This is the second instalment in the Cyborg trilogy. This time we see Angelina Jolie in her first role, as the sexy cyborg Cash. The story begins with Pinwheel Robotics (USA) having developed a new liquid explosive, Glass Shadow, injecting it into the sexy Cash (Jolie) to take down Japan competitors Kobiashi Electronics. Problems occur when Cash finds out she was made to be destroyed, she’s not best pleased to say the least. So aided by her combat instructor, Colt (Koteas), and a television (Jack Palance), she decides she is going to escape. This is when the chase begins, Pinwheel employ a ‘tapper’ known as Bench (Drago) to hunt down, and capture the two escapee’s. But the man in charge at Pinwheel seems to have his own agenda, and has a cyborg, of Japanese creation, to hunt down Cash and Colt. The two lovers soon find themselves in a race to flee the good ‘ol US of A and make it to the free isle of Mumbasa. Plots thicken, and tension runs high as the story unfolds, and you keep asking yourself... how does Mercy (Palance) do that when the TV isn't even plugged in?
Fans of the first, Jean-Claude Van Damme action fest, cyborg, may find themselves scratching their heads and thinking ‘this has nothing to do with the first one’ well you don’t know how correct you are. The script was originally written for a Master’s of the Universe sequel, but when it was decided that people didn’t want Dolph Lundgren prancing around with long blonde hair sporting a tea towel round his waist, they changed it to Cyborg 2: The Glass Shadow.
All-in-all it’s an enjoyable film, by far not the most clever, but if you’re a fan of Angelina Jolie (Girl, Interrupted, Tomb Raider 1&2), Elias Koteas (Collateral Damage, Teenage Mutant Ninja Turtles), or Jack Palance (City Slickers, Tango & Cash) or you just like sci-fi films in general then give this one a chance.