Police officer Donal Riordan, killed and brought back to life with the heart of his undead lover beating in his chest, is getting used to a bizarre and frightening new existence. As one of the undead the living citizens of Tristopolis distrust and fear him. But death has its advantages. He can sense the presence, the thoughts the feelings of his fellow zombies, he is tireless, he can see better, hear more acutely. But none of this will necessarily save him as he begins to investigate who is behind a plot to ensorcel the entire population of Tristopolis. The plot goes right to the top and anyway who gets in the way will be killed again. And all the time the members of the Unity party are stoking the fires of hatred towards the undead. John Meaney's new series is a superb melding of the science fiction and horror genres and is perfectly timed for the resurgance of horror in the market.
I'm John Meaney (aka Thomas Blackthorne), writer of hard SF, gothic SF/dark fantasy, and near-future thrillers. Having studied physics and computer science, I've been a globetrotting IT consultant and taught software engineering on three continents. Nowadays, I hide in a Welsh valley and write full-time.
I've trained in martial arts since I was a kid, primarily shotokan karate. I'm a trained hypnotist, so don't look into my eyes... And I adore cats. (And www.johnmeaney.com is my online home - pop in and say hi!)
P.S. For readers shopping at amazon.co.uk - please note that Black Blood is a US import, being the title the American publishers chose to use for the book that's called Dark Blood over here. (Writers don't choose titles or cover art or any of that stuff. We don't like it when something appears under 2 different titles, because in the long run it costs us readers!) To be fair to the publishers, Black Blood was my original working title, but it changed a year before US publication. The US edition contains later revisions compared to the British version, but they're minor.
Publishers buy the rights to publish in certain countries, so the US publishers weren't thinking of American books being sold in Britain. The business is country-based, but the Web is global.