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D.O.A. [DVD] [1950] [Region 1] [US Import] [NTSC]

Edmond O'Brien , Pamela Britton , Rudolph Maté    DVD
4.7 out of 5 stars  See all reviews (6 customer reviews)
Price: Ł13.95
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Only 1 left in stock.
Dispatched from and sold by EliteDigital UK.

Region 1 encoding (requires a North American or multi-region DVD player and NTSC compatible TV. More about DVD formats.)

Note: you may purchase only one copy of this product. New Region 1 DVDs are dispatched from the USA or Canada and you may be required to pay import duties and taxes on them (click here for details). Please expect a delivery time of 5-7 days.


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Frequently Bought Together

D.O.A. [DVD] [1950] [Region 1] [US Import] [NTSC] + D.O.A. [DVD] [1989]
Price For Both: Ł18.70

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  • D.O.A. [DVD] [1989] Ł4.75

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Product details

  • Actors: Edmond O'Brien, Pamela Britton, Luther Adler, Beverly Garland, Lynn Baggett
  • Directors: Rudolph Maté
  • Writers: Clarence Greene, Russell Rouse
  • Producers: Harry M. Popkin, Joseph H. Nadel, Leo C. Popkin
  • Format: Black & White, DVD-Video, NTSC
  • Language: English
  • Region: Region 1 (US and Canada DVD formats.)
  • Aspect Ratio: 4:3 - 1.33:1
  • Number of discs: 1
  • Classification: Unrated (US MPAA rating. See details.)
  • Studio: Alpha Video
  • DVD Release Date: 18 Mar 2003
  • Run Time: 83 minutes
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
  • ASIN: B00008G8WR
  • Amazon Bestsellers Rank: 166,102 in Film & TV (See Top 100 in Film & TV)


Customer Reviews

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4.7 out of 5 stars
4.7 out of 5 stars
Most Helpful Customer Reviews
5 of 5 people found the following review helpful
5.0 out of 5 stars Atonement 7 Nov 2008
Format:DVD
Forget the 'famous' Dunkirk tracking scene in Atonement; here is a fine tracking shot at the start of this brilliant 1950 classic noir DOA. This scene of this movie is justly famous; Frank Bigelow (the excellent Edmond O'Brien)walks into a police station saying he wishes to report a murder -his own. The movie then goes into flashback mode and we witness the events that brought about his predicament and his tracing of the killer who poisoned Bigelow with a slow acting poison. It is a clever story and kudos should be bestowed upon the writers Clarence Greene and Russell Rouse for the ingenious plot .

This is O'Brien's movie and he is rarely absent from the screen. He does a superb job of holding things together displaying what an under-rated actor he was. Rudolph Mate's direction is exemplary.
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10 of 11 people found the following review helpful
5.0 out of 5 stars film noir at its bst 16 Dec 2004
Format:DVD
I have to say before I begin that I this film was in my brothers collection and I watched it on a rainy day, it turned out to be one of the greatest afternoons and has launched me on a giant film noir quest.

I loved the fact that the ideas in the film were new and fresh, Frank Bigelow heads out to San Francisco for a holiday but becomes mysteriously poisoned and finds out he only has 48 hours left to live. So Frank turns from accountant to detective in order to find out his murdered before he dies.

Needless to say you are with Frank for every step of the way, and this film really keeps you on the edge of your seat every second. With none of special effects from today's Hollywood the film is much more connective with you. Basically this film is a must see even if are normally a blockbuster type of person.

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14 of 17 people found the following review helpful
5.0 out of 5 stars A film noire classic in every sense of the word 27 Sep 2003
By Daniel Jolley HALL OF FAME TOP 500 REVIEWER
Format:DVD
1950's D.O.A. is classic film noire, one of the true classics of the genre. The characters are intense, everyone is up to something, and the clock is ticking for one Frank Bigelow (Edmond O'Brien), who must attempt to find his own murderer before his last grain of sand trickles to the bottom of the hourglass. Bigelow is an accountant who up and takes a week off to visit San Francisco, ostensibly to get away from his secretary and incredibly needy, codependent, marathon-talking girlfriend Paula (Pamela Britton). Once he arrives at the hotel, he's like an elephant in a peanut factory, trying to go every direction at once in order to have a good time with every woman he sees. While the neurotic Paula broods, Bigelow goes out to paint the town red with a gang of his hotel neighbors, only to wake up the next morning feeling less than healthy. A trip to the doctor's office instantly changes his entire perspective on life, for he finds out that he has been poisoned with a luminous toxin, for which there is no cure whatsoever. With anywhere from a day to two weeks to live, he starts off on a relentless quest to discover his murderer. The plot takes a number of twists and turns, and it can get a little confusing at times because of all the characters and all the shenanigans each of them are pulling. Bigelow has nothing to lose, though, and he refuses to give up as long as he has a breath in his body.

D.O.A. starts off a little slow, and the fact that a silly musical wolf call greeted the appearance of any woman early on had me doubting the merits of this film, but when things really get going, they really get going. The action and suspense build inexorably with each passing minute of the film, and the background music only reinforces the gripping effect upon the viewer. The camera work is also quite effective, strongly conveying the increasing alienation Bigelow is faced with as the Grim Reaper makes plans to pay him an imminent visit. It is easy to become mesmerized by all of the story's twists and turns, as on top of the great atmosphere, you have to think about each new clue and surprise that Bigelow encounters on his mission. You have to admire Bigelow's relentless determination and quick-thinking mind, and he quickly transforms himself from a character of dubious merit and possibly ignoble feelings into a tragic hero/victim of classic proportions. If the whole luminous poisoning thing doesn't make you sympathize with the character, the neurotically suffocating burden of love he has to deal with continuously from Paula will. Other films have taken this idea of a poisoned man hunting down his murderer in his dying days and hours, but none has produced such a gritty tale that drips with realism and builds to the type of crescendo found in this remarkable film noire classic.

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