Crest Of A Knave
 
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Crest Of A Knave

19 Mar 2007 | Format: MP3

£7.99 (VAT included if applicable)
Song Title
Time
Popularity  
30
1
3:37
30
2
6:31
30
3
4:53
30
4
3:41
30
5
4:29
30
6
10:05
30
7
6:21
30
8
4:47
30
9
4:12
30
10
6:54


Product details

  • Original Release Date: 28 Aug 2000
  • Release Date: 28 Aug 2000
  • Label: Chrysalis UK
  • Copyright: 2005 Chrysalis Records Ltd. This label copy information is the subject of copyright protection. All rights reserved. (C) 2005 Parlophone Records Ltd
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 55:30
  • Genres:
  • ASIN: B001IYLFTC
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (19 customer reviews)
  • Amazon Bestsellers Rank: 8,649 in MP3 Albums (See Top 100 in MP3 Albums)

Customer Reviews

4.1 out of 5 stars

Most Helpful Customer Reviews

17 of 18 people found the following review helpful By Steven Moses on 9 May 2003
Format: Audio CD
I bought this album originally on tape while on holiday in Turkey and after a few plays it went all wobbly.I bought it initially out of curiousity as I'd heard a track off this album on a compilation and from then on I was hooked. This isn't typical Tull. Anderson had been flirting with new technology for a number of years and the sound can be described as possibly a cross between ZZ Top and Dire Sraits. It's a very accessible album but notable still for Anderson's quirky lyrics and ear for a great tune especially 'Waking Edge' and 'Said She Was a Dancer'. If you want a good introduction to Anderson buy this but it is by no means indicative of 70s Tull. And yes, I bought it on cd when I got home!
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7 of 8 people found the following review helpful By Stalker VINE VOICE on 17 July 2010
Format: Audio CD
This seems to be the album that Ian Anderson wants us to admire the most judging by his interviews. The song writing and arrangements are supposed to be a notch above all that went before. I love JT but for me this is the album where it all began to fall apart. The lyrics are often weak with some cringe making lines on Budapest "Her legs went on forever, Like staring at infinity". In fact this album seemed to herald the arrival of IA's second adolescence. Some of the music is very good but Martin Barre seems to have decided he wants to sound like Mark Knopfler for some reason (Dire Straits were massively popular at the time). The drumming is poor, often provided by a drum machine. The album is saved by a couple of good but contrasting songs: Steel Monkey is a very powerfull and original modern sounding rock song and Mountain Men has a melodic old fashioned highlands theme which rolls along very nicely.
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18 of 21 people found the following review helpful By Mr. G. Foxton VINE VOICE on 4 Nov 2000
Format: Audio CD
Play the track "Said She Was A Dancer" from this Tull C.D. to any ten music fans and at least seven will probably ask you which Dire Straits album it's taken from.
The album was the first Tull c.d. I bought and though I've since covered what fans consider to be the essential purchases, this C.D. is still one of the most played.
"Farm on the Freeway" is a classic, slow building tune laden with flute, telling of a farmers rage at compulsary land purchase (very British) and leads into "Jump Start", another track which could not be mistaken for any other band. The centerpeice of the album is "Budapest" at over ten minutes you can almost feel the effort that has gone into making it epic.
My favourite track is "Dogs in the Midwinter" a variation on the "Why is life so hard" theme and another tune you find humming when you least expect it.
It could be that Tull were attempting to break America again, this album and particulary the track "Jump Start" were heavily played on U.S. radio but as a confirmed Tull fan I can recommend it both to fans and to the first time "Tull Buyer".
Oh, and "Steel Monkey" sound a bit like ZZ Top !!!
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9 of 11 people found the following review helpful By Andy Millward VINE VOICE on 9 Nov 2001
Format: Audio CD
Tull are known to pay little heed to the whims of fashion, so you might be forgiven for thinking their material has varied little since 1967. In fact, it's none the worse for that. Anderson's quirky neo-folkish vocals and breathy flute solos are welded efficiently to accoustic and electrical guitar chords, much as you ever expected.
The surprise comes through the surprisingly delicate melodies and intricate playing on songs such as Farm on the Freeway, Said she was a Dancer and Budapest, much as they did later to great effect with Rare and precious chain.
If this is your intro to the world of Tull, this is worth exploring at your leisure.
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By HAYLING BOOK & MUSIC VENUE (HBMV) TOP 500 REVIEWER on 29 May 2014
Format: Audio CD
This is a Tull album that screams 'Eighties'.

In an attempt to keep up with the times (but without losing the essence of what they're about), Jethro Tull adopted a far more modern approach to their sound.

The result is generally pleasing, helped by strong songs and a very glossy production style which is typical of the era and thus dates it somewhat.

The album scooped all sorts of awards at the time - that said, it is nether their greatest or strongest album, though it remains quite possibly their most commercial release to date.
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Format: MP3 Download Verified Purchase
Tull does it again,top sounds ,sings about stuff I have lived love him.not the same as the original one extra track on this one "part of the machine"
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By youngsie on 23 April 2012
Format: Audio CD
By the time Tull released this album, they had been drifting for some time. "A" and "Under Wraps" had alienated previous fans (like myself) who had moved on to other groups/musicians. So, when I heard "Steel Monkey" as a single it wasn't immediately recognisable as a Tull track. Intrigued, I bought the album and loved it. Crest of a Knave, to me, is a straightforward rock album with transatlantic appeal but still with a hint of Tull's roots blended in. Steel Monkey is a tight well-played, radio friendly track with Barre and Pegg playing flat out. Farm on the Freeway is a slow reflective track about the battle between progress and tradition. Oddly, considering albums like Heavy Horses, hearing Anderson sing about freeways and pick -up trucks is a little weird but the music is easy and reflective and allows for a bit of flute work! Jump Start goes back to Steel Monkey in style, and again is an easy-on-the-ear rock track. Said She Was A Dancer and Budapest are very similar tracks, with similar lyrics and styles enabling to Barre and Pegg to express themselves. Both are quite long story-telling. The next track (Mountain Men), in many ways, is the closest to Tull house-style music. Sung with more passion and building slowly from a thoughtful start to a hard tight sound: constantly on my playlists: for me the outstanding track. Raising Steam is a joyous finale: almost sounding as if Ian Anderson was satisfied and relieved with the final product! The above track sequence was how the original album was released, with side A ending with Said She Was. On the CD, "Dogs" is inserted at this point. That makes sense in that you separate the two similar ballads. As an offering, it is certainly a JT track, and easy on the ear. The other inserted track, is The Waking Edge.Read more ›
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