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Connolly--who seems unconcernedly to be trespassing on Stephen King territory in Dark Hollow, with its Maine setting and echoes of background atrocities--actually brings to mind a slightly different hybridisation of horror and mystery: you might say it's Wilkie Collins re-tooled by James Ellroy. Lurking in his pages is more than a faint whiff of the Victorian triple-decker, with all its gothic complexities, while, at the same time, punctuating the plot are grotesque and excessive acts of sadism of a wholly modern sort that will cause some readers indignantly to close the book.
The trouble is, by doing that they miss a richly ripe, closely textured tale. Connolly's series character, ex-NYPD detective Charlie "Bird" Parker, is a man with a lot of pain to surmount--his wife and child were murdered in Every Dead Thing--but he's also a dogged knight errant attuned to the pain felt by others. In Dark Hollow, his quest for the truth is a twisty one, but he stays the course, and so should you. --Otto Penzler, Amazon.com --This text refers to an out of print or unavailable edition of this title.
This time, Bird--recovering from the murder of his family by The Travelling Man--returns to the scene of happier times, the wintry Maine of his childhood. But relaxation is once again elusive: another young woman is savagely killed along with a child, and Bird's previous encounter with the victims compels him to track down the murderer. There is an obvious suspect, but Bird believes that the real answer lies 30 years in the past. As the body count increases, it becomes apparent that someone else is hunting for Billy, the dead woman's ex-husband and chief suspect in the slaying. And this dangerous figure appears to know Bird intimately. Before long, the tormented detective is investigating the terrifying origins of a mythical killer: the psychopathic Caleb Kyle.
Along with the kind of riveting storytelling skills we have come to expect from Connolly, the author has built into his narrative a superstructure of striking imagery. Predatory nature and the cycle of the seasons feed into the darker corners of the plot and illuminate the grim psychopathology of the characters. Bird remains the most involving of protagonists--and by dovetailing his hero's troubled past into the search narrative, Connolly ensnares the reader to the past page: "'Nice car', he repeated, and a fat white hand emerged from one of his pockets, the fingers like a thick, pale slugs that had spent too long in dark places. He caressed the roof of the Mustang appreciatively, and it seemed as if the paint would corrode spontaneously beneath his fingers". --Barry Forshaw --This text refers to an out of print or unavailable edition of this title.
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Unable to set aside the murders of his wife and daughter, a haunted Parker returns to his hometown of Scarborough, Maine. Rather than finding solace in the northeast woods Parker is faced with a series of seemingly unrelated mysteries and a terrifying sociopathic mobster, Tony Celli.
Oddly enough the current series of murders are remarkably akin to 40-year-old killings - crimes that Parker's grandfather spent most of his life trying to solve. What is the connection between today's violence and killings almost half a century old?
Author Connolly pulls out all the stops with this highly readable, almost surreal tale involving mysterious forces lurking in the wilderness, and a long buried past seemingly rising from the grave. Connolly's an ace at creating menacing characters and shiver producing climes.
- Gail Cooke
I am pleased to report that Dark Hollow is a definite improvement in all areas. Bird remains an intriguing character and as other reviewers have noted, Angel & Louis are superb and could grace books of their own, should the author so choose. All the book's characters are distinctly human and all have their own individual personalities. Walter Cole, although a very small character in the actual story plays a much larger role in the book by the effects of his animosity towards Bird.
The plot is still full of twists and turns, but I think it would be even better had the author not included the mob involvement in the book. Without that, the plot although simpler could have been better as the author could have spent more time on the mythology / history of Caleb Kyle. Paradoxically, by simplifying it in this manner, the plot could have become more complex.
If John Connolly continues to improve then his next book, The Killing Kind will definitely be worth waiting for.
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