decadence is a personal, witty, learned, bold, and above all wise retrospect of the past half-millennium. One will read it through with mounting interest, and then go back again and again to savour favourite parts of it’
GERTRUDE HIMMELFARB

--This text refers to an alternate Hardcover edition.

Inside This Book (Learn More)
First Sentence
THE MODERN ERA BEGINS, characteristically, with a revolution. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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14 of 14 people found the following review helpful:
5.0 out of 5 stars Historical Origins of the Contemporary World, 13 Aug 2000
By A Customer
This review is from: From Dawn to Decadence: 500 Years of Cultural Triumph and Defeat, 1500 to the Present (Hardcover)
Let me begin by quoting from Jacques Barzun. He sees the book as " . . . a chance to describe . . . some aspects of present decadence that may have escaped notice and and show how they relate to others generally acknowledged." The forms of decadence that he identifies in comtemporary society include excess use of television, public images of a sexual and immoral nature, a decline in traditional religion and an upsurge in various sects, a decline in the nation state, a decline in support for the nation state, the rise of professional sports operated in an undistinguished way morally, and a general withdrawal from traditional forms of education and high culture. I mention this upfront because you may feel differently about the meaning of these same trends.

At the end of the book, he writes from the perspective of the year 2300 about what happens in the next 300 years. This is one of the most interesting aspects of the book. He predicts that boredom will eventually drive people back into being interested in the traditional intellectual, social, and artistic paths of western civilization. At one level, he may well be right because the current technological revolution will rapidly reduce the amount of employment required for every day goods and services. Until more interesting ones are developed, a surfeit of cheap goods, services and entertainment may quickly become boring -- particularly if they are primarily consumed in a passive way.

Barzun also tell us who his audience is: ". . . this book is for people who like to read about art and thought, manners, morals, and religion, and the social setting in which these activities have been and are taking place." He also has assumed tht readers " . . . prefer discourse to be selective and critical . . . ."

His hypothesis is a defense of western civilization. "I hope to show . . . that the peoples of the West offered the world a set of ideas and institutions not found earlier or elsewhere."

This is an unusually long book, but the nature of the subject requires it. Certainly, I saw no place where the book provided too much or extraneous detail. To help the reader, the book is delightfully broken down into smaller units. The first is from 1500 to 1660 (the key issue was what to believe in religion), the second from 1661-1789 (the status of the individual and the mode of government predominate as topics), the third from 1790-1920 (government as a means to provide social and economic equality as the central issues), and the fourth from 1921 to the present (a mixture of all these past issues). Then, within each section, there are a series of essays that look at the primary religious, artistic, scientific, social, governmental, and thought developments. To tie all of these essays together, he uses concepts that he feels are continuing themes over the 500 years. To help these stand out, he CAPITALIZES them. Some of the major themes include PRIMITIVISM, EMANCIPATION, INDIVIDUALISM, SELF-CONSCIOUSNESS, ANALYSIS, REDUCTIVISM, SECULARISM and ABSTRACTION. To give the reader a firm place to stand, he includes several essays that are centered on a place and time to give a better sense of what it was like to live then. These are usually chosen to be near where the dominant themes were playing most strongly (Madrid in 1540, Venice in 1650, London in 1715, Weimar in 1790, Paris in 1830, and Chicago in 1880).

What is good about this perspective is that it puts many things in context. You see the design in the mosaic as well as the design in the individual tile. Barzun adds to this by masterfully explaining why things happened differently than expected. For example, Luther in 1517, the French aristocrats in 1789, and the Russian nobles in 1917 did not intend to start revolutions. Luther tacking his theses was the equivalent of publishing an article today. What made it different was that the printing press allowed these ideas to spread.

Barzun adds another perspective that is useful: the intellectual spread of ideas and concepts. When thinking about the past, most of us focus on the greatest individual contributors. But in doing so, we may miss people who added a key element that allowed others to accomplish more in the future. I was impressed by how many essayists, artists, musicians, and philosphers he cited whose names were totally unfamiliar to me. Yet, I was enriched by understanding their contributions from reading this book. This gave me a new sense of how to think about history. I should confess that I was a modern French history major in college, so I should know more of these people than most will.

I do not agree with Barzun on all of his points, and he would be surprised if you or I did...

I also don't think he makes his case for the superiority of western civilization over other cultures in the last 500 years. That would really require a different kind of book than this one is. This one focuses on Europe and North America. I suspect that he should have set a slightly less ambitious goal.

So, what's it all add up to? You cannot help but gain by reading this book. You will better understand the arguments for and against all of our current issues. You will locate artists and writers whom you will enjoy. You will have a great deal more fun on your next trip to Europe, visiting all of the places he talks about. You will also develop your own perspective on what the last 500 years means for now and in the future. For example, I was astonished to realize how much worse the 20th century was in many ways than earlier centuries, even though I was aware of the relevant details. Our social idealism is declining at an enormous rate compared to our scientific and commercial progress. All of these things are a lot to get from one book. I suspect we will not see its equal in our lives.

By the way, I suggest that you take this book in bite-sized pieces, unless you cannot stop yourself from going faster. The ideas will be easier to appreciate and connect, if you just read one essay at a time.

Overcome your misconception, disbelief, procrastination, independence, wishful thinking, and tradition stalls by becoming a better thinker about these issues. Enjoy!

Donald Mitchell (donmitch@2000percentsolution.com)

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11 of 11 people found the following review helpful:
5.0 out of 5 stars Historical Origins of the Contemporary World, 12 Sep 2004
By 
Donald Mitchell "Jesus Loves You!" (Thanks for Providing My Reviews over 110,000 Helpful Votes Globally) - See all my reviews
(TOP 100 REVIEWER)    (VINE VOICE)    (HALL OF FAME REVIEWER)   
Let me begin by quoting from Jacques Barzun. He sees the book as describing "some aspects of present decadence that may have escaped notice and and show how they relate to others generally acknowledged." The forms of decadence that he identifies in comtemporary society include excess use of television, public images of a sexual and immoral nature, a decline in traditional religion and an upsurge in various sects, a decline in the nation state, a decline in support for the nation state, the rise of professional sports operated in an undistinguished way morally, and a general withdrawal from traditional forms of education and high culture. I mention this upfront because you may feel differently about the meaning of these same trends.

At the end of the book, he writes from the perspective of the year 2300 about what happens in the next 300 years. This is one of the most interesting aspects of the book. He predicts that boredom will eventually drive people back into being interested in the traditional intellectual, social, and artistic paths of western civilization. At one level, he may well be right because the current technological revolution will rapidly reduce the amount of employment required for every day goods and services. Until more interesting ones are developed, a surfeit of cheap goods, services and entertainment may quickly become boring -- particularly if they are primarily consumed in a passive way.

Barzun also tell us the book is aimed at those who like to read about art and thought, manners, morals, and religion, and the social setting in which these activities have been and are taking place.

His hypothesis is a defense of western civilization.

This is an unusually long book, but the nature of the subject requires it. Certainly, I saw no place where the book provided too much or extraneous detail. To help the reader, the book is delightfully broken down into smaller units. The first is from 1500 to 1660 (the key issue was what to believe in religion), the second from 1661-1789 (the status of the individual and the mode of government predominate as topics), the third from 1790-1920 (government as a means to provide social and economic equality as the central issues), and the fourth from 1921 to the present (a mixture of all these past issues). Then, within each section, there are a series of essays that look at the primary religious, artistic, scientific, social, governmental, and thought developments. To tie all of these essays together, he uses concepts that he feels are continuing themes over the 500 years. To help these stand out, he CAPITALIZES them. Some of the major themes include PRIMITIVISM, EMANCIPATION, INDIVIDUALISM, SELF-CONSCIOUSNESS, ANALYSIS, REDUCTIVISM, SECULARISM and ABSTRACTION. To give the reader a firm place to stand, he includes several essays that are centered on a place and time to give a better sense of what it was like to live then. These are usually chosen to be near where the dominant themes were playing most strongly (Madrid in 1540, Venice in 1650, London in 1715, Weimar in 1790, Paris in 1830, and Chicago in 1880).

What is good about this perspective is that it puts many things in context. You see the design in the mosaic as well as the design in the individual tile. Barzun adds to this by masterfully explaining why things happened differently than expected. For example, Luther in 1517, the French aristocrats in 1789, and the Russian nobles in 1917 did not intend to start revolutions. Luther tacking his theses was the equivalent of publishing an article today. What made it different was that the printing press allowed these ideas to spread.

Barzun adds another perspective that is useful: the intellectual spread of ideas and concepts. When thinking about the past, most of us focus on the greatest individual contributors. But in doing so, we may miss people who added a key element that allowed others to accomplish more in the future. I was impressed by how many essayists, artists, musicians, and philosphers he cited whose names were totally unfamiliar to me. Yet, I was enriched by understanding their contributions from reading this book. This gave me a new sense of how to think about history. I should confess that I was a modern French history major in college, so I should know more of these people than most will.

I do not agree with Barzun on all of his points, and he would be surprised if you or I did. For example, I think he vastly underestimates the impact of economic, technological, and financial forces on these five centuries. Looking forward, I think he is even more blind to them. For example, the rise of the Internet will allow us all to be in contact. But what should we rely on each other for? You may be a great soccer player, but not so good at algebra. If I ask you to help me do some financial planning, you may inadvertently harm me even though you are a well-meaning, moral person. This question of when to trust will be critical to further development of civilization. If you would like to read another perspective on these centuries that favors the factors that Barzun underrepresents, you may find The Sovereign Individual helpful.

I also don't think he makes his case for the superiority of western civilization over other cultures in the last 500 years. That would really require a different kind of book than this one is. This one focuses on Europe and North America. I suspect that he should have set a slightly less ambitious goal.

So, what's it all add up to? You cannot help but gain by reading this book. You will better understand the arguments for and against all of our current issues. You will locate artists and writers whom you will enjoy. You will have a great deal more fun on your next trip to Europe, visiting all of the places he talks about. You will also develop your own perspective on what the last 500 years means for now and in the future. For example, I was astonished to realize how much worse the 20th century was in many ways than earlier centuries, even though I was aware of the relevant details. Our social idealism is declining at an enormous rate compared to our scientific and commercial progress. All of these things are a lot to get from one book. I suspect we will not see its equal in our lives.

By the way, I suggest that you take this book in bite-sized pieces, unless you cannot stop yourself from going faster. The ideas will be easier to appreciate and connect, if you just read one essay at a time.

Overcome your misconception, disbelief, procrastination, independence, wishful thinking, and tradition stalls by becoming a better thinker about these issues. Enjoy!

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7 of 8 people found the following review helpful:
5.0 out of 5 stars A stunning achievement and phenomenal read, 10 Mar 2001
By A Customer
While there may be a vogue for writing vast tomes that cover hundreds of years of European cultural history, Jacques Barzun's synthesis in From Dawn to Decadence is an exceptional work. The 92-year-old French-American man of letters is not exaggerating when he claims that a lifetime's work has been accumulated here. It may seem strange of a book that comes close to 1,000 pages to praise its author's concision, but Barzun's skilful treatment seems to rely a great deal on his knack of knowing what to put in, and importantly, what to leave out. Most of the popularly acknowledged cultural heroes, and heroines, of the past 500 years of Europe are here, as are some lesser-known characters, such as Christina of Sweden, whom Barzun deems worthy of comment. Another virtue of the book is that it does not strive to be objective in the nauseating way of those who refuse to pass comment on cultural history (but inevitably do so inadvertently in the process). The title is clear about his view of the direction in which culture is heading in Europe - a state of disintegration. However, as a historian his objective stance is evident throughout in his treatment of his material. There is much here to enlighten and entertain those who disagree with his ultimate conclusions. One way in which this book might be viewed is as a window onto further exploration of Europe's rich cultural history - the reader's appetite is bound to be whetted to pick up Leonardo's notebooks, Montaigne's essays, or Freud's psychological writings. For those who are already seasoned in these fields, the attraction of the book must be in its synthesizing force - a force which means that strictly chronological treatment is sometimes suppressed. Last, and not least, Barzun writes in a lucid and witty style, throwing in comments, and quotations marked off from the main text, to divert the reader. Such a synthesis of a great scholar's lifetime's work could not have come at a better time for a civilization in a confused state about its future.
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