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Review The differences, both subtle and obvious, between the Cuba- and Miami-based artists give this album an interesting duality. The Cuban tracks stand out for their sense of raw hardness, though the American numbers are not without merit. Tracks like Ray And His Court's E Eso Nada helped popularise the Cuban sound internationally and acts as an example as to why Latin funk has retained its appeal.
The range here should impress even the most well -versed Latin audience. Pello El Afrokan's Las Jardineras is a rare masterpiece of Afro-Cuban sound, whilst Coke's Nana is only just identifiable as Cuban. As such, Cuban Funk Experience offers the listener a unique snapshot of the Cuban musical dynasty with a fair proportion of tracks and artists coming to light for the first time.
It's also an important album as it highlights the symbiotic relationship between Miami and Cuba in terms of the fusion of styles and influence. It is no surprise that Afro-Cuban Styles can be so effortlessly combined with American Funk; but what is remarkable is the sheer eclecticism of musical styles that this marriage of genres gave birth to. --Johnny Lais
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