I saw this soon after it came out, and as an adolescent was utterly mesmerized by the story. With very little dialogue and virtually nothing explained, it was a profound experience of shocking loss, disorientation in a deadly yet beautiful environment, and finding one's way back. Accustomed to the pat formats of hollywood, I had never seen anything like it: little resolution, reflection, or overt lessons. Yet it stimulated a great dialogue with my father, who had insisted that I accompany him to it in the face of my adolescent unwillingness. Though I have not seen it since 1972, its images stuck with me as if in a dream.
Now, nearly 40 years later, I bought it for my daughter, to nurture her interest in anthropology. I am happy to say that she was swept into it in the same way, wondering what it meant and wanting to learn more. What better success could there be for a film experience than that?
The story begins in a normal city in AUstralia. A father takes his children to the outback for a picnic, and without explanation completely loses it, leaving them to fend for themselves in a land so alien that they have no idea how to survive. Trapped in an oasis that dries up without food, they are lucky to be found by a young aborigine, on his "walkabout" - a stay alone in the veldt to test his survival skills - and he brings them to a road. Apparently, in helping them, he violates the conditions of his walkabout, with terrible consequences.
As a visual poem, the film has many sequences of silence or trivial dialogue, a cover for deeper meanings that the viewer must reflect upon later. The girl, Agutter, is shielding her brother from frightening realities, but it is the young brother who is the real focus of the story. He has sudden flashes of insight, at times far more perceptive than his more conventional sister, though at his age he often must act them out rather than articulate them. She keeps him going, but it is his mind and spirit that keep them together and then achieve some communication with the aborigine man child. There is also a youthful sexual tension that appears shocking, like the innumerable brutal contrasts in the film. The tragic outcome, after so much has been experienced, is the most shocking of all, and the most un-hollywood: ironic, muted, and mysterious, as much a feeling as a story. I have never seen a clash and meeting of cultures portrayed with such artistry and intelligence.
Recommended as one of the greatest film experiences I have known. It is a classic. Agutter is luminously beautiful and became a major star from this film. Note: I bought this in Europe, where it cost only $7.