Martin Carthy's apparent quest to preserve traditional music is typified on 1976's 'Crown Of Horn'. It features songs on subjects commonly found on his albums: a poacher song, tales of injustice (judges and juries always come under the microscope), death and sex. His trademark guitar style which combines melody with an emphatic rhythm is in evidence from the first track and is at its best on 'Willie's Lady', on which it beats out a relentless tempo. There are, also as usual, three tracks on which he sings without instrumental accompaniment, a device which adds poignancy. I'm not quite as keen on the one modern song, 'Palaces Of Gold', not because of the sentiment, but because the lyric seems clumsy, but it's a relatively minor quibble. Carthy, as usual, provides us with a rich collection of songs and his execution of them is compelling.