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The Custom of the Country (Oxford World's Classics) [Paperback]

Edith Wharton , Stephen Orgel
4.1 out of 5 stars  See all reviews (15 customer reviews)
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Book Description

9 Oct 2008 0199555125 978-0199555123 Reissue
Edith Wharton's satiric anatomy of American society in the first decade of the twentieth century appeared in 1913; it both appalled and fascinated its first reviewers, and established her as a major novelist. The Saturday Review wrote that she had 'assembled as many detestable people as it is possible to pack between the covers of a six-hundred page novel', but concluded that the book was 'brilliantly written', and 'should be read as a parable'.

It follows the career of Undine Spragg, recently arrived in New York from the midwest and determined to conquer high society. Glamorous, selfish, mercenary and manipulative, her principal assets are her striking beauty, her tenacity, and her father's money. With her sights set on an advantageous marriage, Undine pursues her schemes in a world of shifting values, where triumph is swiftly followed by dissullusion.

Wharton was recreating an environment she knew intimately, and Undine's education for social success is chronicled in meticulous detail. The novel superbly captures the world of post-Civil War America, as ruthless in its social ambitions as in its business and politics.
ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Product details

  • Paperback: 416 pages
  • Publisher: Oxford Paperbacks; Reissue edition (9 Oct 2008)
  • Language: English
  • ISBN-10: 0199555125
  • ISBN-13: 978-0199555123
  • Product Dimensions: 13 x 2 x 19.8 cm
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (15 customer reviews)
  • Amazon Bestsellers Rank: 337,195 in Books (See Top 100 in Books)

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Review

"A well-presented edition. Orgel's introduction is superior."--Marvin Magalaner, NYU
"An excellent edition, with just the right amount of apparatus."--Burton Raffel, University of Southwestern Louisiana
--This text refers to an out of print or unavailable edition of this title.

About the Author

America's most famous woman of letters, and the first woman to win the Pulitzer Prize, Edith Wharton was born into one of the last "leisured class" families in New York City, as she put it, in 1862. Educated privately, she was married to Edward Wharton in 1885, and for the next few years they spent their time in the high society of Newport, Rhode Island, then Lenox, Massachusetts, and Europe. It was in Europe that Wharton first met Henry James, who was to have a profound and lasting influence on her life and work. Wharton's first published book was a work of nonfiction in collaboration with Ogden Codman, The Decoration of Houses (1897), but from early on, her marriage had been a source of distress, and she was advised by her doctor to write fiction to relieve her nervous tension. Wharton's first short stories appeared in Scribner's Magazine, and although she published several volumes of fiction around the turn of the century, including The Greater Inclination (1899), The Touchstone (1900), Crucial Instances (1901), The Valley of Decision (1902), Sanctuary (1903), and The Descent of Man and Other Stories (1904), it was not until the publication of the bestselling The House of Mirth in 1905 that she was recognized as one of the most important novelists of her time for her keen social insight and subtle sense of satire. In 1906 Wharton visited Paris, which inspired Madame de Treymes (1907), and made her home there in 1907, finally divorcing her husband in 1912. The years before the outbreak of World War I represent the core of her artistic achievement with the publication of Ethan Frome in 1911, The Reef in 1912, and The Custom of the Country in 1913. During the war she remained in France organizing relief for Belgian refugees, for which she was later awarded the Legion of Honor. She also wrote two novels about the war, The Marne (1918) and A Son at the Front (1923), and although living in France she continued to wr --This text refers to an alternate Paperback edition.

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Customer Reviews

4.1 out of 5 stars
4.1 out of 5 stars
Most Helpful Customer Reviews
10 of 11 people found the following review helpful
5.0 out of 5 stars This is our custom 13 Feb 2007
By E. A Solinas HALL OF FAME TOP 500 REVIEWER
Format:Paperback
Few social climbers are as surreally despicable as Edith Wharton's Undine Spragg, who doesn't care what happens to anyone else as long as she can shop and party. And "The Custom of the Country" is the perfect example of what such people do to the people around them. It's nauseating and brilliant, all at once.

Undine Spragg is a mesmerizing beauty from a tiny town, whose parents made a small-scale fortune and have moved to the glitzy world of New York. Undine wants the best of everything, more than her family can afford, but she thinks it's all worth it -- so she marries a besotted son of "old New York," but it doesn't take long for him to realize how incompatible they are.

And he doesn't realize that Undine is hiding a (then) shameful secret -- she was once married and quickly divorced from a vulgar businessman. In the present, Undine continues her quest for a life of pleasure, moving on to a French nobleman and getting just as dissatisfied with him. The only way to succeed lies in the one man who sees her for what she is.

Undine Spragg may actually be one of the most despicable, selfish characters in all of classic literature -- she literally doesn't care about anyone but herself, or who she hurts. You'd think a book about someone like that would be dreary, but instead it's one long needle at the people like Undine, who care only for money, status and fun.

But it's also about the changing fortunes in late 19th-century America (and Europe). New money -- symbolized by Undine and her shrewd, megarich ex-hubby -- was squeezing out the old guard, who were never terribly rich to start with. Wharton's observations on their rise and decline have a sharp, biting edge. Although compared to the anti-heroine, the old traditions seem pretty innocent.

Lots of celebrity socialites could take a lesson from Undine's story: she's a snob of humble stock, thinks she's a great person, and utterly selfish -- if her husband shoots himself, that's great! She can marry again without the disgrace of a divorce! Yet in the end, you know that Undine will always be craving something more that she thinks will make her happy, but she will never find it.

The characters around Undine are usually nice, but blinded by her nymphlike beauty -- and even her parents, who know what she's like, are too beaten-down by her whining to resist. Only her ex-husband, Ralph Marvell, is really right for her -- not only is he obscenely rich and just as grasping as Undine, but he's smart enough to know what a monster she is.

"The Custom of the Country" is a wickedly barbed, brilliant piece of work, with one of the nastiest anti-heroines ever, and a great look at the rising tides of "new money." A must-read.
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3 of 3 people found the following review helpful
5.0 out of 5 stars An unapologetic story of social demands 7 July 2009
By Malo
Format:Paperback
"The Custom of the Country" is hard and unflinching in its telling of Undine Spragg's relentless pursuit for fortune and fame in the early 20th century. Through Undine Spragg and her various loves, Ms Wharton articulates her thoughts on the effect of the New York society's customs on the expected roles of men and behaviours of women. Ms Wharton further shows that the same can be said of another country's society when she moves the story to Paris in the later part of the book.

In Undine Spragg, Ms Wharton has spared no punches in portraying her self-centred personality and thoughts, who according to her is a perfect example of the product of New York society's customs.

As with the "House of Mirth", very few of the characters in "The Custom of the Country" were given a reprieve from the fate that they seem destined to suffer. This cannot be brought across more starkly than in the scene where Undine's husband, Ralph Marvell, finally uncovers the full scale of her lies and deception. His subsequent mental breakdown is excruciating and highly emotive. Yet at the same time, there is an ethereal quality to the loss of his grip on reality, which makes for compelling and climatic reading.

Ms Wharton does not, for any moment, spare her reader any anguish and agony in the story of Undine Spragg and particularly that of Ralph Marvell. The rare moments of true tenderness and calm in the novel are often employed to sensitise one's feelings and deepen the pity, before a devastating blow is delivered. At such points, one cannot help but submit helplessly and almost unquestioningly to Ms Wharton's portrayal of her characters, and ultimately to her sublime story-telling.
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5 of 6 people found the following review helpful
5.0 out of 5 stars Savage customs 16 Oct 2008
By E. A Solinas HALL OF FAME TOP 500 REVIEWER
Format:Paperback
Few social climbers are as surreally despicable as Edith Wharton's Undine Spragg, who doesn't care what happens to anyone else as long as she can shop and party. And "The Custom of the Country" is the perfect example of what such people do to the people around them. It's nauseating and brilliant, all at once.

Undine Spragg is a mesmerizing beauty from a tiny town, whose parents made a small-scale fortune and have moved to the glitzy world of New York. Undine wants the best of everything, more than her family can afford, but she thinks it's all worth it -- so she marries a besotted son of "old New York," but it doesn't take long for him to realize how incompatible they are.

And he doesn't realize that Undine is hiding a (then) shameful secret -- she was once married and quickly divorced from a vulgar businessman. In the present, Undine continues her quest for a life of pleasure, moving on to a French nobleman and getting just as dissatisfied with him. The only way to succeed lies in the one man who sees her for what she is.

Undine Spragg may actually be one of the most despicable, selfish characters in all of classic literature -- she literally doesn't care about anyone but herself, or who she hurts. You'd think a book about someone like that would be dreary, but instead it's one long needle at the people like Undine, who care only for money, status and fun.

But it's also about the changing fortunes in late 19th-century America (and Europe). New money -- symbolized by Undine and her shrewd, megarich ex-hubby -- was squeezing out the old guard, who were never terribly rich to start with. Wharton's observations on their rise and decline have a sharp, biting edge. Although compared to the anti-heroine, the old traditions seem pretty innocent.

Lots of celebrity socialites could take a lesson from Undine's story: she's a snob of humble stock, thinks she's a great person, and utterly selfish -- if her husband shoots himself, that's great! She can marry again without the disgrace of a divorce! Yet in the end, you know that Undine will always be craving something more that she thinks will make her happy, but she will never find it.

The characters around Undine are usually nice, but blinded by her nymphlike beauty -- and even her parents, who know what she's like, are too beaten-down by her whining to resist. Only her ex-husband, Ralph Marvell, is really right for her -- not only is he obscenely rich and just as grasping as Undine, but he's smart enough to know what a monster she is.

"The Custom of the Country" is a wickedly barbed, brilliant piece of work, with one of the nastiest anti-heroines ever, and a great look at the rising tides of "new money." A must-read.
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Most Recent Customer Reviews
5.0 out of 5 stars The Custom of the Country
Undine Spragg knows she wants to be part of `Society' - part of the Fifth Avenue crowd; and she sees no reason why she should not be. Read more
Published 1 month ago by Keen Reader
4.0 out of 5 stars A brilliant author
I always enjoy Edith Wharton's books and they certainly stand the test of time. After all these years, I think most people would enjoy her books.
Published 1 month ago by angela
5.0 out of 5 stars Interesting read and definitely worth the time
Brilliant book and to be able to get it for free is fantastic. There aren't any mistakes in this version as far as I can tell so it's worth downloading for people that are... Read more
Published 2 months ago by Claire
4.0 out of 5 stars An American Great!
A real surprise discovery! An excellent novel - elevating Wharton to a medal - probably bronze but maybe silver, to Jane Austen's gold ....
Published 2 months ago by Stephen Hill
2.0 out of 5 stars Not Wharton's Best
I was altogether disappointed by this novel about the unscrupulous ambitious social climber Undine Spragg and the man that she destroys. Read more
Published 16 months ago by Cara Bennett
4.0 out of 5 stars A different sometimes funny direction for Wharton
The Custom of the Country was originally published in 1913 and tells the story of Undine Spragg, a girl who uses her beauty and ruthlessness to attempt to ascend New York's social... Read more
Published 17 months ago by J. Willis
4.0 out of 5 stars strong portrait of a narcissist
Undine Spragg sees no reason why she should not have what she wants; and is able to create a world in which it does come to pass that she does have what she wants, often at... Read more
Published 18 months ago by William Jordan
4.0 out of 5 stars Edith Wharton
My first Edith Wharton. As relevant to day as the day it was written. A brilliant read and just for 1p!Book arrived promptly from seller.
Published on 15 April 2010 by A. Wilson
2.0 out of 5 stars Much ado about Undine Spragg
Undine Spragg is an interesting heroine. To get what she wants, she gets married, she divorces, she lies. She never feels bad about it. Read more
Published on 18 May 2001
2.0 out of 5 stars Disappointing-not one of her best works.
Being an avid Edith Wharton reader, I was looking forward to yet another brilliant and engaging portrayal of the New York of the past. Read more
Published on 12 Oct 1998
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