This is an excellent, no-nonsense account of probably the most famous and simultaneously misconstrued modern movement in art. The collective result of much recent scholarship is brought to bear by Cox in his account of Cubism's invention in the hands of Braque and Picasso and the parts played in its further development by others, such as Gris. The book is effective in providing social and historical context, but thankfully never loses sight of the works of art themselves whose importance to their creators and to contemporary art criticism is easy to overlook now.