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Comment: CZECH WITH ENGLISH SUBTITLES..ALL IN EXCELLENT CONDITION..FAST UK DISPATCH..
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  • Daisies [DVD] [1966] [Region 1] [US Import] [NTSC]
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Daisies [DVD] [1966] [Region 1] [US Import] [NTSC]

16 customer reviews

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Region 1 encoding. (requires a North American or multi-region DVD player and NTSC compatible TV. More about DVD formats)
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Product details

  • Language: Czech
  • Subtitles: English
  • Region: Region 1 (US and Canada DVD formats.)
  • Number of discs: 1
  • Classification: Unrated (US MPAA rating. See details.)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (16 customer reviews)
  • ASIN: B000060MU6
  • Amazon Bestsellers Rank: 246,509 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Customer Reviews

4.5 out of 5 stars
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Most Helpful Customer Reviews

42 of 44 people found the following review helpful By J. Pierson on 4 May 2007
Format: DVD Verified Purchase
The Czech New Wave bloomed out of nowhere and was brutally suppressed just as suddenly. After Daisies, Chytilova directed a number of films which were duly banned indefinitely before, tragically, kow-towing to her government's ridiculous censors and softening her approach. That she never left her country as many of her contemporaries did (perhaps most famously Milos Foreman) is both inspiring and sad.

Daisies is a mad little film. It's about two young women who take it in turns to go on dates with rich men. The other then invites herself along also and they proceed to wreak cheeky, anarchistic havoc wherever they go. The uninhibited, slap-dash, try-everything invigoration of Chytilova's direction surpasses anything from Godard or Truffaut. I didn't even know there was a Czech New Wave until I found this. It was a wonderful revelation. The film ends with the girls spectacularly trashing a lavish banquet before swinging maniacally from the chandelier. It's allegorical potency need not be specific: I read it as a simple, wonderful freedom. It deserves to become an instigative tag-line:

"Daisies?"

"Daisies." Cue havoc and hilarity.

I don't know anyone else who's seen this. It deserves more attention. I know the French New Wave was hugely significant and seminal (Chytilova was obviously familiar with it) but many other film movements (the Polish New Wave, for example (See Wajda)) seem neglected by the masses. I wonder how this favouriting of the French movement become as total as it did.
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28 of 30 people found the following review helpful By Emma B on 24 Dec. 2008
Format: DVD Verified Purchase
I saw this film on TV when I was about 15 (about 17 yrs ago!) and have been trying to track it down ever since. I didn't know anything about art house films or foreign films back then, but this film totally captivated me. It was so mad, but in a good way because it represented a desire we might all have at times- to have fun and forget rules for a while. It was so refreshing to see women totally free and silly, and literally messing up the order and pomp of the male business world. If you are feeling serious and want to loosen up, this is the film to see. Just wish they would bring out a region 2 version of the film so I could see it again!
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22 of 24 people found the following review helpful By A. S. Potts on 15 April 2010
Format: DVD
I disagree with the one star reviewer. That assessment of Chytilova's film-making skills is frankly absurd, so I'm not wasting my time countering those comments.

What is very telling about such a vitriolic attack is the view taken of the two other films that are cited; namely 'Valerie; and her week of wonders' and 'Sweet Movie'. I will comment on those films since so much spite is vented against the supposed weakness of the feminist content in Daisies.

The first is a highly sensual and erotic story of a pubescent girl, some might say titillating, and all drenched in pretty images while the other a visceral naked romp in which the male director finds it necessary, in order to present a 'sophisticated representation of roles' as the review puts it, to strip all the women naked and have them participate in erotic and sexual acts...........

in 'Daisies' however, with a woman directing, the girls are not subject to the male psyche nor a spurious 'sophisticated representation of roles' which requires them to appear naked for our pleasure under the guise of some intellectual pretext. Their self-contained world is not pretty pretty and barely sensual let alone sexual and the characters, through the director, repudiate the predatory male world except on occasions to mercilessly exploit it by having lots of fun.

This certainly makes for a film less appealing to the voyeur but does make for a stunning piece of experimental cinema.

Vera Chytilova just about pulls off one of the most difficult projects in expertly using experimental film making techniques to create a coherent feature length film that is both visually stimulating and entertaining. If that's pretentious, I'm glad.
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3 of 3 people found the following review helpful By Andres C. Salama on 3 Dec. 2011
Format: DVD
Director Vera Chytilova's anarchic feminist film from the mid 1960s (right before the Czech new wave movement was broken by the Soviet Invasion that ended the Prague Spring) is hard to describe in terms of plot. Basically, it's about the various antics and gags of two young women. The victims of their practical jokes tend to be established society in general (which exists even in a socialist system as was Czechoslovakia at the time), and older men in particular. Aggressively experimental, the movie uses several types of film stocks, even in a single scene, as well as in your face editing cuts. There are several anti-phallic gags (with the girls cutting while giggling sausages, bananas, etc.) as well as an apocalyptic food fight (the girls seem to have a particular obsession with food). It's fun, imaginative, subversive, but even at a running time of less than an hour and a half, tiresome at times.
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2 of 2 people found the following review helpful By Johnny M on 2 Dec. 2012
Format: DVD Verified Purchase
I first caught a snippet of this overlooked gem on BBC2 around 20 years ago and it's been conspicuous by its absence from the schedules ever since. A typically loose plot for the period is no impediment to the childlike hedonism that runs through the film as a viewer with an open mind can simply enjoy the anarchic progress of the lead characters without expecting a conventional narrative.
I suppose in retrospect it can be seen as a frivolous product of the Prague Spring, but it does capture a delightfully naive strain of Swinging 60s optimism that was brutally crushed in 1968, one it would have been impossible to convey on screen thereafter. If you like 'Une Femme est Une Femme' or even 'Help!', you may like this...
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