- Hardcover: 864 pages
- Publisher: Canongate Books Ltd; First Edition First Printing edition (4 Oct 2002)
- Language English
- ISBN-10: 1841953237
- ISBN-13: 978-1841953236
- Product Dimensions: 24.8 x 15.8 x 4.8 cm
- Average Customer Review: 4.1 out of 5 stars See all reviews (183 customer reviews)
- Amazon Bestsellers Rank: 181,073 in Books (See Top 100 in Books)
The Crimson Petal And The White
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Product Description
Amazon.co.uk Review
Although it's billed as "the first great 19th-century novel of the 21st century," The Crimson Petal and the White is anything but Victorian. It's the story of a well-read London prostitute named Sugar, who spends her free hours composing a violent, pornographic screed against men. Michel Faber's dazzling second novel dares to go where George Eliot's The Mill on the Floss and the works of Charles Dickens could not. We learn about the positions and orifices that Sugar and her clients favour, about her lingering skin condition, and about the suspect ingredients of her prophylactic douches. Still, Sugar believes she can make a better life for herself.
When she is taken up by a wealthy man, the perfumer William Rackham, her wings are clipped and she must balance financial security against the obvious servitude of her position. The physical risks and hardships of Sugar's life (and the even harder "honest" life she would have led as a factory worker) contrast--yet not entirely--with the medical mistreatment of her benefactor's wife, Agnes, and beautifully underscore Faber's emphasis on class and sexual politics.
In theme and treatment, this is a novel that Virginia Woolf might have written, had she been born 70 years later. The language, however, is Faber's own--brisk and elastic--and, after an awkward opening, the plethora of detail he offers (costume, food, manners, cheap stage performances, the London streets) slides effortlessly into his forward-moving sentences. When Agnes goes mad, for instance, "she sings on and on, while the house is discreetly dusted all around her and, in the concealed and subterranean kitchen, a naked duck, limp and faintly steaming, spreads its pimpled legs on a draining board." Despite its 800-plus pages, The Crimson Petal and the White turns out to be a quick read, since it is truly impossible to put down. --Regina Marler, Amazon.com
Product Description
Gripping from the first page, this immense novel is an intoxicating and deeply satisfying read. Faber's most ambitious fictional creation yet, it is sure to affirm his position as one of the most talented and brilliant writers working in the UK. Sugar, an alluring, nineteen-year-old whore in the brothel of the terrifying Mrs Castaway, yearns for a better life. Her ascent through the strata of 1870's London society offers us intimacy with a host of loveable, maddening and superbly realised characters. At the heart of this panoramic, multi-layered narrative is the compelling struggle of a young woman to lift her body and soul out of the gutter. The Crimson Petal and the White is a big, juicy, must-read of a novel that will delight, enthral, provoke and entertain young and old, male and female.
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Customer Reviews
Most Helpful Customer Reviews
67 of 69 people found the following review helpful
Format:Paperback
The Crimson Petal and the White is currently being serialised by the BBC, and a great adaptation it is too. But if you don't read the book, you'll be seriously missing out.
It's a hefty commitment at well over 800 pages, but apart from the sheer weight of it straining my wrists, it couldn't have been less of a chore to read. From the opening pages, in which a sly, conspiratorial narrator invites the reader to spy, voyeur-like, on the characters, to the ambiguous, startling conclusion, I was gripped by this dark Victorian tale.
The apparently cold-hearted prostitute Sugar, largely unloved, frequently unlovely and often unlovable, is a dream of a character. She is complicated, ambiguous and contradictory, and yet I found it impossible not to cheer her on even at the height of her scheming. William Rackham, the weak-willed perfume manufacturer who 'buys' her from her increasingly terrifying mother and madam, Mrs Castaway, is absurd and dangerous by turns. In fact, William is a living embodiment of the saying 'a little knowledge is a dangerous thing'. His position as a wealthy man in a 19th century patriarchy - a position he only reaches in the first place with Sugar as both his motivation and unofficial assistant - means that his snap decisions and capricious whims can have a horrifying effect, sometimes unwitting and sometimes deliberate, on the women around him. Casually neglecting his disappointingly female offspring and simultaneously idolising and despising his disturbed young wife Agnes, he often professes to be in love with Sugar - but will he tire of her one day and put her to one side, just as he shuts away his inconvenient wife and child?
Written in the style of a Victorian novel and exploring a number of Victorian themes and structural devices, The Crimson Petal and The White has numerous subplots, among them the touching but tragic story of William's pious, sexually-frustrated brother Henry and his unrequited love for charity worker Mrs Fox, whose sturdy pragmatism and refusal to be beaten something as trifling as tuberculosis makes her the antithesis of the naive, fragile Agnes Rackham and her obsession with 'the Season'. There is also Agnes' slowly-revealed back-story, through which we learn that her genteel, pampered upbringing has in its own peculiar way been just as harmful as Sugar's miserable early years with her abusive mother.
Despite being crammed with details, some of them uncomfortably grubby and visceral, some of them comic and some of them quietly domestic, The Crimson Petal and the White is never boring and never once feels over-written. Perhaps this is because every one of those details, no matter small, is significant and revealing. There isn't a line in the novel from which we don't learn something important and not a line that didn't draw me in just that little bit further. By the end, I cared desperately about Sugar, despite her ambiguity, despite her dubious choices, despite that little streak of nastiness that still sometimes surfaced in her. A brilliant must-read, not just for the engrossing story and the three-dimensional characters, but for its fascinating exploration of Victorian life and society.
It's a hefty commitment at well over 800 pages, but apart from the sheer weight of it straining my wrists, it couldn't have been less of a chore to read. From the opening pages, in which a sly, conspiratorial narrator invites the reader to spy, voyeur-like, on the characters, to the ambiguous, startling conclusion, I was gripped by this dark Victorian tale.
The apparently cold-hearted prostitute Sugar, largely unloved, frequently unlovely and often unlovable, is a dream of a character. She is complicated, ambiguous and contradictory, and yet I found it impossible not to cheer her on even at the height of her scheming. William Rackham, the weak-willed perfume manufacturer who 'buys' her from her increasingly terrifying mother and madam, Mrs Castaway, is absurd and dangerous by turns. In fact, William is a living embodiment of the saying 'a little knowledge is a dangerous thing'. His position as a wealthy man in a 19th century patriarchy - a position he only reaches in the first place with Sugar as both his motivation and unofficial assistant - means that his snap decisions and capricious whims can have a horrifying effect, sometimes unwitting and sometimes deliberate, on the women around him. Casually neglecting his disappointingly female offspring and simultaneously idolising and despising his disturbed young wife Agnes, he often professes to be in love with Sugar - but will he tire of her one day and put her to one side, just as he shuts away his inconvenient wife and child?
Written in the style of a Victorian novel and exploring a number of Victorian themes and structural devices, The Crimson Petal and The White has numerous subplots, among them the touching but tragic story of William's pious, sexually-frustrated brother Henry and his unrequited love for charity worker Mrs Fox, whose sturdy pragmatism and refusal to be beaten something as trifling as tuberculosis makes her the antithesis of the naive, fragile Agnes Rackham and her obsession with 'the Season'. There is also Agnes' slowly-revealed back-story, through which we learn that her genteel, pampered upbringing has in its own peculiar way been just as harmful as Sugar's miserable early years with her abusive mother.
Despite being crammed with details, some of them uncomfortably grubby and visceral, some of them comic and some of them quietly domestic, The Crimson Petal and the White is never boring and never once feels over-written. Perhaps this is because every one of those details, no matter small, is significant and revealing. There isn't a line in the novel from which we don't learn something important and not a line that didn't draw me in just that little bit further. By the end, I cared desperately about Sugar, despite her ambiguity, despite her dubious choices, despite that little streak of nastiness that still sometimes surfaced in her. A brilliant must-read, not just for the engrossing story and the three-dimensional characters, but for its fascinating exploration of Victorian life and society.
16 of 16 people found the following review helpful
Format:Paperback
The title, as all good Victoriana-o-philes will know, comes from a poem by Tennyson called 'Now Sleeps the Crimson Petal' ("Now sleeps the crimson petal, now the white"), a poem about love and longing, and to be frank, a little bit of lusting too. How apt this is for this wonderful, wonderful, all-consuming book.
"Watch your step. Keep your wits about you; you will need them. This city I am bringing you to is vast and intricate, and you have not been here before. You may imagine, from other stories you've read, that you know it well, but those stories flattered you, welcoming you as a friend, treating you as if you belonged. The truth is that you are an alien from another time and place altogether."
So opens this novel set in the dark, dirty streets of Victorian London. The story follows a headstrong young man-hating prostitute called Sugar as she progresses through the rigid social structure of the times thanks to a liaison with William Rackham, gentleman and newly crowned head of Rackham Perfumeries. At home he has a daughter and a wife - his wife is confined to her bed, hysterical in the way that only Victorian women could be. She is, perhaps, his madwoman in the attic.
This is a chunky book - my paperback edition weighs in at 835 (very good quality) pages - but my word I zipped through it. The beauty of it is that Faber is a genius at character. Every single person, no matter how inconsequential, pops out of the page a fully formed human being, elliciting sympathy or derision or hatred as appropriate. And London herself becomes as much as character as any person in the book - the city is perfectly etched with no details left out. No dim corner is too dirty or deprived for our eyes, and this means that the social inequality of the Victorian class system is laid bare for all to see. We watch Sugar as she drags herself from 'The Streets' to 'The World at Large', but then what happens to her?
The ending of the book caused some controversy with readers when the book was published in 2000 because it... no, I can't tell you. All I shall say is that Michel Faber had enough letters (both pleading and admonishing) to write a follow up book of short stories called The Apple in 2006. I can tell you that when I closed The Crimson Petal and the White, I was bereft, and it remains one of the best books I have ever read. It, like the London, and like the characters it is populated by, is "vast and intricate", and leaves quite the indelible print on the memory.
I read that there is to be a film adaptation. I could see it working as a film, but I'm not sure I would want to see the film itself. I think I'm too attached to the book to be able to let go of the mental picture I have of the characters. *Sigh*. Wonderful book. Wonderful, wonderful book.
"Watch your step. Keep your wits about you; you will need them. This city I am bringing you to is vast and intricate, and you have not been here before. You may imagine, from other stories you've read, that you know it well, but those stories flattered you, welcoming you as a friend, treating you as if you belonged. The truth is that you are an alien from another time and place altogether."
So opens this novel set in the dark, dirty streets of Victorian London. The story follows a headstrong young man-hating prostitute called Sugar as she progresses through the rigid social structure of the times thanks to a liaison with William Rackham, gentleman and newly crowned head of Rackham Perfumeries. At home he has a daughter and a wife - his wife is confined to her bed, hysterical in the way that only Victorian women could be. She is, perhaps, his madwoman in the attic.
This is a chunky book - my paperback edition weighs in at 835 (very good quality) pages - but my word I zipped through it. The beauty of it is that Faber is a genius at character. Every single person, no matter how inconsequential, pops out of the page a fully formed human being, elliciting sympathy or derision or hatred as appropriate. And London herself becomes as much as character as any person in the book - the city is perfectly etched with no details left out. No dim corner is too dirty or deprived for our eyes, and this means that the social inequality of the Victorian class system is laid bare for all to see. We watch Sugar as she drags herself from 'The Streets' to 'The World at Large', but then what happens to her?
The ending of the book caused some controversy with readers when the book was published in 2000 because it... no, I can't tell you. All I shall say is that Michel Faber had enough letters (both pleading and admonishing) to write a follow up book of short stories called The Apple in 2006. I can tell you that when I closed The Crimson Petal and the White, I was bereft, and it remains one of the best books I have ever read. It, like the London, and like the characters it is populated by, is "vast and intricate", and leaves quite the indelible print on the memory.
I read that there is to be a film adaptation. I could see it working as a film, but I'm not sure I would want to see the film itself. I think I'm too attached to the book to be able to let go of the mental picture I have of the characters. *Sigh*. Wonderful book. Wonderful, wonderful book.
97 of 101 people found the following review helpful
Format:Paperback
Set in Victorian London, peopled by prositutes, madams, street sellers, batchelors, widows, Perfume manufacturers, hysterics and governnesses, "The Crimson Petal and the White" is everything it promises to be on the first page - an eye-opening journey and a dirty, jolting, wholly satisfying ride at that.
Its very difficult to express the novel's quality and density. Undoubtedly it is Faber's "magnum opus" to date, a startling 800+ page tome rather than his usual slick, moderate volumes. Furthermore, not a single page is superfluous - it surrenders to compelling detail and atmosphere, while still conveying a developing sense of character and an adequate pace of plot - the marriage of which is rarely accomplished with the good grace that "Crimson Petal" displays.
The story is at once convuluted, in that it follows a number of sensational and shocking individuals over one year of their lives, and incredibly simple, in that nothing resembling a contrived plotline is evident. The principals under examination are without exception well rounded protagonists - centred around William Rackham, the up-and-coming heir of a booming perfume manufacturer, they include his disturbed wife Agnes; the enigmatic Sugar, a prostitute who becomes his mistress and his ascetic, pious brother Henry. All of them undergo the painful, and wonderful, events demanded by the movement of time, and the changes of the Victorian social environment.
The Victorian era is deliciously invoked by Faber, who appears to have conducted exhaustive research both into the social and economic realities of the period. Equally, the experiences of his characters are realistically approached and at no time does the novel require a leap of imaginative faith. Meanwhile their complexifying relationships with one another provide good amounts of dramatic and personal tensions.
Some have found "Crimson Petal"'s content distasteful, even disturbing, and yes, it is a novel in which sex, violence and abuse feature prominently, but I would argue that this is no more than is properly required. At no point is Faber gratuitous or pornographic - harsh and disconcerting some scenes may be, they are hardly unrealistic or unwarrented.
Overall, a glorious triumph in the name of period fiction writing and a tour de force of style and character formulation well deserving of five stars and its international acclaim.
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Most Recent Customer Reviews
Unnecessary smut
This is a very long book and some of the text is sexually explicit. I don't think I am a prude but when the writer talks of the main character holding a child's hand and makes... Read more
Published 16 days ago by perolatap
Crimson Petal
I have never read any Michael Faber books before so this was atrue experiment.Fortunately I bought it in Kindle form or else my arms would have given out,it is not a light... Read more
Published 24 days ago by R. D. Mayles
Very long book....and loved every page
I volunteered to read this book for a book club BEFORE I knew how long it was. But it did not disappoint. In fact, by the time I was through I didn't want it to end! Read more
Published 1 month ago by americangirl
Excellent enthralling read...
I won't go into plot detail, there are plenty of reviewers who have covered that. When I picked up this book and read the first couple of pages, I thought I wasnt going to like it... Read more
Published 1 month ago by Liz Wilkins
Utterly loved this book
This book became my friend for the few weeks it took me to read it - and felt bereft when I had finished it. Read more
Published 1 month ago by R. Banister
A book group classic
An 845 page tome not to be picked up lightly, and definitely not if you don't like four letter references to female genitalia! Read more
Published 1 month ago by Mike Hunter
What a tour de force!
What a total tour de force this book is. Luckily I had a long plane flight in which to read this - even then I had to read it on holiday and on the long flight back as it's a... Read more
Published 1 month ago by Booklover
Just wonderful
I've read a lot of books in my time, but this is definitely in my top 10. Just wonderfully written and crafted, it grabbed me from the first page. Read more
Published 1 month ago by S5228
Not worth the effort
I had high hopes for this book which started well and contains some very fine narrative and descriptive writing. Read more
Published 2 months ago by Dr. David Griffiths
Mixed emotions upon completion
This is by all means a staggering and breathtaking work of fiction and I absolutely adored it, until I got to the end. Read more
Published 2 months ago by Alison Fable
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