One of Bresson's two middle-period masterpieces (the other being Au Hasard Balthazar). Based on a Bernanos novel, this is a stunning portrait of a 14-year-old girl, living in rural poverty, who is rejected by the world, whether her family, her schoolmates, or the other villagers. The only person who shows any interest is a boy at the fairground, who brings about Mouchette's only smile of the film, until her father brusquely separates them. As in nearly all his films, Bresson uses non-professional actors ("models"), a very elliptical and sparse style, and particularly stunning monochrome photography. Dramas involving the other characters are going on beneath the surface, which only really emerge at a second viewing. Finally Mouchette finds a kind of redemption in the only way she can. A superlative film.