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Crimson Import

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Product details

  • Audio CD (2 April 1996)
  • Number of Discs: 1
  • Format: Import
  • Label: Black Mark Germany
  • ASIN: B000001H20
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 743,086 in Music (See Top 100 in Music)

1. Crimson - Edge Of Sanity

Product Description

I will ship by EMS or SAL items in stock in Japan. It is approximately 7-14days on delivery date. You wholeheartedly support customers as satisfactory. Thank you for you seeing it.

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Most Helpful Customer Reviews

1 of 1 people found the following review helpful By Agma on 17 Mar 2012
Format: Audio CD Verified Purchase
Edge of sanity are a hugely overlooked melo-death outfit from sweden; a band whom also express a tasteful and moderated prog sound into their music. Edge of sanity began as a straight forward death metal band from Sweden before beginning to experiment on the "Unorthodox and the spectral sorrows" albums; this developed further into a purely melodic death metal sound on the "Purgatory afterglow" album. One very notable observation that could be suggested about Edge of sanity is that their music undoubtedly nurtured and developed significantly by the time 1994 came and went. With two or perhaps three- fantastic albums behind them. "Purgatory afterglow" became an album somewhat of a minor classic and indeed more of the same could have been expected with the next 1996 album, titled "Crimson."

Edge of sanity's "Crimson" handles lyrical themes of post apocalyptic sci-fi and humankind's struggle for survival, and this is demonstrated expertly and goes together with the style of the song well. The song goes through many different and unique death metal and proggy corridors; all are memorable; but particularly the melodies and atmosphere created between the 6-13 minute. The different musical tones are so well crafted that the song is blended seemingly into one gigantic song but with the EOS hooks and composition that make it feel appropriately as one single song. The musicianship throughout and vocal overtones are delicious, not overdone and placed sporadically where they increase the texture. Leaving that awesome and invigorating artwork to compliment further the wholly intoxicating affair.

Any possible expectations music-wise, to satisfy what was to become Edge of sanity's overwhelming classic musical document and opus is difficult to underpin.
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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: 27 reviews
16 of 17 people found the following review helpful
66.6% of an hour of power. 11 Dec 2005
By Church of The Flaming Sword - Published on Amazon.com
Format: Audio CD
I remember when I wrote my review for Carcass' _Heartwork_ back in 2003 saying that I wasn't much of a death metal fan. While I still don't frequent the record stores looking for every CD made by some half-baked Deicide clone (or Deicide themselves for that matter), I've become much more liberal toward the genre in the last two years. And one thing gathered through my countless hours of internet perusal, while not at my job at the hospital, is the unanimous praise for Edge of Sanity's _Crimson_.

_Crimson_ is really not all that hard to describe. Just imagine a band playing melodeath a la Dark Tranquility/In Flames with the conceptual progressive tendencies of Rush and Genesis. It is not so much an album as it is a 40 minute song (yes you read that correctly - a 40 minute song). The concept deals with an extremely far future in which the human race is about to meet its quietus because of its inability to have any more children. Lo and behold, a girl is born to a world that has given up hope. Is she mankind's redemption - or something else?

Musically, I say without hesitation that _Crimson_ is one of the most amazing metal compositions I have ever heard. It has a huge epic atmosphere that has the feel of sitting in a nice cozy chair and reading a great novel. One minute you'll hear a fusillade of blast beats and buzzsaw guitars - like the battle hymn for a futuristic warlord. The next you'll hear a somber and otherworldy acoustic respite that wouldn't sound out of place on a Mike Oldfield album. One of my favorite things about _Crimson_ is how you'll hear one passage, think you won't hear it again, and then it pops up on you like a welcome friend 20 minutes later.

Being a metal fan for 18 years, I admit with more than a little shame for not checking out the ultra-prolific and multi-talented Dan Swano's work sooner. Having recently read about him on the always informative Wikipedia, I found out that throughout his career he has been involved in no fewer than 30 differnet bands. Hard to believe for a man who will be only 33 years old this coming March. James Brown the hardest working man in show business?

Sez who?
12 of 12 people found the following review helpful
Swedish Death at its best 6 Oct 2004
By Captain Kirk Is Dead - Published on Amazon.com
Format: Audio CD
Here we go, 40 non-stop minutes of pure agressive Death. Such a masterpiece...an opus every metal bands dream to compose. Unfortunately, no one will! (Haha) It's raw, but at the same time refined and intelligent. To totally get the whole thing (coz these 40 minutes contain lots of transitions), it needs a couple of spins in your cd player...and lots of time. Unlike Crimson II, the first one is one big track of 40 mins and not cut in sections. What amazes me the most is that...being a musician myself, it would have been easy to write a big suite of different riffs that goes on for 40 minutes. Here, it's different. Some parts come back, wisely placed, to get a real song structure. A must to have.Sincerely.
11 of 11 people found the following review helpful
The Epic Of All Epics 31 Dec 2004
By Tom Z - Published on Amazon.com
Format: Audio CD
Well, it's my 100th review here at Amazon so I figured I'd review one of my favorite records of all time, The indominable Crimson by Edge Of Sanity. I only hope my words can do this incredible piece of art justice.

The epic starts with an explosion of brutal growls courtesy of Dan Swano and the ultra-distorted guitars trademark of Edge Of Sanity. Then smoothly transitions into a more typical melodeath riff before dissipating into an acoustic interlude. Within these few short minutes it becomes apparent that every member of Edge Of Sanity is in a class of all their own. Dan Swano may be the best vocalist I've ever heard. Great at singing and exponently better at death vox. Also a pretty damn good guitarist and songwriter. The rhythm section holds down well and adds the extra strength that is the foundation of EOS's power. Following the acoustic part is more death compositions that slowly build tempo until they errupt in a fury of blastbeats and machine-gun riffs with Mike Ackerfeldt of Opeth leading the charge. After this there is a fluctuation of softer and heavier parts that finally culminate in the chorus. Speaking of the chorus, those are some of the catchiest riffs I've ever heard, hell, just thinking about them right now gets them stuck in my head. What follows is more ups and downs of heaviness and tempo with the chorus reverberating occasionlly until the song reaches it's monumentuous end. I don't know if I did the album justice, but that's the best I got. The only thing I have left to say is out of anything I've ever reviewed, this recieves my highest recommnedation of them all.
8 of 8 people found the following review helpful
A death metal epic 16 Jan 2006
By Nicholas Adam Chupka - Published on Amazon.com
Format: Audio CD
When I first started writing reviews for Amazon, I made a promise to myself that I would not write reviews for albums I had heard only once. Well, here I am, wallowing in embarrassment, because A. I'm breaking my promise and B. Today is the first time my ears were ever graced with the beast that is Crimson.

Sure, Edge of Sanity was one of the first "must hear" metal bands I learned of when I re-entered the world of metal three years ago, but after purchasing the only release Tower had available of this Dan Swano led force, Crimson II, I was not impressed (ducks flames), and made the foolish mistake of turning my back on Edge of Sanity.

Well, one cannot simply continue to ignore outstanding review after outstanding review (23 five star, 1 four star review(s) to be exact), especially when they come from esteemed peers who have opened my eyes to countless delights before.

So this morning, on this wonderful holiday from work, I listened to the 40-minute opus, and to me, what separates it from Crimson II can be explained through the format of the two albums themselves. While Crimson II is one long song split into many different tracks, Crimson is one long track. One seamless trail of such cohesive structure and relentless grandeur, that I would say this album obliterates the only comparable metal competition, in terms of structure and intent, I can think of: Green Carnation's Light of Day, Day of Darkness. Granted, that album is doom-based while Crimson has a pervasive death metal feel with liberal use of melody and progressive elements, but any such lofty attempt is susceptible to stagnation and/or mindless meandering, and Crimson has not a speck of either.

Swano delivers a death metal vocal performance for the ages, effortlessly switching between his growl of desperation which can be matched only by Opeth's Mikael Akerfeldt, a low chant of vampyric goth not unlike that made famous by Type O Negative's Peter Steele, and a more traditional clean style which gives credibility to Dan as an actual singer.

Still, the presence of such remarkable vocals would amount to nothing without instrumentation that can stay fresh and engaging for an uninterrupted 40 minutes. With top shelf proficiency, Edge of Sanity tears through riff after memorable riff, paying tribute to all the metal that came before it. Smatterings of Slayer, Obituary, Sepultura, Anthrax, Carcass and Metallica can all be heard here, but Swano channels them in such a way as to declare that he is the accumulation of metal. He is the beast that has formed from the years of blistering speed and unbridled aggression. It is hard to listen to this masterpiece and dare think otherwise.

Those of you who frequent the Listmania and So You'd Like to lists here on Amazon, looking for those hidden gems which allow you to continue to expand your metal horizons have undoubtedly come across this album many times. Do not make the same mistake as me by passing it by. This album is better than you've heard, because no perfect construction of lavish praise can capture the true feeling of this experience. Uncompromisingly dark and heavy with a catchy vibe that runs the spectrum of metal styles, Crimson contains exactly what such a daring undertaking must: a stunning collection of unforgettable emotion and composition. Not only does Crimson fit the bill, it has set the bar which, 10 years later, has yet to be surpassed.
8 of 8 people found the following review helpful
A Dark Journey Through Metal Bliss 16 Jun 2005
By Lumazu - Published on Amazon.com
Format: Audio CD
Beginning with a crushing riff that dissolves into a slow groove, and ending with another crushing riff with some atmospheric use of synth, Crimson is a journey through the mind of Dan Swano. Like Mikael Akerfeldt, he interchanges seemlessly from the death metal growl to clean progressive vocals that mark the slow sections. This album, to me, is right up there with Opeth's masterpiece, Blackwater Park. The energy and atmosphere are very similar, but Crimson takes the cake in terms of brutality. What we have here is Swano's death metal symphony, and it feels as though you, the listener, are being hurled from one twisting riff to the next. Truly an exciting journey, and not for the faint of heart. There is even a bit six minutes into the song where you start thinking you're listening to some pop gothic band and not a death metal band fronted by Mr. Swano. Unlike Blackwater Park, however, this one has to be set aside for those occassions where you really want to sit back and listen to an album through its entirety. No switching tracks here. But anyone who can keep your attention through a 40-minute track is truly gifted. You have to hear it to believe it.
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