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Dancing With Cats
 
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Dancing With Cats [Hardcover]

Silver Burton , Heather Busch , Burton Silver
3.6 out of 5 stars  See all reviews (5 customer reviews)

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Product details

  • Hardcover: 96 pages
  • Publisher: W&N (15 July 1999)
  • Language English
  • ISBN-10: 0297825305
  • ISBN-13: 978-0297825302
  • Product Dimensions: 24.1 x 23.9 x 0.5 cm
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Bestsellers Rank: 225,774 in Books (See Top 100 in Books)
  • See Complete Table of Contents

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Product Description

Amazon.co.uk Review

With a hey diddle diddle, the creators of Why Cats Paint return with another version of feline (and human) reality. And suffice it to say that in Burton Silver and Heather Busch's hands, Kipling's cat that walked by himself has turned into a deeply co-dependent dervish. Their first book was a brilliant parody of artspeakBusch's photos of creative felines matched by Silver's text. Their second, Dancing with Cats--an epic three years in the making!--juxtaposes psychological and spiritual mumbo-jumbo with the language of dance criticism. As Silver explores everything from visualisation to mirroring to empathy, Busch is busy with her human pairs. In one sequence, Fred, clad in tabby tights, kitty-cat body paint and a tanga with a long black tail, leaps about the place with a slightly puzzled pussy: "I share its grace, power, and oneness with the universe. I relate to Fluff and the whole spectrum of feline physicality on a profound level--I even regard birds differently."

On the very next page, chubby Helen, sporting a tie-dyed purple gown and a deep-sworn belief in Feng Shui, identifies perhaps a bit too deeply with chunky, amber-eyed Boots (who looks suspiciously like "Trans-Expressionist" Bootsie from Why Cats Paint). And then there's Sue and Zoot. In one photo, the recumbent grey and peach cat raises his left paw to the sky as his ecstatic human does the same. Then Sue dons a feathery jerkin "in order to dance out some of her past traumas." It's difficult to say which is funnier, the photos or the text, as Silver catches pseudo-therapy's mixture of self- affirmation and non sequitur: "Dancing with Zoot helps Sue re-enact and come to terms with the joy and sorrow of a brief but painful relationship: when she fell in love with her daughter's father while he was photographing bridges in the neighbourhood." Though the two-legged models must have been prepared for this inspired silliness, one does wonder what on earth the cats made of their eurythmic adventures. Alas, until interspecies communication reaches a greater height, we can only dance amid our uncertainty! -- Kerry Fried

Review


Reviews from: ELLE
LIFE
CATS MAGAZINE
PEOPLE

This lean and lithe "danseur noble" is only one of the balletically inclined felines that Burton Silver and Heather Busch--authors of the newly published "Dancing With Cats"--have turned up in their ongoing investigation of the aesthetic propensities of cats (see their 1994 monograph "Why Cats Paint)." If the American Ballet Theater has not yet picked up on these piroutteing pussies, it's only a matter of time.

While researching their last tongue-in-cheek tome, "Why Cats Paint, " Burton Silver and Heather Busch came across pet owners with a curious predilection: two-stepping with their tabbies. The pair shed light on this phenom in a collection of pet pas de deux. Raves one dance partner: "The feline vibration surges through me with such power. Afterward I feel incredibly alert and peaceful."

The authors of "Why Cats Paint, " bring you "Dancing with Cats" published by Chronicle Books. It is lovingly illustrated with photos of graceful felines and their colorful owners, caught mid-flight.

Burton Silver and Heather Busch have rediscovered and brought to light the ancient art of cat dancing. They say cat dancing lets the owner and the cat channel together and tap into the natural feline energy vibration... or something like that. We just love the pictures. Look for it in your local bookstore.

by Michael Neill
People who hate cats--ailurophobes is the ten-dollar word--dismiss our purring friends as cold-blooded, self-centered manipulators with no redeeming social value beyond their all-too-occasional oppression of small rodents. Hah! What fools! As Silver and Busch know--and cleverly showed in "Why Cats Paint, " their previous book--kitties are actually multitalented Renaissance critters capable of, heck, just about anything. And it seems they also cut a mean rug--not just shred it to bits. "Dancing with Cats" cleverly mixes mock-pretentious writing--"Before dancing, Helen --This text refers to an out of print or unavailable edition of this title.


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Customer Reviews

Most Helpful Customer Reviews
18 of 18 people found the following review helpful
Format:Hardcover
When I was a young boy, my father took me to the circus. I can remember to this day my first glimpse of the lion tamer. His power, his finesse with that great beast, called to the deepest recesses of my childhood soul. At home, I asked endless questions about the lion tamer. My father answered each one patiently, but he never took me back to the circus. Childhood ended, I grew up, married and by the time I had my own children I had all but forgotten my early fascination.

Then, for my daughter Eliza's eighth birthday, my wife suggested we buy a cat. I thought it a fine idea, and it is only looking back now on that fateful day that I can see hidden beneath my indifference the shades of an obsession that would come to dominate my life.

We bought the cat, a Bengal, much to Eliza's delight. I didn't take much notice of the animal at first, until one day I looked over my paper and saw Eliza exciting it with a piece of string. The sight gave me a disturbing feeling, a sensation of immense and seductive power trapped somewhere in that string. I pushed the feeling away and soon forgot about it.

A year later, while perusing a small bookshop while on a family vacation in Marrakech, I discovered a dusty hardback of 'Dancing with Cats' hidden away behind some travel books. I decided to purchase it for Eliza.

The owner of the shop, a small and anxious man, tried fervently to dissuade me from buying the tome. My French is conversational at best and I only caught a fraction of what he was saying. His gesticulations grew increasingly frenetic as I placed my money firmly on the table and left the shop with the book.

I walked immediately to a cafe and opened it. I sat in that cafe for god knows how long, my eyes enraptured by the strange philosophies and eerie illustrations I found within its pages. As I read I felt myself descending, felt something else rising to take my place. Whether the book released something that had been waiting within me since those first glimpses of the lion tamer, or whether it was the dark power of the book itself that caused my transformation, I'll never know. I don't wish to know.

I cut my holiday short, citing an emergency at work. My family stayed on in Morocco and I returned home the next day. I dismissed our cat-minder and stood in the living room with the animal. She rubbed her back against my shin and meowed. I recall looking down at her, noting that she had her tail held aloft in what I am sure was anticipation.

I opened the book and spoke its words. Immediately the cat rose up on her hind legs and began to dance in slow, rhythmic movements. My lip trembled as I read aloud, releasing the book's arcane words into the quotidian stillness of my living room. The cat danced, faster, faster and as I spoke she hissed to the air and I cast the book aside to dance with her, screaming at the ceiling like a madman.

The Book, as I have come to know it, teaches the reader how to release immense power, a power the orientals have known for centuries but has been all but lost to the Occidental mind. After that first dance I lay sweating and broken on the floor, certain I would never open it again.

That evening I bought eighteen more cats. They gathered before me, and when I opened the book I felt my very soul leaving my mouth as it formed over those words. All I can remember of that night is the noise. The patter of dancing paws. The blood and the screams of unfamiliar voices.

When my family returned there were four hundred and nine cats in our house. My wife left me and took the children with her. She thought I was mad, but it was she who was mad; mad for not ending my life, mad for leaving me with those dancing beasts and leaving The Book in my hands.

I have nothing now. No family, no home and no job. The Book has taken it all. It is only now, as I write this final warning, this plea to those who would listen, that I understand why my father never took me back to the circus. The power of the cat charmer is too great for a frail human form to bear, and yet once it has found you, it never leaves. It is too late for me now. They meow for my return as I write - but for you dear reader, for you it is not too late. Learn from my hubris. Stay away from The Book.
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4 of 4 people found the following review helpful
By A Customer
Format:Hardcover
Cat lover or cat hater, you will find this book surprising and hilarious!! And if seeing cats fling themselves into airborne acrobatics doesn't make you laugh, then look at the owners' expressions (and clothes) as they bust their moves in purrfect harmony with their kitties. Buy it: you will laugh out loud!!
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1 of 1 people found the following review helpful
A fantastic book! 1 Sep 2000
By A Customer
Format:Hardcover
I would just like to say that this book is a cracking read, and me and Tidddles have really gotten into it.

We have spent endless hours perfecting the 'Cat Flap' and 'Kitty Titter' routines.

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