I stumbled across this after reading a review which compared it to Lewis Taylor's debut album. Certainly, it shares many things with Lewis's masterpiece but also reminds me of D'Angelo's Voodoo, Maxwell's Embrya and Bjork's Debut - all albums which pushed back the boundaries of 'soul' music.
It was always destined to get minimal airplay because it is at times difficult music, with often discordant chords, bizarre samples and minimalist hip-hop beats bumping up against Steve Spacek's smooth, yearning vocals. But the grooves and song forms are so original and arresting that you quickly get drawn in and wish that more contemporary R'n'B/Soul/Whatever took as many chances. You can almost imagine this music coming out of trendy wine bars in 2000 London (though I never heard it!), but if you listen harder there are almost unlimited depths to each track which is why it bears repeated listening.
Musos will enjoy spotting the Stanley Clarke, Shuggie Otis and DeeLite samples and marvel at how human and swinging computer grooves can be, while romantics will enjoy Steve Spacek's dreamy songs of flirtation, seduction and romantic paranoia. Fans of innovative music should enlist here.