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  • Criterion Collection: Patriotism [DVD] [1966] [Region 1] [US Import] [NTSC]
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Criterion Collection: Patriotism [DVD] [1966] [Region 1] [US Import] [NTSC]

3 customer reviews

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Criterion Collection: Patriotism [DVD] [1966] [Region 1] [US Import] [NTSC] + Criterion Collection: Mishima: A Life in Four [DVD] [1985] [Region 1] [US Import] [NTSC]
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Product details

  • Language: Japanese
  • Subtitles: English
  • Region: Region 1 (US and Canada DVD formats.)
  • Aspect Ratio: 4:3 - 1.33:1
  • Number of discs: 1
  • Classification: NR (Not Rated) (US MPAA rating. See details.)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
  • ASIN: B0016AKSOQ
  • Amazon Bestsellers Rank: 140,365 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Customer Reviews

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Most Helpful Customer Reviews

3 of 3 people found the following review helpful By Mr. G. Sturdy on 19 Oct. 2008
Format: DVD
The main feature is only half an hour long and is sublime. A decent new 50 minute documentary is included along with Mishima audio recordings and interviews. Theres also a packed 74 page book(let) included which contains Mishimas original short story on he subject.
I've not gone into detail on the contents of the release as its good to come to the title without any forewarning if you don't know the history of this project!
Well worth investigating!
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1 of 1 people found the following review helpful By Trevor Willsmer HALL OF FAMETOP 100 REVIEWER on 9 Dec. 2012
Format: DVD
Narcissism and self-indulgence are the main features of 1966 short film Patriotism: The Ritual of Love and Death, which, had it not been for the objections of Mishima's family, really should have been included as an extra on Criterion's disc of Criterion Collection: Mishima: A Life in Four [DVD] [1985] [Region 1] [US Import] [NTSC] (which includes a scene of him making the short film), not least because divorced from its historical interest - a famous suicide playing a man who commits suicide - it's really not very good. Played out on a stylised set designed like a Noh theatre stage and performed without dialogue, writer-director-star Yukio Mishima shows little understanding of silent film storytelling by relying on tediously lengthy and leaden scrolls of explanatory text that defeat the very idea of disposing with dialogue. Unfortunately without them the film wouldn't make a great deal of sense since Mishima is more interested in striking poses and detailing the act of seppuko in lingering detail than conveying what lies behind the act in more than the most simplistic terms: the act is all, leaving us to take everything else on faith. It's not all bad: leading lady Yoshiko Tsuruoka's excellent performance compensates for Mishima's weakness as an actor and Kimio Watanabe's black and white cinematography is excellent, but it's more a failed avant-garde experiment that simply reflects its creator's morbid self-obsession than a valid work in its own right.Read more ›
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By Dr. Delvis Memphistopheles TOP 500 REVIEWERVINE VOICE on 26 July 2010
Format: DVD Verified Purchase
Mishima constantly rehearsed his final moments as memory fragments relating back to his early life script surfaced. All was revealed in his "Confessions". Saint Sebastian pierced by arrows, the act of being penetrated ultimately revealing his inner life force.

Myriads of afficianados have scratched and puzzled their bald palates over why? Attachment theory, Bowlby and Spitz provide the clear answers. Those never deemed to have a body, revealed in Sun and Steel are forever trying to chase its contours. Bodies form though the touch and care of significant others. Mishima appears to have been left alone, his mother feeding him on demand every hours. Left to lie in the cradle, Mishima reveals words came first before he became aware of his musculature. Eaten away by white ants throughout his life he forever chased his corporeality. Pumping himself through weights and steroids to create his garden around his citadel, he finally wished to penetrate and behold himself as a human being.

Patriotism became a vehicle for the Elvis flecked bisexual rockabilly who lived in a Roccoco house to adope the uniform of the Japanese army officer and re-enact in R D Laing-speak the classic double bind, dammed if you, crucified if you don't. The No stage is the re-enactment stripped of the nuances of the story. This is a straight re-enactment of the final curtain.

Orientalists may admire the curve of the sword, the nature of the cuts, the whiteness of the pallor, the minimalism of the theatre. Those in the psychological health field can gaze on a man who never knew himself and deludedly took his life to affirm being alive. The trauma cascading onto his wife, children and family.

In between his birth and the death exquisite moments of beauty unfold.
Read more ›
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Most Helpful Customer Reviews on (beta) 11 reviews
7 of 7 people found the following review helpful
Horrifyingly Beautiful 9 Feb. 2011
By Christopher Barrett - Published on
Format: DVD
What can I say about this short film? It's 27 minutes of some of the most amazing filming I have seen.

The Criterion version has an 'English Version' in which the scrolls are replaced with English words. It doesn't really affect the actual film... but I still viewed the Japanese version in which captions translate the wording.

The extras are amazing. There are two interviews with Mishima from around this time which are just plain eerie. He discusses Japan's defeat in the war and what that meant to him as well as his views on death. Again... just eerie. There are also several blocks of an audio only Q&A session by the Foreign press in which Mishima answers in very good English. There is one more interview with the surviving crew from the filming.

The film itself is gut wrenching (literally). Filming in black and white was the right choice. The set is arranged in a Noh theater style with sparse settings and stylized touches (such as the snow on the tree). Mishima actually provides a great performance. His Co-star Yoshiko Tsuruoka is also very good.

There is a bit of a graphic moment where Mishima actually opens his belly, but I couldn't Not watch. It's kind of gruesome, but being in black and white gives it the appearance of ink, and as it stretches on the floor like a spilled inkwell.

Even if Mishima had not committed Seppuku later in his life, this film would still be haunting and mesmerizing. The fact that Mishima visited the same fate several years later only adds to the shock of this film.

Also of note: this film was lost and all surviving copies ordered destroyed my Mishima's widow. This copy was found in a tea cellar in 2005 and luckily Criterion got the thumbs up to restore and release it. Something with this much power and magnitude deserves to be preserved and viewed by generations to come.
5 of 6 people found the following review helpful
Yukio Mishima's foray into the film world is as challenging as you would expect from him.... 23 July 2008
By Grigory's Girl - Published on
Format: DVD
Yukio Mishima, one of Japan's greatest writers and artists, made only one film, Patriotism, and our good friends at Criterion have released it in this very reasonably priced edition. The film is only 27 minutes long, and has no dialogue (though it has "written" narration). It's really a striking piece of work, and quite startling at times. It is also very gory and bloody, and can even make today's gorehounds grimace. I think the violence and blood in this film are much more effective is because they actually mean something, as opposed to many films today who seem to push the uncomfortable gore quotient with no reasoning or rhyming behind it. Yukio Mishima was an incredibly prolific, intense, brilliant, convulted, complex, and artistic individual, a man of many faces, masks, illusions, and realities, and this DVD is an absolute must for any of his fans. If you're not a Mishima fan, you should still rent/buy this disc, as you may become one. The film deals with many Mishima themes, that of patriotism, loyalty, the code of the Samurai, loyalty, modern vs. feudal Japan, etc., and the film is really quite good. It's staged on a Noh stage, which gives it a very distinct feel. If it was done in a realistic manner, it would have been immensely boring, but Mishima makes good choices by filming it in this manner.

Granted, this film is not the greatest of Mishima's artistic output (that is his Sea of Fertility tetraology), but it's still absolutely fascinating and holds up quite well today. The music in the film is a bit overdone, but as the film progresses, one adjusts and it becomes less intrusive. The DVD also includes snippets of Mishima interviews, and it's absolutely brilliant stuff. Where many "artists/writers" give interviews today and say very little, Mishima encompasses worlds in the few words he says. His talk about death, heroism, heroic deaths, politics, etc., etc. are very provocative and still valid today. He certainly wasn't shy about expressing his opinions, but as many people shout to express their opinions, Mishima's opinions are ones that mattre and really make one think on a deeper level. There is also a 45 minute documentary on the making of Patriotism, with the original crew and producer assembled. They reminisce about the making of the film (which only took 2 days to film), and how Mishima was pretty well organised for a first time director. It's a very good companion piece to the film. This is a great DVD for any Mishima fan, and for any fan of Japanese and world cinema.
1 of 1 people found the following review helpful
Stunning film 24 Feb. 2010
By M. J. Tobolski - Published on
Format: DVD
Forget all the other stuff - this is film making at its' best. Wonderfully conceived, beautifully filmed. I only wish that we had directors today that could put as much passion and story telling on the screen with such economy. Essential viewing for any student of film and any aspiring screenwriter, DP or director.
The Poetry of Death 16 July 2014
By David A. Wend - Published on
Format: DVD Verified Purchase
The packaging for Patriotism is elegantly designed. The DVD case resembles a book in the fine paper used as a cover and the print of Mishima as Lieutenant Takeyama, seated, darkly lighted, staring at a dagger in front of him. The DVD case is similar in design and is accompanied by a book that contains the story Patriotism, production notes by Mishima and an essay by Tony Rayns on the making of the film. The booklet is nicely illustrated with still pictures from the film and a group photograph on Mishima and his co-star with the production crew.

I have been curious about Patriotism since I first saw Paul Schrader’s film back in 1985. I was unaware that Mishima’s widow had all prints of Patriotism destroyed, except for the negative. The film was far more artistic in rendering its subject than I expected. The opening where a ghostly outline of Mishima is caressing his wife was an interesting touch. The lighting is very beautifully handled with beautiful shadings of light and dark. I think that non-Japanese viewers should see the slightly longer English version before viewing the Japanese version. It is advantageous to have read the story written out in English on the scrolls. The new high definition restoration enhances the film beautifully. I was naturally wondering how the act of committing seppuku would be depicted on the screen. It was blood but not unnecessarily gory, and the intent by Mishima was not to shock but treat ritual suicide with some poetry. This is especially true of the final frames of the film where the Lieutenant and Reiko ((Yoshiko Tsuruoka) are shown in a kind of apotheosis, joined forever in death.

The extras are interesting. The 45-minute documentary with members of the film’s production staff provides a lot of insight into the making of Patriotism. The audio only extra of Mishima giving a speech in English to the Foreign Correspondents' Association is interesting in all of the candid comments he provide his audience but also for his command of English. The last extra is a short interview Mishima gave on war and death. The interview was amazing for his comments and also that he did not look directly into the camera, perhaps feeling uncomfortable being filmed.

This set is a must for anyone with an interest in Yukio Mishima but anyone with an interest in art films will find this an amazing film.
Visceral and Poignant! Beautifully Preserved. 9 Nov. 2009
By Neil Kambeaze - Published on
Format: DVD Verified Purchase
"Patriotism", Yukio Mishima's short film from 1960's Japan is the dismal account of the honorable suicide of a Japanese army lieutenant and his wife in the aftermath of a failed military coup. The lieutenant, played by Mishima himself, is a perfect patriot, relinquishing his life and the life of his pretty young wife to avoid killing his co-conspirators in the failed coup. The young couple share a last night of sexual intimacy before carrying out their suicide pact.

This film is a landmark in cinemat. Aside from being a remarkable political film, quite outlandish in concept and execution for a film made in Japan at this time, "Patriotism" is also a sort of an artistic rehearsal for writer/actor/director Yukio Mishima's actual seppuku in November, 1970. Much like the lieutenant in "Patriotism", Mishima was part of a resistance movement protesting political changes in power. He gave a speech on the balcony of the Tokyo headquarters of the Eastern Command of Japan's Self-Defense Forces, and when it failed to inspire a return of power to the emperor, Mishima commited ritual seppuku. In addition to "Patriotism", Mishima had several other films, poems and works of fiction dedicated to the subject of honorable suicide at the time of his actual seppuku.

Mishima's suicide was indirectly responsible for the film retaining such sharp visual clarity in spite of its age. After his death, his widow ordered all copies of the film destroyed. She felt no need to relive her husband's suicide again and again, and kept only one copy of the film sealed in an air-tight tea container. For several decades, the film lingered mostly as a myth, kept alive by copies of copies passed around Arthouse Film circles. Upon Mishima's widow's death in 2005, the mint-condition print of the film was unearthed. Criterion wasted no time wrapping up this gem and packaging it for mass consumption. The Criterion package includes the new, gorgeous transfer of the film, interviews with surviving crew members, and a thin book that contains Mishima's original short story.

I am a big fan of Criterion's bonus features. Whenever appropriate, they include the literary basis for the film in the film's packaging. For "Patriotism" Criterion included the entire text of the original short story. I cannot understate this enough: "Patriotism" the short story is WAY harder to read than the movie is to watch. Watching Yukio Mishima realistically play-act suicide is not as bad as having the experience described in the first person. While the movie is very visceral, it is softened and given meaning by soft classical music and tender cinematography. The short story is brutal and unflinching. I had to take breaks from reading it to let my stomach settle, and I'm the kind of guy who watches films like "Cannibal Holocaust" regularly. It's easily as intense as anything Chuck Palahniuk has written, and predates his nihilist stylings by 30-40 years. If you get this movie, you owe it to yourself to read the short story. It's a unique experience. You can read the text of the short story for free at: [...]

All in all, "Patriotism" is one of the best Criterion treatments of a classic arthouse film yet. The film, the transfer, the special features and the packaging are all top-notch and make "Patriotism" a worthy addition to any DVD library.
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