- Actors: Jô Shishido, Kôji Nanbara, Isao Tamagawa, Anne Mari, Mariko Ogawa
- Directors: Seijun Suzuki
- Writers: Atsushi Yamatoya, Chûsei Sone, Hachiro Guryu, Takeo Kimura
- Producers: Kaneo Iwai, Takiko Mizunoe
- Format: Black & White, Colour, DVD-Video, Letterboxed, Subtitled, Widescreen, PAL
- Language Japanese
- Subtitles: English
- Region: All Regions
- Aspect Ratio: 16:9 - 2.35:1
- Number of discs: 1
- Classification: Unrated (US MPAA rating. See details.)
- Studio: Criterion
- DVD Release Date: 23 Feb 1999
- Run Time: 91 minutes
- Average Customer Review: 4.4 out of 5 stars See all reviews (5 customer reviews)
- ASIN: 078002205X
- Amazon Bestsellers Rank: 124,778 in Film & TV (See Top 100 in Film & TV)
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Reviews
Amazon.co.uk Review
Seijun Suzuki's absolutely mad yakuza movie Branded to Kill bends the hit-man genre so out-of-shape it more resembles a Luis Bunuel take on Martin Scorsese. Number Three killer Goro Hanada (Jo Shishido) is a hired gun who loves his work, but when he misses a target after a mere butterfly sets his carefully balanced aim astray, he becomes the next target of the mob. Goro is no pushover and easily dispatches the first comers, leaving them splayed in death contortions that could qualify for an Olympic event, but the rat-a-tat violence gives way to a surreal, sadistic game of cat and mouse. The legendary Number One mercilessly taunts his target before moving in with him in a macho, testosterone-laden Odd Couple truce that ends up with them handcuffed together.
Kinky? Not compared to earlier scenes. The smell of boiling rice sets Goro's libido for his mistress so aflame that Suzuki censors the gymnastic sex with animated black bars that come to life in an animated cha-cha. Because Suzuki pushed his yakuza parodies and cinematic surrealism too far, his studio, Nikkatsu, finally called in their own metaphoric hit and fired the director with such force that he was effectively blackballed from the industry for a decade. It took about that long for audiences to embrace his audacious genre bending--Suzuki's pop-art sensibilities were just a bit ahead of their time. --Sean Axmaker, Amazon.com
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Customer Reviews
Most Helpful Customer Reviews
8 of 8 people found the following review helpful
Format:DVD
When "Branded to Kill" was released in 1967 it caused quite a stir in Japan. Critics condemned it, the director Suzuki fell out of favour with his boss, the director of the movie company Ninkatsu distanced himself from it and considered it a mistake to have released it. While the presence of the yakuza is minimal in the movie, due to the focus organised crime one can place it in this genre.
And this is likely why the film inspired such uproar. 1967 was still the age of the 'noble yakuza' movie (with as central heroes Tsuruta Koji and Takakura Ken) resembling the samurai films with their honourable wandering swordsmen. They dealt with noble gangsters keeping to the old rules and passing through life with honour who were pushed to the limit by crude (usually western or Chinese) gangster brutes that tried to destroy the Japanese traditional ways. Only later, when Fukasaku Kinji appeared on the scene with such films as "Tarnished Code of the Yakuza", "Yakuza Graveyard", and "Cops VS Thugs", nihilism and decadence became the trademark of the yakuza movie, with Sugurawa Bunta as its leading protagonist.
"Branded to Kill" is a contes cruel, a dark and violent movie with touches of black humour. A professional hitman (no.3 on the national list of best killers) becomes obsessed with a strange girl that hires him. These elements, the tormented hero and the dangerous female, are very prevalent in Japanese cinema in general, as well as the haunting opening song (usually sung by the protagonist himself) about the contents of the movie. When no.3 accidentally shoots the wrong person only his death is adequate atonement for his foul-up. There's a price on his head, and no.1 is the man who's going for him.
From that moment on the movie becomes a roller coaster of gunfights, intrigue, despair, violence, sexual obsession, and existential torment. Unlike Tsuruta and Takakura the protagonist is a lamentable anti-hero that tortures the dazed girl and himself, and tries to stay out of the clutches of no.1. The climax of "Branded to Kill" is absolutely one of the best in any crime movie, and attentive viewers might recognise scenes that have later been copied by later American crime movies.
It is my sincere hope that with the release of these Japanese yakuza movies on DVD we'll soon see the masterpieces of Fukasaku Kinji as well (his recent Battle Royalle, although no yakuza movie, is now also available on DVD). He is one of the most interesting directors of the 70's, and should receive some recognition in the west.
4 of 4 people found the following review helpful
Format:DVD
Japanese novelist Yukio Mishima cranked up the concept of reality T.V a few notches in 1970 when he invited a few of his media pals along to a hijacking of a government building where he then performed seppuku (Ritual self disembowelling) as a protest against the erosion of traditional Japanese values. Japan in the late 60's saw an upsurge of such demonstrations against western influence - an uprising which had seen riots outside the Budokan Sports Arena a few years previously when the Beatles appeared there. Somewhere during this volatile chapter of cultural osmosis director Seijun Suzuki got fired by the Nikkitsu film company for making his masterpiece BRANDED TO KILL.
This maverick film maker was already on thin ice with his fiercely conservative paymasters when his 1966 film TOKYO DRIFTER took the Yakuza (Japanese gangster) genre into new (and thus feared) directions but BRANDED TO KILL was the one that finally broke the chopstick - Rendering the director unemployable for a decade.
BRANDED TO KILL charts the fall and fall of No3 Killer, (Jo Shishido) a down at heel hitman, who bodges an assignment when a butterfly lands on the end of his rifle just at the crucial moment. For this gaff he is now subject to the murderous attentions of the mythical No1 Killer.
Looking like a giant Gopher in a mohair suit and Raybans, No3 Killer finds himself in a bizarre vortex of shadows and monochrome as he attempts to save his girlfriend from being incinerated, get the better of superior Killer No1 and to survive to become No1 himself. His bizarre quirk of using boiled rice as a form of Viagra does nothing to make his journey anymore straightforward.
Surely one of the most beautiful black and white films ever, BRANDED TO KILL is a collision of American `Noir' and giddy Japanese oddness. A genuine cinematic experience - everything within the frame appears to be sculptured from mercury.
Cultural Osmosis is rarely an easy thing, but when it works, the result is often something like the offbeat gorgeousness of BRANDED TO KILL.
Adrian Stranik
This maverick film maker was already on thin ice with his fiercely conservative paymasters when his 1966 film TOKYO DRIFTER took the Yakuza (Japanese gangster) genre into new (and thus feared) directions but BRANDED TO KILL was the one that finally broke the chopstick - Rendering the director unemployable for a decade.
BRANDED TO KILL charts the fall and fall of No3 Killer, (Jo Shishido) a down at heel hitman, who bodges an assignment when a butterfly lands on the end of his rifle just at the crucial moment. For this gaff he is now subject to the murderous attentions of the mythical No1 Killer.
Looking like a giant Gopher in a mohair suit and Raybans, No3 Killer finds himself in a bizarre vortex of shadows and monochrome as he attempts to save his girlfriend from being incinerated, get the better of superior Killer No1 and to survive to become No1 himself. His bizarre quirk of using boiled rice as a form of Viagra does nothing to make his journey anymore straightforward.
Surely one of the most beautiful black and white films ever, BRANDED TO KILL is a collision of American `Noir' and giddy Japanese oddness. A genuine cinematic experience - everything within the frame appears to be sculptured from mercury.
Cultural Osmosis is rarely an easy thing, but when it works, the result is often something like the offbeat gorgeousness of BRANDED TO KILL.
Adrian Stranik
Format:DVD
Probably the most bizarre, unusual, avant-arty movie I've seen come out of the 60s. Far ahead for its time and demanding of yours - the viewer must be prepared to pay attention. Well worth a look.
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Most Recent Customer Reviews
branded with talent
What is it about this film that made me want to see it again and again? I'll tell you, it is quite simply one of the most visually stunning and original films I have ever seen -... Read more
Published on 20 April 2003
Yakuza violence and cool with 60s trippiness...
Starts out as a cool gangster / action film. Becomes an intense thriller.
This film lives next to Get Carter on my shelf and is as high in my esteem. Read more
Published on 14 Mar 2002
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