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'Palgrave Macmillan is to be congratulated for reissuing these classic Bergson texts. This is a timely decision since Bergson was the great thinker of life and it seems, nearly one hundred years later, that we find ourselves once again required to conceive life. Keith Ansell Pearson and John Mullarkey have been at the forefront of the new conception of life, therefore no better editors for these volumes could be selected.' - Professor Leonard Lawlor, Department of Philosophy, University of Memphis, USA
'Long absent from the center of discussion in Western philosophy, Bergson has recently made a reappearance. The Centennial Series of his works undertaken by Palgrave Macmillan thus comes at an opportune time, making it possible for those interested in Bergson's ideas t have access to newly annotated versions of several of his chief writings, freshly introduced and discussed. It is particularly good to see the republication of Mind-Energy, a treasure trove of Bergsonian insights long out of print.' - Professor Pete A.Y. Gunter, Department of Philosophy and Religious Studies, University of North Texas, USA
--This text refers to the Hardcover edition.
'Long absent from the center of discussion in Western philosophy, Bergson has recently made a reappearance. The Centennial Series of his works undertaken by Palgrave Macmillan thus comes at an opportune time, making it possible for those interested in Bergson's ideas t have access to newly annotated versions of several of his chief writings, freshly introduced and discussed. It is particularly good to see the republication of Mind-Energy, a treasure trove of Bergsonian insights long out of print.' - Professor Pete A.Y. Gunter, Department of Philosophy and Religious Studies, University of North Texas, USA
--This text refers to the Hardcover edition.
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Creative Evolution is presented here in a high quality paperback edition. This popular classic work by Henri Bergson is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of Henri Bergson then we highly recommend this publication for your book collection.
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Most Helpful Customer Reviews
21 of 23 people found the following review helpful
Format:Paperback
My only previous exposure to Bergson was Russell's less than complementary essay in his History of Western Philosophy. The Bergson of this book was unrecognisable - he comes across as an early philosopher of science more than anything, although his science is biology, rather than physics.
The main thrust of the book concerns his analysis of the concepts of organisation/matter, intelligence/instinct. The first two sections of the book are remarkably lucid, interweaving the then contemporary biological thought with Bergson's own philosophical insight. The latter two sections steer more into abstract territory, and probably require a wider acquaintance with his other thought to be fully appreciated (certainly I found them more valuable on a second reading when I had a bit more Bergson under my belt). While they are worth persevering with on their own merits, if you find them unpalatable I think the more original and interesting portion of the book is the first two sections, and I also believe these sections can be extracted from the book without doing too much damage. All in all, if you have an interest in evolutionary biology from a philosophical standpoint this is very worthwhile. Only three stars however due to limited introduction, glosses etc., although if you don't have any French this is the only thing available.
The main thrust of the book concerns his analysis of the concepts of organisation/matter, intelligence/instinct. The first two sections of the book are remarkably lucid, interweaving the then contemporary biological thought with Bergson's own philosophical insight. The latter two sections steer more into abstract territory, and probably require a wider acquaintance with his other thought to be fully appreciated (certainly I found them more valuable on a second reading when I had a bit more Bergson under my belt). While they are worth persevering with on their own merits, if you find them unpalatable I think the more original and interesting portion of the book is the first two sections, and I also believe these sections can be extracted from the book without doing too much damage. All in all, if you have an interest in evolutionary biology from a philosophical standpoint this is very worthwhile. Only three stars however due to limited introduction, glosses etc., although if you don't have any French this is the only thing available.
7 of 8 people found the following review helpful
Format:Paperback|Amazon Verified Purchase
Henri Bergson's seminal "Creative Evolution" starts off with the flowing movement so prevalent in his philosophy of the organism, one idea flows into the next in a smooth undivided motion. Not only does Bergson explain his work with analogies and examples supported by the biology of the time, thereby distancing himself from the purely intellectual pursuit of most philosophy, trapped in the world of the mind, but he demonstrates his thought in the very way of exposition he uses throughout the book. One feels his thought is produced like a Mozart symphony, all at once with no corrections needed. This aptly demonstrates the idea of duration and time he proposes in this book. His influence is profound in thinkers such as David Bohm and Alfred North Whitehead which so to speak "run with it" in the parlance of baseball. This is a book worth reading twice for its rich display of creativity and also to reread sections not followed the first time. One does feel however that at times the flow is interrupted by disturbances in his mode of thinking leading to disjointed reading. Nonetheless, not only does he open a whole new way of thought free of dualism and the old patterns of mechanism, but he also explains the reason for mechanistic thought itself.
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24 of 26 people found the following review helpful
Recommended for fans of Rupert Sheldrake's theories
13 Aug 2007
Format:Paperback|Amazon Verified Purchase
Bergson's thesis is that Darwinian and Lamarkian evolution are only half the story and that there is a creative urge inherent in life that defines the direction of evolution. It is distinguished from Creationism in that his system does not posit and eschaton or final perfect form, nor an external agent (God).
It has some similarity with biologist Rupert Sheldrake's theory of morphic fields. In his theory, there is an energy field (as yet undetected by modern physics) that controls the shape of organic molecules, i.e., one protein is shaped one way and the same collection of atoms gets shaped another way under the same pH and temperature.
Aldous Huxley mentions Bergson's theory of consciousness several times in his writings. Bergson thinks that consciousness pervades everything, and that intellect serves as a filter that presents only what is comprehensible to mental categories. This has several implications. One is the possibility for a monistic metaphysic. The other is that it leaves open the possibility of perceiving an alternate reality (what excited Huxley).
Chapter 3 is about his metaphysics, which are not very clearly expressed. There appear to be avenues unexplored by him. What are the consequences of matter being infused with consciousness? Magic? Why is it that intellect and geometrical thinking is what produces objects in perception? What is the mechanism.
What does have value is his theory that chaos is not the absence of repeatability, but is a stochastic process that can be understood as an aggregate of individual "wills." This is used to support his vital theory of evolution. That each organism "wills" its variation in seemingly random fashion, but at a higher order, it produces the regularity of genera.
Chapter 4 is a critique of various philosophic systems after establishing his "cinematographic" theory of perception. His basic point is that matter is in continual flux, yet we are only able to perceive it as a sequence of discrete states, hence the illusion of permanence.
It has some similarity with biologist Rupert Sheldrake's theory of morphic fields. In his theory, there is an energy field (as yet undetected by modern physics) that controls the shape of organic molecules, i.e., one protein is shaped one way and the same collection of atoms gets shaped another way under the same pH and temperature.
Aldous Huxley mentions Bergson's theory of consciousness several times in his writings. Bergson thinks that consciousness pervades everything, and that intellect serves as a filter that presents only what is comprehensible to mental categories. This has several implications. One is the possibility for a monistic metaphysic. The other is that it leaves open the possibility of perceiving an alternate reality (what excited Huxley).
Chapter 3 is about his metaphysics, which are not very clearly expressed. There appear to be avenues unexplored by him. What are the consequences of matter being infused with consciousness? Magic? Why is it that intellect and geometrical thinking is what produces objects in perception? What is the mechanism.
What does have value is his theory that chaos is not the absence of repeatability, but is a stochastic process that can be understood as an aggregate of individual "wills." This is used to support his vital theory of evolution. That each organism "wills" its variation in seemingly random fashion, but at a higher order, it produces the regularity of genera.
Chapter 4 is a critique of various philosophic systems after establishing his "cinematographic" theory of perception. His basic point is that matter is in continual flux, yet we are only able to perceive it as a sequence of discrete states, hence the illusion of permanence.
53 of 62 people found the following review helpful
the light shining between Heraclitus and Bohm
28 Oct 1999
Format:Paperback
Henri Bergson's seminal ``Creative Evolution'' starts off with the flowing movement so prevalent in his philosophy of the organism, one idea flows into the next in a smooth undivided motion. Not only does Bergson explain his work with analogies and examples supported by the biology of the time, thereby distancing himself from the purely intellectual pursuit of most philosohpy, trapped in the world of the mind, but he demonstrates his thought in the very way of exposition he uses throughout the book. One feels his thought is produced like a Mozart symphony, all at once with no corrections needed. This aptly demonstrates the idea of duration and time he proposes in this book. His influence is profound in thinkers such as David Bohm and Alfred North Whitehead which so to speak ``run with it'' in the parlance of baseball. This is a book worth reading twice for its rich display of creativity and also to reread sections not followed the first time. One does feel however that at times the flow is interrupted by disturbances in his mode of thinking leading to disjointed reading. Nonetheless, not only does he open a whole new way of thought free of dualism and the old patterns of mechanism, but he also expalins the reason for mechanistic thought itself.
32 of 40 people found the following review helpful
the opus of the advocate of vitality....
16 May 2000
Format:Paperback
Despite Lord Russell's criticism that "intuition works best in bats, bees, and Bergson," in this work Bergson not only finishes the uprooting of the Western and Platonic disembodied intellect (a deconstruction taken only so far by Kant), he presents us with the spectacle of unbridled life creatively shaping, not only its world, but itself in accord with its own telos: the need for eyesight creating the eye, so to speak. Difficult in places but a treasure, although one could wish he gave more credit to Nietzsche's obviously great impact on him. Jungians would do well to peruse Bergson too.
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