Product details
Would you like to update product info or give feedback on images?
|
| 1. Knox: Malor me bat |
| 2. Marais: Folies |
| 3. Roland Moser: Manners of Speaking - Poem |
| 4. Anecdote |
| 5. Tobias Hume: Pavan |
| 6. Ariosti: Prima Lezione - Allegro |
| 7. Largo |
| 8. Andante |
| 9. Celtic Dance |
| 10. Jig: I once loved a lass |
| 11. Huber: Plainte pour Luigi Nono |
"Once a friend in Italy lent me a viola d'amore for a few days. I was quickly seduced by the gentle sweet sound of the seven playing strings (so rich in harmonics), and intrigued by the mysterious presence of the seven sympathetic strings which add an intimate resonance to everything that happens on the playing strings." Thus Garth Knox describes his love affair with the wonderful baroque instrument that was already a thing of the past in Mozart's time. Fascinated by its outstanding technical possibilities, Knox has experimented widely and naturally incorporated contemporary pieces here. While Swiss composer Klaus Huber's "Plainte" is based on Turkish scales, his countryman Roland Moser explores different Manners of Speaking, whereas Knox himself combines an arrangement of Ockeghem's "Malor me bat" with free improvisation. But the emotional and atmospheric spectrum is broader: there is highly attractive early music, including Ariosti's First Lesson, a masterpiece of the original viola d'amore repertoire, and two traditional Celtic pieces. For reasons of harmony and balance, Knox wrote cello parts for the pieces he arranged himself, here played by French cellist Agnès Vesterman.
Personnel:
Garth Knox - (viola d'amore), Agnès Vesterman - (violoncello)
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
|