Dark Eden [Hardcover]

 

 

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Eden: a world of perpetual darkness, lit by fluorescent vegetation and headed by geothermal trees. Five hundred humans - the Family - live in an isolated valley. They are all descended from the same couple, Tommy and Angela, astronauts stranded on Eden one hundred and sixty years ago. As a result, genetic deformities and aberrations amongst the Family are commonplace. The Family is held together by the dream that one day Earth will send a rescue ship to pick them up and take them home.

For teenage hunter John Redlantern, this dream is a futile delusion. He believes that the Family must branch out to survive, as the valley's food stocks are dwindling. But the only way out of the valley is a dangerous ascent over an unlit, freezing mountain that has killed every person who has tried to climb it. John's determination to escape to a better place splits the Family apart, but how much is John's plan motivated by a desire for humanity to survive on Eden and how much to appease his own ego?

Dark Eden is a dark (thematically and literally) novel that uses an interesting SF concept - a world in perpetual darkness - to explore themes about human society and the impact of ideas, traditions and rituals on a small group of people. Chris Beckett, the author of the excellent Holy Machine, has been noted as an author who fuses SF subject matter and 'literary' ambitions together into something interesting. Whilst hardly new - there's a faint hint of Brian Aldiss or early Ballard to his work - it's something that Beckett does well, creating stories that work from a scientific viewpoint as well as a literary one.

Eden itself, with its luminous trees and vividly nocturnal wildlife, is a fine, stirring creation. It's the inverse of the superheated Earth of Aldiss's Hothouse, a world here plunged into utter darkness and, away from the geothermal foliage, total cold. How this is possible is left to the reader's imagination: does the planet orbit a black hole or a brown dwarf? Does it orbit a normal star and is merely tidally locked? If the planet is indeed freezing cold, how does the atmosphere not simply melt away? Various solutions to such questions present themselves but are ultimately left ambiguous.

The Family survive by clinging to one central belief - that a rescue ship will come from Earth to find them - and their entire existence revolves around it. They refuse to travel far from their ancestors' landing site, even though local food sources have been almost exhausted. They constantly tell stories about their ancestors and the founding of their society. But they are trapped into a mode of existence so all-consuming it is taken for granted. When John Redlantern is able to step back and point out the flaws in their blinkered worldview, it creates strife and discord. A serpent enters this Eden, but this time we are on the serpent's side, as the Family remaining where they will ultimately destroy them.

At the same time, John is motivated not just by a desire to save his people, but also to prove himself better than them, a visionary leader. Beckett's structure - he uses a rotating first-person POV, swapping characters every chapter - allows us to see events from John's perspective and also from that of both his friends and enemies, allowing a tremendous depth of character to be achieved (both of John and several other key characters). John's character is built up, deconstructed and reassessed with tremendous skill. Beckett is keen to avoid passing judgement: some of John's actions are admirable, others are loathsome, and the reader is invited to decide which is which.

At the same time the story moves forward, it also moves back. The story of how Tommy and Angela ended up on Eden is revealed in layers, as more and more stories and legends from the distant past of Eden are revealed, and the story that the people of Eden know may not be the whole truth. It's also a story that doesn't have an ending, as the fate of the three astronauts who left Eden in search of help is not known (in the novel's only possible misstep, Beckett eschews the ambiguity of the rest of the book to give as a fairly straightforward answer in the book's climax). The Family want to stay in their valley so the rescuers can find them, and the end of the story can be known, whilst John and his followers want to abandon such beliefs and strike out in search of their own destiny. Conflict follows and both sides' arguments have their merits.

Dark Eden (*****) is a superb novel about ideas, the struggle to survive and the dangers of blind faith. Beckett says little that is new, but makes his points with subtlety and intelligence, all against a well-realised, vividly-described backdrop. The novel is out now in the UK and is available on Kindle in the United States.

Eden is a planet without a sun. Instead, light is generated by Eden's humming trees and its strange animals. Scratching a living in one small area of the planet is a group of several hundred humans who are descended from two astronauts from Earth who settled on Eden approximately 160 years before. Five astronauts had landed but three left to try to make it back home. The remaining two, Tommy and Angela, stayed behind and in so doing became the mother and father, grandparents and great grandparents of every man, woman and child on Eden. Divided into different family groups, such as the Redlanterns, London and Brooklyn, the people wait for the astronauts to return and take them all back home to Earth. They have little but a shared mythology, a common memory handed down like Chinese whispers, to give them comfort. But as the years go by and no-one from earth has arrived, the youngsters, the New Hairs, led by John Redlantern, decide to turn an existence into a life.

Dark Eden is one of the most extraordinary novels I've read in quite a while. Almost immediately, the powers of Beckett's description and imagination have immersed the reader fully into this eerie, dark world which is both beautiful and menacing. Fierce leopards sing exquisitely before they strike, bats hang from trees with their arms folded, watching, bucks (like cattle) have lanterns growing on their heads. But the humans fare less well. Generations of inbreeding have created people with `batfaces' and `clawfeet'. Many babies die, especially boys. Language has degenerated, adjectives have been lost - now something is `cold cold' or `hot hot' and life centres around the stories told by Eldest about Tommy and Angela, their journey from Earth and the objects they left behind, such as Car, Plane, Rayed Yo and Lecky-trickity. With such a blinkered outlook, with no ideas allowed to develop, the outlook for the Family is bleak.

Dark Eden tells the story of what is nothing less than a revolution from a variety of perspectives, including that of John Redlantern, Tina Spikehair and other members of the Family and it's an interesting mixed bunch of commentators. This allows us to see the full ramifications of what is happening and how the changes strike to the core of absolutely everyone. How they react to it and cope with it is extremely moving.

The universe of Dark Eden is remarkable and its wonders are complemented by the language, which expands as our troop of New Hairs explore beyond the boundaries of what is known. The names of objects and creatures are literally fantastic. The whole concept, this new distant Eden with its many parallels to the biblical Eden, is gobsmacking. It raises a host of questions about faith and the answers aren't necessarily pleasant.

My admiration for Chris Beckett is enormous. Dark Eden is a significant piece of science fiction. It is captivating but I also found it very disturbing. The fate of the characters and their lot in life troubled me. I was surprised by how involved I felt with these people and their drive for survival. Likewise with the story of the astronauts, which lies like a shadow across the novel. It will be interesting indeed to see where Chris Beckett will take us next.

This is a brilliant story. I won't go over the details, as that has been covered well already.

This is a great comibination of planetary exploration and future primitive on a planet that seems to be travelling in interstellar space outside any solar system. A spaceship crashes on a the world they call Eden, and their descendents stay in the area waiting for Earth to rescue them. Chris Beckett explains how life might survive, and creates a wonderful ecosystem for the humans to explore that is both alien yet believable.

On top of that, the book is an allegory about the introduction of evil in the world (it's called Dark Eden for a reason), and about how change is painful but necessary.

All the characters are strong, and you can understand their point of view even if you do not agree with what they are doing. The main protagonist John Redlantern is a complex and not entirely sympathetic character that shakes up the old system without any clear idea what to replace it with. The only one-note character is the 'baddie', but even here, you can understand how he had become so bitter.

Great book, it's only February but can see this will be one of my favourite reads of 2012

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5.0 out of 5 stars An author who deals with big ideas
I loved this book. This author is not scared of taking on big ideas and he then explores them in a story that is absolutely gripping. Read more

Published 19 days ago by Cloiff

4.0 out of 5 stars Cracking Release
Corvus is one of those publishers that always brings something to the fore that not only hits the readers desires for their genres of choice but generates questions in the way... Read more

Published 1 month ago by Gareth Wilson - Falcata Times Blog

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