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  • Dario Argento's Inferno [Blu-ray][Region Free]
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Dario Argento's Inferno [Blu-ray][Region Free]

58 customer reviews

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Product details

  • Actors: Leigh McCloskey, Irene Miracle, Sacha Pitoeff, Eleanora Giorgi, Alida Valli
  • Directors: Dario Argento
  • Producers: Claudio Argento
  • Format: Blu-ray
  • Language: English, Italian
  • Subtitles: English
  • Region: All Regions (Read more about DVD/Blu-ray formats.)
  • Number of discs: 1
  • Classification: 18
  • Studio: Arrow Video
  • DVD Release Date: 13 Sept. 2010
  • Run Time: 106 minutes
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (58 customer reviews)
  • ASIN: B003OC99HQ
  • Amazon Bestsellers Rank: 63,007 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Reviews

Product Description

After Suspiria comes the Inferno!

After the box office smash Suspiria comes this second mind scrambling instalment of the Three Mothers trilogy, a psychedelic trip into gut wrenching horror. Join master of terror Dario Argento as he takes you inside a world of surreal fear and bloody violence!

As a brother and sister delve into a series of gruesome New York murders it soon becomes clear that the devil is at work. A coven of witches are abroad and they bring murder, death and escalating insanity with them...

Get fired up for one of the masterpieces of Euro-Horror... Get ready for INFERNO!

From Amazon.co.uk

Inferno, Dario Argento's sequel to Suspiria (1977), is an even more incoherent nightmare fantasy. Laden with symbolic imagery and fantastic explosions of death shot in candy-coloured hues, it's a blood feast for the eyes. Mark (Leigh McCloskey), an American music student in Rome, rushes home to New York after a frantic phone call from his sister only to find an empty apartment and obscure clues about a supernatural presence in her spooky building. It all has something to do with the mysterious Mater Tenebrarum, one of the "Three Mothers" of Argento's murky mythology, and the funhouse of an apartment house she inhabits, complete with a fully furnished underwater ballroom, miles of secret tunnels flooded in red and blue light, and hidden passageways under the floorboards. Meanwhile there's a killer running around stabbing beautiful women for who knows what reason, and a crippled bookseller attacked by rats and a homicidal hot dog vendor in Central Park. Why? It's best not to ponder such mysteries--Argento obviously isn't as concerned with making sense of his meticulously staged murders as he is with lighting them with just the right hue. Dramatically it's inert, a parade of quirky but faceless victims dispatched with elaborate care, but it's beautifully designed and executed, a spectacle of elaborate set pieces and magnificent decor orchestrated with a complete disdain for narrative logic. --Sean Axmaker --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

4.2 out of 5 stars

Most Helpful Customer Reviews

19 of 20 people found the following review helpful By Jeremy W. Newbould on 18 May 2010
Format: DVD
"Inferno" (the Italian word for Hell) is the second installment in Dario Argento's "Three Mothers" trilogy and the follow-up to his classic, "Suspiria". The Three Mothers are a deadly triumvirate of witches that live in three special houses designed by an architect and alchemist called Varelli - Mater Suspiriorum (The Mother of Sighs) lives in Freiburg, Mater Tenebrarum (The Mother of Shadows) lives in New York and Mater Lachrymarum (The Mother Of Tears) lives in Rome.

"Suspiria" focused on The Mother of Sighs and "Inferno" mainly deals with The Mother of Shadows in New York but we do briefly see The Mother of Tears in some scenes set in Rome in "Inferno" as well.

"Inferno" begins in New York with a young woman called Rose Elliot (Irene Miracle) reading an old book called The Three Mothers by E. Varelli. She becomes intrigued by the legend of the witches and decides to try and find out more. What strange secrets does the large apartment building hold where she lives? Unfortunately, her curiosity leads to her being brutally murdered on a stormy April night. Before she died, Rose contacted her brother Mark (Leigh McCloskey), a music student in Rome, and he travels to New York to find out what is going on and ends up as bemused as the rest of us!!!

If there was ever a film where style spectacularly triumphs over substance then "Inferno" is it. This film is mainly just a series of amazing set-pieces with no real coherent, driving narrative but you end up not really worrying about the plot (or lack of it) because, first of all, the film looks so beautiful and, secondly, Argento is such a skillful film maker that he can tell a story purely visually and he can sometimes make even the most mundane scenes seem interesting.
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5 of 5 people found the following review helpful By eduardo russi on 17 Jun. 2012
Format: Blu-ray Verified Purchase
DARIO ARGENTO'S INFERNO BLU-RAY REVIEW

The Disc

Arrow video have put together a pretty solid package here with an uncut (some mouse bothering was causing the BBFC a few palpitations) restored HD transfer. It's very clean and shows off the vibrant palette well. Dark scenes have the grain you'd expect from a film this age, but remain clear and appear true to the original source.

Also included are four sleeve art options, a double-sided poster, an exclusive collector's booklet written by Alan Jones (author of 'Profondo Argento' and founder of Frightfest) and six original poster art postcards.

The new extras feature some lovely animated title sequences that relate to various aspects of the film and are fun in their own right, whilst the content is on the whole brief but insightful. In particular the recollections of Argento and Daria Nicolodi are amusingly disparate with the former husband and wife not entirely in agreement over artistic input (in 'Dario's Inferno' featurette and 'Acting In Hot Water - An Interview With Daria Nicolodi).

'The Other Mother: Making The Black Cat' is a diverting curiosity more interesting for director Luigi Cozzi's perspective on Argento and Nicolodi than for his story on how the unofficial 1989 'sequel' to Inferno came to pass.

The 2000 documentary 'Dario Argento: An Eye For Horror' makes an appearance too, containing much worshipping at the Italian's feet by the likes of George A. Romero, John Carpenter and Tom Savini. Narrated by the always engaging Mark Kermode, it suffers from being a decade old with out of date remarks like "his still unfinished Three Mothers Trilogy" and from an overly reverential tone that does it no favours.
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14 of 15 people found the following review helpful By grounden1985 on 25 Feb. 2012
Format: Blu-ray Verified Purchase
Being the huge Argento fanboy that I am, I ordered this Arrow Blu-ray along with my own country's version released by Blue Underground. After watching both twice, I personally prefer the Arrow, which surprised me because after much research on-line it seems most people prefer the Blue Underground. Even stranger, I've compared screencaps of both releases from review sites and actually preferred the Blue Underground version in the still images, but for some reason this Arrow release looks better in motion. I think the color palette plays an important part in conveying the atmosphere in this film, so it's very important to get it right. I found the Blue Underground's colors dark and bold (more 'horror movie' style) while the Arrow's were bright and almost neon (more 'dream-like'). Comparing the two, I find the Arrow's color palette suits the film better for me. The Blue Underground release seemed almost too dark in some places and the colors, while bold and beautiful, just weren't as bright and surreal as the Arrow's. I guess it's a simple question of if you like the dark, bold colors or the bright ones, but I know which one I preferred. I've also heard a lot of negative comments about Arrow's use of DNR, however there are a lot of scenes in this Arrow release that contain a good amount of grain in them so these accusations may be unfounded. I don't think they got carried away with the DNR--most shots just look cleaner, and as for the accusations the characters look "waxy", the flesh tones look fine to me.

I'll also add that the sound on this release is noticeably better than the Blue Underground, and I don't even have a sound system hooked up, just my regular TV speakers and I could still tell the difference.
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