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Dante Gabriel Rossetti: Painter And Poet [Paperback]

Jan Marsh

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Book Description

1 Dec 2005
Born in London in 1828, of British and Italian parentage, DGR became a pupil of Ford Madox Brown and later formed the PRB to effect a revolution in English painting and poetry. His work in both forms was detailed, symbolic, mystical, and sometimes erotic. He was involved with two of the PRB beauties, first Lizzie Siddal who died of a laudanum overdose, then Jane Morris. Notoriously, DGR buried his poetry manuscripts with Siddal, but later exhumed them. Latterly involved with William Morris's decorative arts firm, DRG died - a near recluse - in 1882, a Romantic Victorian revolutionary.

Product details

  • Paperback: 608 pages
  • Publisher: Phoenix; New edition edition (1 Dec 2005)
  • Language: English
  • ISBN-10: 0753818973
  • ISBN-13: 978-0753818978
  • Product Dimensions: 4.4 x 13.5 x 21.5 cm
  • Amazon Bestsellers Rank: 772,381 in Books (See Top 100 in Books)

Product Description

Amazon Review

Jan Marsh is the author of the standard biography of Christina Rossetti, the marvellous Christina Rossetti: A Literary Biography. Her new biography of the brother is bigger, meatier and if anything an even more extraordinary achievement. Partly this is because Rossetti's life is so full of incident: his marriage to the beautiful, frail Lizzie Siddal, and his grief and self-blame at her death; his affair with William Morris's wife Jane; his own nervous breakdown which came on him suddenly (Marsh begins one section with the striking sentence: "The next day, Gabriel was deranged"). Partly it is that the Pre-Raphaelite movement, of which he was so central a figure, remains inherently fascinating today. Marsh concedes that although Rossetti's extraordinary poems "now languish largely unread", his paintings, with their "highly coloured iconic images" are still seen as masterpieces.

Marsh is able to balance painting and poetry, the two strands of Rossetti's life, with consummate skill, providing excellent readings of both and demonstrating their inter-relations. Her account of the life is detailed and, cumulatively, simply stunning-- in large part because she steers clear of the more lurid possibilities. As Marsh points out, "it has been so common to paint Rossetti as a lusty philanderer ... generally bedding all available models, that his celibacy requires more explanation." Startling to see Rossetti described as a "celibate", but Marsh is excellent on the repressed, paradoxical attitude towards sex that emerges from Rossetti's famously sensual art. Overall her restraint pays dividends, because Rossetti emerges at the end of the book in a new light--no longer a sordid Pre- Raphaelite Brotherhood caricature but a deeply human if flawed and contradictory character. This book is a triumph. --Adam Roberts --This text refers to an out of print or unavailable edition of this title.


'Exemplary... [Marsh] catches the pathos of a man who has for too long been parodied or put down.' (THE TIMES )

'Marsh is ideally placed to write this biography... She brings to life the painter and poet.' (THE HERALD )

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