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Dante's Numbers: The Seventh Costa Novel (Nic Costa)
 
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Dante's Numbers: The Seventh Costa Novel (Nic Costa) (Hardcover)

by David Hewson (Author)
3.0 out of 5 stars  See all reviews (2 customer reviews)
RRP: £16.99
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Product details

  • Hardcover: 400 pages
  • Publisher: Macmillan (3 Oct 2008)
  • Language English
  • ISBN-10: 0230529356
  • ISBN-13: 978-0230529359
  • Product Dimensions: 23.6 x 15.8 x 3.8 cm
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon.co.uk Sales Rank: 246,193 in Books (See Bestsellers in Books)

Product Description

Amazon.co.uk Review

Dante's Numbers is the seventh novel in David Hewson’s Italian-set crime sequence. His protagonist is the resourceful Nic Costa, and Costa’s stamping grounds -- Venice and Rome -- are conjured for the reader in novels that combine atmosphere with judicious plotting. A selection of writers from England and America have elected to locate their books in Italy, and Hewson is among the most accomplished of such literary travellers.

Dante’s Numbers is a particularly winning outing for Nic Costa. A death mask of the great Italian writer Dante is to be displayed to tie in with the premiere of a new film based on the poet’s classic Inferno. But when the time arrives for the display, a macabre death mask of Allen Prime, the film's star, is discovered to have been substituted for the invaluable original. Shortly after, the leading lady, Maggie Flavier, is menaced before her assailant is shot. Is a demented fan of Dante behind the mayhem? The caribinieri think so – but (as usual) Nic Costa refuses to take the establishment line, and he travels to the film’s next showing in San Francisco. His task: recover the mask – and prevent more deaths.

Hewson fans will be in no doubt as to the effortless level of storytelling acumen on offer here – the only mystery is why Hewson’s books (popular though they are) aren’t yet as celebrated as many a less accomplished series. --Barry Forshaw



Product Description

Allan Prime’s eyes were as large as any man’s Peroni had ever seen. He looked ready to die of fright, even before the bright, shining spear with the blood-soaked tip reached his head . . .

The death mask of the poet Dante is to be exhibited at the premiere of a controversial film, Inferno, based on his epic work. But at the grand unveiling this priceless artefact is replaced by a macabre death mask of the film’s star, Allen Prime. And minutes later, the leading actress, Maggie Flavier, is threatened before her attacker is shot.

After footage of Prime’s murder is shown over the internet, the Carabinieri are determined to take over the investigation, certain that a crazed Dante fan is behind the killing. Nic Costa and his team follow the movie to its next showing in San Francisco, to safeguard the remaining items and hoping to recover the stolen death mask.

However, in California the mystery deepens, with confusing new clues about the deaths in Rome. With the Carabinieri and local authorities distracted by false leads, can Costa protect Maggie, find the truth and stop the killer – all before life imitates art?


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Dante's Numbers: The Seventh Costa Novel (Nic Costa)
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7 of 8 people found the following review helpful:
2.0 out of 5 stars Back to Italy next time please!, 1 Nov 2008
David Hewson had assured me,on his website, that the fact that the Rome detectives would be 'crossing the pond' for this latest instalment in the Nic Costa series would not detract from the enjoyment of this essentially Italian crime series. I still had my doubts but was prepared to give him the benefit of the doubt until I'd read the book. Well, sad to say that although the novel is beautifully written as always it lacks the excitement and taughtness of the previous books. It starts off so well: an American actor is murdered in gruesome fashion before the Italian premiere of 'Inferno' a big budget movie that sees the return to directing of Roberto Tonti, an Italian who started his career in the USA working on Hitchcock's 'Vertigo'. There is the usual antagonism between the Carabineri and the state police which is amusing and leads to Costa,Falcone and Peroni going to San Fransisco to guard the precious artefacts that form part of an exhibition alongside the movie itself-all dealing with Dante-the author of The Divine Comedy the subject of the movie. The fourth member of the 'team' Teresa Lupo,the pathologist pays her own way to get there as she is convinced that the movie has a lot to do with the death of the actor. Great up to now but as soon as the action moves to San Francisco the pace and the story seems to fall into just the same kind of limbo that Dante described in the play. Peroni, a loveable,ugly,old fashioned cop is shunted to the sidelines in the story, Falcone spends much of the time yearning for a San Francisco detective who does not reciprocate his attractions, Teresa, while becoming heavily involved seems out of her milieu, and Costa is the only one left to do anything much. It is a very clever book,perhaps too clever,and although enjoyable leaves you yearning for the sights and smells of Rome where the protagonists can be themselves again. Costa's somewhat cathartic relationship with the actress Maggie Flavier, his first since the death of his wife in the last book was handled well, but you fervently hope that it remains a brief interlude in his life. Roll on the next book, but let it be wholly Italian this time. Why spoil a winning formula by involving another continent?
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4.0 out of 5 stars Complex story, expertly handled, 6 May 2009
By Bluebell (UK) - See all my reviews
(TOP 500 REVIEWER)   
I have followed the whole of Hewson's Rome series featuring the thoughtful detective, Nic Costa and I wasn't disappointed by this latest book. Unlike another reviewer I thought placing the action in both Rome and San Francisco, rather than exclusively in Italy, added to the story rather than detracted from it as it allowed for some comparisons between two different society's cultures, attitudes and scenery. As I've come to expect from the author he has created an intricate plot, this time revolving around clues from Dante's Inferno and the film Vertigo. Though each book in the series stands alone, you get more from reading them in sequence as there are references to past events and the experiences of the main characters have been developed in earlier books with only passing references in this book to their back-stories. But don't be put-off starting with this book: I think you'll enjoy it and, if you do you, you'll know that there are five previous books waiting for you.
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