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Culture and Imperialism
 
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Culture and Imperialism (Paperback)

by Edward W. Said (Author)
5.0 out of 5 stars See all reviews (2 customer reviews)
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Product details

  • Paperback: 480 pages
  • Publisher: Vintage; New edition edition (3 Jan 1998)
  • Language English
  • ISBN-10: 0099967502
  • ISBN-13: 978-0099967507
  • Product Dimensions: 20.1 x 12.9 x 3.7 cm
  • Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
  • Amazon.co.uk Sales Rank: 8,767 in Books (See Bestsellers in Books)

    Popular in these categories:

    #2 in  Books > History > Social & Economic History > Imperialism
    #8 in  Books > History > Europe > Enlightenment, Revolution & Empire 1751-1900
    #39 in  Books > Society, Politics & Philosophy > Social Sciences > Anthropology

Product Description

Product Description
Following his profoundly influential study, "Orientalism", Edward Said now examines western culture. From Jane Austen to Salman Rushdie, from Yeats to media coverage of the Gulf War, "Culture and Imperialism" is a broad, fierce and wonderfully readable account of the roots of imperialism in European culture.

About the Author
Edward Said was born in Jerusalem in 1935. In 1951 he attended a private preparatory high school in Massachusetts, America and he went on to study at Princeton University for his BA and at Yale for his MA and PhD. He became University Professor of English and Comparative Literature at Columbia Unversity. Said was bestowed with numerous honorary doctorates from universities around the world and twice received Columbia's Trilling Award and the Wellek Prize of the American Comparative Literature Association. He is best known for describing and critiquing 'Orientalism' and his book on the subject was published in 1978. He died in 2003.

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87 of 90 people found the following review helpful:
5.0 out of 5 stars Brilliant, Impressive and Urgently Topical., 14 Feb 2004
By J. Evans "dequincey" (Cardiff, Wales) - See all my reviews
(REAL NAME)   
This is a truly masterful and enigmatic work that is immensely readable despite its well-earned reputation. Consequently this is a book that will and should be of interest to everyone, from the specialist to the casual reader who has never encountered theory before.
So why then Culture and Imperialism?
Western societies seem to have entered a phase of collective amnesia whereby colonialism, if it is remembered at all, is envisioned as ending somewhere along the length of the Suez Canal.
Said's thoughtful analysis challenges the modern myth of the end of Empire and of the slow decline of an age of economic and cultural imperialism which came to an end sometime after 1948 with the final dropping of the Union Jack in the final colonially occupied territory.
In many ways economic and cultural imperialism is as pervasive and violent today as it ever was, if not a little more so. Indeed, Said's brilliance in this book is to fundamentally disrupt and deconstruct the modern Western amnesia. Far from being back then and over there Said helps us to trace the links, connections, and complicities between writers as diverse as Jane Austen, J. S. Mill and W. B. Yeats.
For anyone with an interest in postcolonialism Culture and Imperialism is an essential grounding. Not only does the text follow on from Said's brilliant and ground-breaking Ur text of postcolonial studies Orientalism, but it suggests the possibility and methodology of subjecting imperialism to a systemic analysis.
Said has always been controversial, and rightly so. Unlike the quite frankly shoddy and poorly argued vitriol of some of his detractors (and reviewers) Said's work is always superbly well argued and controlled. Whether you support Said's point of view or not you cannot but fail to be impressed by his depth of insight and by the humanism of his intelligence.
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5.0 out of 5 stars The greater of the Said studies, 11 May 2009
By M. A. Krul (Utrecht, Kingdom of the Netherlands) - See all my reviews
(REAL NAME)   

The name of Edward Said will forever be associated mostly with his famous masterpiece, "Orientalism" (Orientalism: Western Conceptions of the Orient (Penguin Modern Classics)) in which he studied many historical and literary texts of the 18th and 19th century to criticize the imperialist background of the field of 'Oriental studies', as it was known at the time. Despite its fame however, "Orientalism" is a difficult read for most people, lacking a clear structure and containing long excursions on generally obscure travel books from the 1820s and so on.

For the readers intrigued by the idea of "Orientalism" but who seek a more structured, accessible and explicitly political version of the same, "Culture and Imperialism" is the ideal book. It is perhaps for these reasons better than "Orientalism" at achieving its purpose, since Said's writing style is also generally better and more polemically strong in this book, and the literary studies are less obscure and more clearly linked to the topic. Though much of it still consists of 'lit crit', there is in this book a direct analysis of the imperialist contents and their historical background of such famous works as "Mansfield Park", Joseph Conrad, the "Aida" of Verdi and the oeuvre of Camus. Said brings all his erudition and subtlety of judgement to bear on these and similar products of culture, and the result is an engrossing, stimulating and effective polemic, while generally lacking in an actual outright polemical tone.

Also of interest is that a significant part of the book is concerned with the counter-imperialist products of culture, from the poetry of Yeats to the evocative works of Fanon and Achebe. As some have remarked already, what it does not do is establish Said's somewhat exaggerated implication that imperialism is the one Grand Theme of 19th Century literature in Europe, let alone the 20th; but imperialism certainly is a major one, and Said has done great work in excavating that particular aspect. In a time when the 'new conservatism' has made it en vogue to unreflectively declare the West 'superior' again to the Orient (despite the West having historically been vastly more murderous and destructive) and in an atmosphere where the ideas of the White Man's Burden are undergoing a revival, the criticisms of an intellectual like Said are sorely missed.
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