So, what was all the fuss about? For Bowie fans hailing from more recent geenerations, Bowie's Ziggy Stardust persona has reached almost legendary status. For those who missed it they have a chance to witness what Ziggy was like on stage and what a stage concert was like in 1973. One thing's for sure: the camera work was a lot more dodgy in those days and at times the frame wobbles out of focus. However, this all adds to the charm in what is a fascinating historical document. We get opening shots of queuing fans, the application of makeup, VIP's backstage dropping in for a visit (including Angie Bowie and Ringo Star). Before you know it you have a tight knot of pre-show nerves in your own stomach.
The opening trio of tracks are really just an opportunity to get the levels right and warm up the audience but the concert catches fire when the curious medley of Wild eyed boy from Freecloud/All the young dudes/Oh you pretty things provides an unexpected bridge from Bowie's hippy past to his glam rock present and, incredibly, it works. The moment when he segues from Wild Eyed Boy to All the Young Dudes is simply electrifying. A storming version of Changes is a real showstopper and then we are treated to nice little acoustic set (with Bowie himself playing) of Space Oddity and My Death. On the latter Brel track Bowie simply has the audience in the palm of his hand with countless sweaty girls shouting "Me!, Me!, Make it me!" at the final line. Costume changes follow before Bowie takes the harmonica riff himself for a killer version of Cracked Actor. The real highlight of the show though is the sheer theatricality of Time and Width of a Circle. The former sees Bowie stripped of a layer of costume, felating Mick Ronson's guitar, and relishing the profane lyrics. Width of a circle then provides a 15 minute musical marathon which sees Bowie change costume half way through while Mick Ronson and Trevor Bolder battle out a lengthy duel on stage. Best of all though is the mime sequence during the instrumental section which is a Rock'n'Roll moment right up there with Jimi Hendrix setting fire to his guitar.
After this it's a sprint finish through the final stretch with a Stones cover, a Bowie original and then a Lou Reed Cover before Bowie final takes the time to address fans. But then more drama, this isn't just a concert, it's a moment in musical history as Bowie announces live on camera that this is his last ever tour and retires on stage! This sets the scene for an emotional rendition of his anthem Rock'n'Roll suicide after which you can literally hear the weeping and wailing in the audience.
Despite the ropey lighting and camera work, this video successfully captures how well-paced, inventive and dramatic Ziggy concerts were back then and it has to go down in history as one of the best Rock'n'Roll performances on film. It is mystifying why this wasn't released officially until 1983 by which time Bowie had morphed into a blonde haired pop star. An essential purchase.