"You live in Eden. You are a member of the Family, one of 532 descendants of Angela and Tommy. You shelter beneath the light and warmth of the Forest's lantern trees, hunting woollybuck and harvesting tree candy. Beyond the forest lie the treeless mountains of the Snowy Dark and a cold so bitter and a night so profound that no man has ever crossed it. The Oldest among you recount legends of a world where light came from the sky, where men and women made boats that could cross between worlds. One day, the Oldest say, they will come back for you. You live in Eden. You are a member of the Family, one of 532 descendants of two marooned explorers. You huddle, slowly starving, beneath the light and warmth of geothermal trees, confined to one barely habitable valley of a startlingly alien, sunless world. After 163 years and six generations of incestuous inbreeding, the Family is riddled with deformity and feeblemindedness. Your culture is a infantile stew of half-remembered fact and devolved ritual that stifles innovation and punishes independent thought. You are John Redlantern. You will break the laws of Eden, shatter the Family and change history. You will be the first to abandon hope, the first to abandon the old ways, the first to kill another, the first to venture in to the Dark, and the first to discover the truth about Eden."
Chris Beckett's third novel Dark Eden (published in 2012), follows two others, The Holy Machine (2010) and Marcher (2009). His short stories have been appearing in print in Britain and the US since 1990, and his short story collection, The Turing Test, won the Edge Hill Short Fiction Award in 2009, in a shortlist including collections by Booker and Whitbread prize-winners, Anne Enright and Ali Smith, a rare instance of a science fiction book winning a non-genre literary award.
More information about his fiction writing can be found at www.chris-beckett.com
Chris Beckett works part-time as a lecturer in social work, and he also writes text books. He tries to use his experience of story telling to make these books readable and lively, and to write in a realistic way about social work as it actually exists.