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The cinematography is stunning being incredibly bright and sunny so that the film actively encourages you to feel the warmth of the sun. The film seduces you with the sounds of the Australian bush and the beauty of the girls, so that you will more feel a sense of the horror, as one of the girls, Edith (Christine Schuler), does. The flashback at the end of the film, poignantly coupled with the Adagio from Beethoven's 5th piano concerto (Emperor), leaves you with a sense of loss of youth and innocence. ...
The film is faithful to Joan Lindsay's novel, though dialogue is often replaced with visual impressions and unnecessary details are excluded to maintain the sense of mystery the author intended. The film is beautifully shot with haunting music, well cast and acted and tightly directed, for me it is a masterpiece of its time, and still rates as one of my favourite films today.
Likewise, there is very little psychological depth to be found in the characters. Towards the end, one admitedly tries to understand the background of a few of them - namely Mrs Appleyard and Sarah - but the others are left in the hazy mist of soft images and dreamy portraits.
I should not be surprised if some find this film a little slow however, as this is not your normal suspense thriller. But if you are looking for an aesthetic experience and are easily touched by images, music and vague (and often beautiful) words, this is for you.
Finally (and one should bear in mind that this is strictly my personal opinion) I think that this film succeeds in everything that "The Virgin Suicides" (which is similar in many ways) lacks. I wonder whether Ms Coppola ever saw this film...
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