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Data Soliloquies [Hardcover]

Richard Hamblyn , Martin John Callanan
3.5 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

1 Jan 2010
Data Soliloquies is a book about the extraordinary cultural fluidity of scientific data. A wide array of graphs, charts, computer models and other forms of visual advocacy have become inescapable fixtures of public science presentations, though they are often treated as if they were neutral `found objects' rather than elaborate narrative constructions containing high levels of statistical uncertainty. Through a mix of essays and artworks, this witty and engaging book -- the result of a collaboration between Richard Hamblyn and Martin John Callanan during their terms as writer and artist in residence at the UCL Environment Institute -- examines the theatricality of scientific data display, while critiquing some of the poorly designed statistical wallpaper that surrounds so much public science debate.

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Product details

  • Hardcover: 112 pages
  • Publisher: UCL Environment Institute; 1st edition (1 Jan 2010)
  • Language: English
  • ISBN-10: 0903305046
  • ISBN-13: 978-0903305044
  • Product Dimensions: 21.4 x 15.2 x 1.4 cm
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 1,057,917 in Books (See Top 100 in Books)
  • See Complete Table of Contents

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Review

...Despite "belonging"; to the field of art and humanities, neither Hamblyn nor Callanan are strangers to science and technology. Richard Hamblyn is an environmental writer and historian who has developed a particular interest in clouds, and Martin John Callanan is an artist whose remarkably conceptual work merges art and different types of media. This may be the cause that Data Soliloquies is by no means a shy penetration into a foreign field of knowledge but a solid discourse which presents a richly documented critique of the apparently ineffective ways in which scientists have made society aware of such a crucial problem as that of climate change. The title of the book has been borrowed for a term that Jon Adams, researcher at the London School of Economics, coined to refer to Michael Crichton's novels, who uses "scientific"; facts to give his imaginative plots an aura of credibility. With this reference, the authors state that the way scientific data is presented actually constitutes a narrative, an uncontested monologue: ";...scientific graphs and images have powerful stories to tell, carrying much in the way of overt and implied narrative content (...) these stories are rarely interrupted or interrogated."... (extract), Pau Waelder, Furtherfield, February 2010 --http://www.furtherfield.org/displayreview.php?review_id=377

About the Author

Richard Hamblyn is an environmental writer and historian; his books include Terra: Tales of the Earth, a study of natural disasters; The Invention of Clouds, which won the 2002 Los Angeles Times Book Prize; The Cloud Book and Extraordinary Clouds (both in association with the Met Office). He is currently editing The Picador Book of Science, and researching a book about man-made landscapes. <P>Martin John Callanan is an artist whose work spans numerous media and engages both emerging and commonplace technology. His work includes translating active communication data into music; freezing in time the earth's water system; writing thousands of letters; capturing newspapers from around the world as they are published; taming wind onto the Internet and broadcasting his precise physical location live for over two years. Martin is currently Teaching Fellow in Fine Art Media at the Slade School of Fine Art in London. <P>The UCL Environment Institute was established in November 2003 as a focus for interdisciplinary environmental research across UCL, as well as to improve links between those who carry out environmental research, and those with need of its findings, notably policy makers and other public and private sector interests.

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4 of 4 people found the following review helpful
5.0 out of 5 stars A Fascinating Read! 29 Jan 2010
By Rob
Format:Hardcover|Amazon Verified Purchase
The scientific concepts that are introduced throughout the book are perfectly explained by Richard Hamblyn as he takes the reader by the hand through a wonderfully genuine and concise account of environmental issues that the everyday man or woman will have no doubt been exposed to through the media in the past decade. The book is split up into four main chapters, of which the latter three are predominantly centred on scientific understanding and political conflict which has arose from climate change issues. After a somewhat understandingly self-indulgent foreword from Prof. Mark Maslin (Director of the UCL Environment Institute), (I say self indulgent as I would guess promoting the purpose of the institute is his job in this context) the book starts with an introducing chapter about the two authors (writer & artist) and the pre-tense under which this book came to light.

Whilst this is interesting I would personally say that the book didn't become immediately engaging for me until the second chapter; "Of Exactitude in Science" where Hamblyn begins his "story" on climate change and its associated data by introducing the keeling curve (1958). From here on in Hamblyn lathers the history behind climate change data into the attention of the reader in an interesting manner whilst simultaneously nestling concise and accurate accounts of opinions from other essays which highlight the then growing political interest into this data at the turn of the mid-twentieth century right up to modern day - of which readers may be more familiar. This sets the theme for the next two chapters to come as discussion is brought to a political bias in "Whistleblowers" - The third Chapter. The book finishes with Hamblyn talking about cloud formations and the implications these have on our environment in an equally interesting way. This makes for a great literary pedestal for a crescendo of images and notes produced by Martin John Callanan (The Artist) which wraps up the book nicely with the final chapter; "Text Trends".

It is clear that alot of care went into this book and the finished article makes for a terrific read.

My only slight gripe with the book is that it was too interesting for its length (112); as a result I will be looking into further books written by Hamblyn in the near future.

NB - I'll finish by saying that I'm a 19 year old second year undergrad studying Maths and Physics. I would say that the science content of this book will not be beyond the understanding of people without a scientific background.
Overall - A Great read, highly recommended and will be giving it to my Geography housemate who perhaps appreciates clouds more than me.
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1 of 3 people found the following review helpful
2.0 out of 5 stars Not quite sure what the point of this book is... 29 April 2012
By Emma T
Format:Hardcover|Amazon Verified Purchase
I bought this as a phd student working in the climate sciences and have to deal with the misery of incomplete error filled data daily, I thought this book would be appropriate for me! It had a few interesting passages about climate change spin but it jumps to different subjects randomly and is very short, I found this to be a blessing after a while! The pictures are pretty but the main one on the cover, a cloud embossed globe from a single moment, what purpose does this serve? As a piece of science it is not very easy to decipher becuase it is one colour and doesn't reveal much scientifically, as a piece of art it is bland, and very small! The graphs at the end reporting the frequency of occurrence with which two words are googled over 5 years are misleading, as you are meant to look at the relationship between public interest in the two things, but the y axis is arbitrary and I think often there is no relationship, but the creation of the graphs imply there is. I bought this book as I really liked Hamblyn's invention of clouds which was very thorough and informative, this is quite sparse in comparison and one wonders what the pair did for the duration of their residency, this book cannot be the sole product of an entire summer.
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