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I loved the fact that the ideas in the film were new and fresh, Frank Bigelow heads out to San Francisco for a holiday but becomes mysteriously poisoned and finds out he only has 48 hours left to live. So Frank turns from accountant to detective in order to find out his murdered before he dies.
Needless to say you are with Frank for every step of the way, and this film really keeps you on the edge of your seat every second. With none of special effects from today's Hollywood the film is much more connective with you. Basically this film is a must see even if are normally a blockbuster type of person.
D.O.A. starts off a little slow, and the fact that a silly musical wolf call greeted the appearance of any woman early on had me doubting the merits of this film, but when things really get going, they really get going. The action and suspense build inexorably with each passing minute of the film, and the background music only reinforces the gripping effect upon the viewer. The camera work is also quite effective, strongly conveying the increasing alienation Bigelow is faced with as the Grim Reaper makes plans to pay him an imminent visit. It is easy to become mesmerized by all of the story's twists and turns, as on top of the great atmosphere, you have to think about each new clue and surprise that Bigelow encounters on his mission. You have to admire Bigelow's relentless determination and quick-thinking mind, and he quickly transforms himself from a character of dubious merit and possibly ignoble feelings into a tragic hero/victim of classic proportions. If the whole luminous poisoning thing doesn't make you sympathize with the character, the neurotically suffocating burden of love he has to deal with continuously from Paula will. Other films have taken this idea of a poisoned man hunting down his murderer in his dying days and hours, but none has produced such a gritty tale that drips with realism and builds to the type of crescendo found in this remarkable film noire classic.
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