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Crow (Animal) [Paperback]

Boria Sax
4.3 out of 5 stars  See all reviews (3 customer reviews)
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Book Description

31 Oct 2003 Animal
Though people generally do not think of them in such terms, crows are remarkably graceful: from the tip of a crow's beak to the end of its tail is a single curve, which changes rhythmically as the crow turns its head or bends toward the ground. Foraging on their long, powerful legs, crows appear to glide over the earth; they take flight almost without effort, flapping their wings easily, ascending into the air like spirits. Nevertheless, the whiskers around their beaks and an apparent smile make crows, in a scruffy sort of way, endearingly 'human'. In a vast range of cultures from the Chinese to the Hopi Indians, crows are bearers of prophecy. Because of their courtship dances and monogamous unions, the Greeks invoked crows at weddings as symbols of conjugal love. Crows are among the most ubiquitous of birds, yet, without being in the least exotic, they remain mysterious. This book is a survey of crows, ravens, magpies and their relatives in myth, literature and life. It ranges from the raven sent out by Noah to the corvid deities of the Eskimo, to Taoist legends, Victorian novels and contemporary films. It will be of interest to all people who have ever been intrigued, puzzled, annoyed or charmed by these wonderfully intelligent birds.

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Product details

  • Paperback: 184 pages
  • Publisher: Reaktion Books (31 Oct 2003)
  • Language: English
  • ISBN-10: 1861891946
  • ISBN-13: 978-1861891945
  • Product Dimensions: 18.9 x 13.8 x 1.2 cm
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: 77,062 in Books (See Top 100 in Books)
  • See Complete Table of Contents

More About the Author

Our stories begin long before we are born, and contain more than we can ever know. I have told the story of my early years in the book Stealing Fire: A Boyhood in the Shadow of Atomic Espionage, which will be published by Ad Infinitum Books in 2012. But when I look back, I find myself asking, "Was that really me?"

I first became interested in animals around the end of the 1980's, not terribly long after I had obtained my Ph.D. in German and intellectual history. I was feeling frustrated in my search for an academic job and even the study of literature. By accident, I came across an encyclopedia of animals that had been written in the early nineteenth century. There, without any self-consciousness, was a new world of romance and adventure, filled with turkeys that spoke Arabic, beavers that build like architects, and dogs that solve murders. Within a few months, I had junked my previous research and devoted my studies to these texts.

Today, I shudder how nervy the switch was for a destitute young scholar, who, despite one book and several articles, had not managed to obtain any steady job except mopping floors. But soon I had managed to publish two books on animals in literature, The Frog King (1990) and The Parliament of Animals (1992). Around 1995, I founded Nature in Legend and Story (NILAS, Inc.), an organization that combines storytelling and scholarship. It was initially a rag-tag band of intellectual adventurers who loved literature but could not find a niche in the scholarly world. We put together a few conferences, which generated a lot of excitement among attendees but little notice in academia or in what they sometimes call "the real world."

From fables and anecdotes, I moved to mythology, and published The Serpent and the Swan (1997), a study of animal bride tales from around the world. This was followed by many further publications including an examination of the darker side of animal studies, Animals in theThird Reich (2000), and a sort of compendium, The Mythical Zoo (2002). This was followed by a cultural history of corvids entitled Crow (2003).

In late September 2011 I published a book entitled City of Ravens: London, it's Tower, and its Famous Birds. It solves the old mystery of how and when ravens came to the Tower of London. Ulitimately, though, it is not about London or even the ravens. The larger theme is the way human being - and tribes or nations - construct their identities by reference to animals. Instead of writing a more conventionally academic treatise, I have tried to show this in large part through images - ravens returning to London after an absence of nearly two centuries and greeted by their brethern in the Tower.

When I embarked on the study of animals in myth and literature, even graduate students in the field did not have to mention a few dozen books just to show that they had read them. In barely more than a couple of decades, the literature on human-animal relations has grown enormously in both quantity and sophistication. NILAS, I am proud to say, has become a well established organization.

But as the study of animals, what I like to call "nature narratives," becomes more of a standard feature of academic programs, I fear that something may be lost. It is now just a little too easy to discourse about the "social construction" and the "transgression" of "boundaries" between animals and human beings. Even as I admire the subtlety of such analysis, I sometimes find myself thinking, "So what?"

Having been there close to the beginning, part of my role is now to preserve some the sensuous immediacy that filled the study of animals in literature when that was still a novelty. That poetry is not simply a luxury in our intellectual pursuits. With such developments as cloning, genetic engineering, and the massive destruction of natural habitats, we face crises so unprecedented that traditional philosophies, from utilitarianism to deep ecology, can offer us precious little guidance. The possibilities are so overwhelming, that we hardly even know what questions to ask. But neither, I am sure, did the fugitive who once encountered a mermaid in the middle of the woods.

This year, 2010, I have also published a collection of poems and short stories entitled The Raven and the Sun, and in 2011 I will publish a memoir entitled Stealing Fire: A Childhood in the Shadow of Atomic Espionage. Both of these books are the culmination of decades of reflection, and I like to think they may open a new phase of my life. I am 61 now, and am as full of new plans and ideas as I have ever been; I can still do 100 push-ups. Much of the time, I still feel as though I were "just starting out."

But to understand where I am going, I need to look back, and the trials, mistakes, triumphs, mysteries, failures, ecstasies, frustrations, tragedies, stupidities, sacrifices, confusions, and dreams of six decades can be pretty confusing, even overwhelming. Teachers have to be role models, whether they want to or not. And do I make a good one? In some ways, I think, and for some people.

For most of my life, I have had to improvise and hustle to make an often precarious living, at times in ways that many academics might consider undignified. I have made more than my share of false starts. I can warn people about mistakes, because I have made so many different kinds: trusting the wrong people, not trusting others enough, being too carried away with abstractions, and so on.... But I have won several national awards for both teaching and scholarship, and have gained an international reputation as a writer, and my books have been translated into eight languages. It has been a very bumpy ride. Was it worth the trouble? Yes.

I have always looked on the pursuit of knowledge and wisdom as a calling, not simply a profession. To write only what truly interested me was not simply a pleasure or privilege; it was a duty. There is a deep feeling of peace in knowing that, in spite of pressures, I have never compromised this vocation very much or for very long. I resisted pressures to embrance many popular ideas, from veganism to communism, from deconstruction to laissez-faire capitalism. Many of my books and articles were turned down when I refused to make changes that the publishers demanded, but I always managed to publish them somewhere else in the end. Not many people in the world are blessed with the privilege of being able to do work that is interesting, original, or significant. I am one of them, and I claim a little bit of credit for this, but also acknowledge a great deal of luck.

Enough about the past! Unicorns, gryphins, cynocephali, merpeople, swan maidens, werewolves, sea serpents...--that is the sort of company that I keep right now. I have contracted to write a long book on these and other "imaginary animals" for Reaktion Books in London.

Product Description

Review

...shows myriad ways in which the crow has influenced religion, the arts, literature, and everyday routines. -- KATHMERINI, January 4, 2004

This authoritative and well-researched volume is an ideal source of reference for anybody...charmed by these wonderful birds. -- Cage and Aviary Birds, February 7, 2004

roams divertingly over the scientific and cultural history of the "corvid" family,...tracing ambivalent responses to these mischievous birds. -- Guardian, Nov. 22, 2003

From the Author

Since childhood, I would turn to look when I heard the call of a crow, even if I was in the middle of the street. This could make people turn their heads to look at me. They may have thought me strange, but it seems odd to me that people notice crows so little, especially since crows are so dramatic and exuberant. In times of crisis people start to notice, and crows are bearers of prophesy, not only for traditional peoples such as Eskimos, Greeks, and Celts, but even for such a pragmatist as Napoleon. I doubt that we will ever understand crows, but perhaps, next time I look at a crow, more people will understand me.
Boria Sax, Author

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Most Helpful Customer Reviews
9 of 10 people found the following review helpful
4.0 out of 5 stars Rooks, Ravens and Magpies as well 3 Oct 2010
By Stewart M TOP 500 REVIEWER
Format:Paperback
Just like Crow Country by Mark Cocker, which is largely concerned with rooks, the title of this book is a little misleading. "Crow" is about crows as a group - corvids really - and concentrates far more on the social and mythological importance of crows than on the groups biology.

In a number of cases in this book it is even not clear what species of "crow" is being discussed - are they crows or are they ravens? This is especially true when the text is built around the analysis of images from older indigenous cultures. The art works produced by these cultures were almost certainly symbolic, and attempting to link an actual species to the image is very hard. But it many ways it may not be important, for the bird as a symbol is more important than the bird as a biological entity.

Crows in general seem to be associated with death or are seen as having the ability to predict the future. So in these cases, if you have a large black bird on your roof croaking out a message of doom, it may be of little consequence if the bird is as carrion crow or a raven!

This book does seem to be a good general introduction to the folk history of crows, and the section on modern crows and their link to the wild in urban areas is an interesting addition to the book.

However, I am not without concerns about the book. Taking the single example (and I admit it may be unfair to do this) of the reference to "The Black- Backed raven (Corvus ruficallus)" on page 15 of the book. As far as I know, no such bird exists, and certainly not one that exists in "most of the southern hemisphere, including Australia, Africa and parts of Latin America".
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11 of 13 people found the following review helpful
4.0 out of 5 stars Not just crows 19 Mar 2006
Format:Paperback
The animal series by Reaktion Book (difficult to search for on amazon) is a fantastic collection, each book focusing on one animal and exploring its biology and cultutral significance.
Crow, as the title suggests, does not only deal with the crow, but with all corvids, mainly crow and raven, though. And that is the only major problem I had with this book - was it about the crow or ravens or corvids? Sometimes it wasn't too clear and made some of the statements seem somewhat disjointed.
But that is a minor point, really (as is the fact that Sax mixed up the genesis of the film "The Crow" - the comic book came first).
All in all the book is hugely enjoyable and contains a wealth of information about the crow, how it was regarded by different cultures and what it's really like. Add to that a wide range of illustrations and you have the beginner's bible of all things corvid. Highly recommended
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14 of 18 people found the following review helpful
5.0 out of 5 stars A Masterpeice! 25 Nov 2003
Format:Paperback
Fans of Boria Sax will enjoy his latest effort "Crow." As Dr. Sax has matured his writing style has become more lyrical and his references richer and more diverse. He has a way to connecting animal studies with mythology and historical lore in ways that are both educational and entertaining. In this volume, Dr. Sax illuminates the relation between humans and crows and seeks references for this mystical and misunderstood creature in the lore of many nations. It is beautiful illustrated and a joy to read. I can't recommend this book enough.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.0 out of 5 stars  2 reviews
17 of 17 people found the following review helpful
4.0 out of 5 stars Crows Through History 13 Feb 2007
By Meredith Mizell - Published on Amazon.com
Format:Paperback
In CROW, Boria Sax compiles a veritable treasure-trove of material about crows and other close relatives such as ravens, jackdaws, and other corvids. Sax organizes the information into mostly chronological chapters, beginning with "Mesopotamia," which deals with corvids in Biblical and ancient lore, and eventually progressing to chapters about American Indian traditions and eventually Romantic and modern treatments of the birds. Although Sax's writing style is ordered and logical, it sometimes flows a little unevenly - but I think this is largely because there is no easy way to segue between some of the anecdotes and historical accounts in CROW. Overall, however, these small quibbles don't detract from the larger picture that Sax paints of these mysterious, mischievous, and sometimes misunderstood birds. There's a good proportion of folklore, legend, and fact in CROW, and it's presented alongside appealing images of paintings and other historical works of art.

In the end, CROW is a great book to have if you're interested in learning more about corvids and their ever-changing relationship with humans throughout history.
4 of 10 people found the following review helpful
2.0 out of 5 stars Good book, but author misrepresents facts a little too often 16 July 2010
By Vernon D. Burt - Published on Amazon.com
Format:Paperback
I picked up this book in a Half Moon Bay bookstore hoping to expand my collection of symbology and history books. The author presents her subject well and it does give a decent overview on how the crow has been represented in history. The problem lay with the 'facts' the author used to link many of the myths or point out uses of the crow in ancient stories/artwork. From the areas that she talked about and I was familiar with, the author routinely exaggerated and/or relied on suppositions. I read the book all the way through, but I didn't feel like I could trust any of the information in the book.
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