3 of 3 people found the following review helpful:
5.0 out of 5 stars
A shift of perspective., 28 Sep 2002
This review is from: The Dance of Geometry (Hardcover)
Brian Howell's novel, like many of his short stories, evokes a strong sense of time and place. His interest in film, the perspective he has gained while living abroad, and his passion for seventeenth-century Dutch art play a role in his creation of a window to the world that one suspects exists just beyond the edge of Vermeer's paintings.
The first section of the novel follows the development of the young artist, who, at times, one fears will not become the master of the works we view from our point in history. The second section, taken from the secret journal of Balthasar de Monconys, tells of the journalist's brief encounter with Vermeer. Monconys' perspective of the real and the painted Delft and its citizens adds motion and intrigue to the characters Vermeer portrays. The final section centers on a copyist's recreation of a Vermeer painting, the imagined reliving of events in his studio, and the personal drama that provides inspiration for the forger.
Each section of the novel can stand, in a manner, on its own, but there is a thread of technique and action that ties the work together and brings Vermeer's world into our own. When one pays a final visit to Vermeer in the reprise, one has a sense of being reconnected to a world that is part of ours but isn't always visible upon first glance.
Certain paintings have the ability to draw one into other worlds and times. Howell's novel effects a similar pull.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Enjoyably unsettling, 12 Jun 2003
By A Customer
This review is from: The Dance of Geometry (Hardcover)
There’s much to admire about this understated novel. I like the way Howell plays with the different narratives, but I especially like the way in which none of his narrators has the faintest idea of what's going on - all the knowledge is with the other characters, and therefore readers have to scavenge about and glean what they can. All of Howell’s fiction is unsettling, and the narrators’ bafflement is what makes this book an enjoyably unsettling read. While the structure implies metafictional reflections about truth, realism and copying, I was more drawn in by the small touches. I was very interested in the women characters, for example, and loved the idea of them being pinned down in the pictures - all that kind of stuff is great.
I think it's a most accomplished first novel, obviously well written and researched but not flashy despite the postmodern apparatus.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
intriguing and intelligent, 26 Nov 2002
This review is from: The Dance of Geometry (Hardcover)
An intriguing and intelligent exploration of the parallax between surface perception and inner experience. The writing is compelling and meticulous throughout, though Howell excels at pinning down the unpindownable. Not only does he write with an artist's vision, he allows the reader to share that vision too.
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