Forty years after being a Peace Corps worker in Malawi and a teacher in Uganda, Paul Theroux returns to Africa and finds things changed--for the worse. Now approaching his sixtieth birthday and wanting to escape from cell phones, answering machines, the daily newspaper, and being "put on hold," he is determined to travel from Cairo to Cape Town. He believes that the continent "contain[s] many untold tales and some hope and comedy and sweetness, too," and that there is "more to Africa than misery and terror."
Traveling alone by cattle truck, "chicken bus," bush train, matatu, rental car, ferry, and even dugout canoe, he tries to blend in as much as possible, buying clothing at secondhand stalls in public markets, carrying only one small bag, and avoiding the tourist destinations. He is an observant and insightful writer, and his descriptions of his travails are so vivid the reader can experience them vicariously. His interviews with residents are perceptive and very revealing of the political and social climate of these places, and his character sketches of Sister Alexandra from Ethiopia (a nun who "has loved") and of two charming Ethiopian traders, a father and son, who take Theroux to the Kenyan border, are delightful.
For most of the countries of Africa, however, he has no kind words. Kenya is "one of the most corrupt...countries in Africa," everything in Kampala, Uganda, has changed for the worse, and in Tanzania "there was only decline--simple linear decrepitude, and in some villages collapse." At the U.S. embassy in Malawi, he finds an "overpaid, officious, disingenuous, blame-shifting...embassy hack" and, in pique, he wonders, "Had she, like me, been abused, terrified, stranded, harassed, cheated, bitten, flooded, insulted, exhausted, robbed, browbeaten, poisoned?"
Theroux has become waspish, and it is difficult to "travel with" a man who sees himself as a hero for making the trip at all, especially after he refuses to give a half-eaten apple to a hungry child when she begs for it. He makes snide remarks and demeans other writers. He admires Rimbaud, who lived in Ethiopia in the 1880's, he visits Naguib Mahfouz in Egypt, and he spends his sixtieth birthday with Nadine Gordimer, an old friend. But Hemingway ("bent on proving his manhood"), Isak Dinesen ("a sentimental memoirist"), Kuki Gallman (a "mythomaniac of the present day"), and V.S. Naipaul ("an outsider who feels weak") are abruptly dismissed. When he ultimately refers to his own "safari-as-struggle," it is hard not compare his temporary and entirely voluntary "struggle" to those of the African people he meets along the way. "Being in Africa was like being on a dark star," he says. His book reflects this darkness--and his own. Mary Whipple
