How about this for a movie double bill:
1st) Eraserhead (dir. D. Lynch) - kinda like the b/w cartoon before the main misery.
2nd) Daisy Diamond - brutal truth in ghetto grey.
Watch both together and you'd be sure to jump off the nearest ledge at the end.
This depressed narrative of a young woman struggling to audition for parts in Copenhagen and being hamstrung by her crying baby would be rendered unwatchable if it weren't for Noomi Rapace. She has such a striking face, conveying strength and inviting sympathy without pity, that one is compelled to stay. (If she can stick it out, why not me?)
I mention Eraserhead because both are about lone parents driven to distraction by a bawling baby. At least Lynch's film has the surreal strangeness to make the misery marvellous. In Daisy Diamond, Anna (Rapace) talks to her baby, questioning her, accusing her, begging her. The baby listens and then starts screaming. This happens at least three times: mother makes a speech and baby screams in response. One does start to question whether Anna is making the most practical decisions; it emerges later that her neighbour is a child minder. Anna's story, her words, become co-mingled with dialogue from Bergman's brilliant and creepy masterpiece
Persona [1966] [DVD] so that eventually the viewer must doubt whether things are really happening to Anna or not. If the plot wasn't built entirely on disappointment, exploitation and degradation, it would be good to see this again, for more analytical viewing.
It makes Eraserhead
Eraserhead [DVD] [1976] seem like comfort viewing. I do get the feeling though that Daisy Diamond is a film whose true-to-life cruelty, tenderness and introspection could have been successfully presented as a short film of maybe ten or twenty minutes. It's too dreary for ninety.