- Hardcover: 192 pages
- Publisher: Princeton University Press (5 Nov 2002)
- Language English
- ISBN-10: 0691090165
- ISBN-13: 978-0691090160
- Product Dimensions: 24 x 16.3 x 2.2 cm
- Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
- Amazon Bestsellers Rank: 1,682,216 in Books (See Top 100 in Books)
- See Complete Table of Contents
Creative Destruction
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More About the Author
Product Description
Review
"Tyler Cowen is an economist who knows which rap artists are the best, what kind of Persian rug from which period is the best, which period of French cinema is the best, and what kind of Afropop is best. But he also has explanations for why they are the best, explanations that draw upon concepts from economics and other social sciences." - Michael Suk-Young Chwe, University of California, Los Angeles, author of Rational Ritual; "Reading this book was a joy. The number of new books on globalization is large. But Creative Destruction adds a unique perspective. It constructs a largely economic case for optimism, the idea that globalization is not necessarily in conflict with cultural diversity but that it might promote, revive, and broaden traditional cultures." - Timur Kuran, University of Southern California, author of Private Truths, Public Lies
Product Description
A Frenchman rents a Hollywood movie. A Thai schoolgirl mimics Madonna. Saddam Hussein chooses Frank Sinatra's "My Way" as the theme song for his 54th birthday. It is a commonplace that globalization is subverting local culture. But is it helping as much as it hurts? In this treatment of the issue, Tyler Cowen makes a case for a more sympathetic understanding of cross-cultural trade. The book brings not stale suppositions but an economist's eye to bear on an age-old question: are market exchange and aesthetic quality friends or foes? On the whole, argues Cowen, they are friends. Cultural "destruction" breeds not artistic demise but diversity. Through an array of colourful examples from the areas where globalization's critics have been most vocal, Cowen asks what happens when cultures collide through trade, whether technology destroys native arts, why (and whether) Hollywood movies rule the world, whether "globalized" culture is dumbing down societies everywhere, and if national cultures matter at all. Scrutinizing such manifestations of "indigenous" culture as the steel band ensembles of Trinidad, Indian handweaving, and music from Zaire, Cowen finds that they are more vibrant than ever - thanks largely to cross-cultural trade. For all the pressures that market forces exert on individual cultures, diversity typically increases within society, even when cultures become more like each other. Trade enhances the range of individual choice, yielding forms of expression within cultures that flower as never before. While some see cultural decline as a half-empty glass, Cowen sees it as a glass half-full with the stirrings of cultural brilliance.
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First Sentence
Haitian music has a strong presence in French Guiana, Dominica, Martinique, Guadeloupe, and St. Lucia-the smaller Caribbean markets. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index
Haitian music has a strong presence in French Guiana, Dominica, Martinique, Guadeloupe, and St. Lucia-the smaller Caribbean markets. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index
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Customer Reviews
Most Helpful Customer Reviews
1 of 1 people found the following review helpful
Format:Paperback
Globalisation is probably one of the most important drivers of Diversity from a corporate (business) perspective. At the same time, it is a concept that is understood differently by different people, and provokes a variety of feelings accordingly. While managers see no alternative to reshaping organisations for global scope, critics are worried about the elimination of cultural specifics. Cowen's book deals with many aspects in between those extreme poles. He manages to acknowledge some of the criticism, but he adds a number of positive aspects from cultural, societal, and personal areas that have been all too often neglected in heated debates. The book is spot on relevant for Diversity practitioners, although not for practical purposes but as quintessential background information.
Cowen describes how `cross-cultural exchange' has always changed local cultures (and economies), and that these changes usually took away something and added something else. He shows that this process often leads to more similarity on a macro level (e.g. countries becoming more alike if certain fast-food chains are available everywhere), but that the variety of choice, and often the welfare, increases locally. Several chapters provide detailed information on valuable, relevant examples of historic transformation processes in societies and cultures around the world.
It is noteworthy that the author is an economist himself and that the book is a prime example for out-of-the-box thinking (or writing). Therefore, do not expect neither scientific discussions or references (although there is a couple of great sources mentioned!) nor expert tracts about culture. Cowen presents both an inside and outside perspective, (still) fresh ideas and numerous examples from around the globe that Diversity experts can't afford not to know.
(nl 17 ms)
Cowen describes how `cross-cultural exchange' has always changed local cultures (and economies), and that these changes usually took away something and added something else. He shows that this process often leads to more similarity on a macro level (e.g. countries becoming more alike if certain fast-food chains are available everywhere), but that the variety of choice, and often the welfare, increases locally. Several chapters provide detailed information on valuable, relevant examples of historic transformation processes in societies and cultures around the world.
It is noteworthy that the author is an economist himself and that the book is a prime example for out-of-the-box thinking (or writing). Therefore, do not expect neither scientific discussions or references (although there is a couple of great sources mentioned!) nor expert tracts about culture. Cowen presents both an inside and outside perspective, (still) fresh ideas and numerous examples from around the globe that Diversity experts can't afford not to know.
(nl 17 ms)
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
8 reviews
23 of 27 people found the following review helpful
Better than Hoan Chau's review
3 Feb 2005
Format:Hardcover
If you're at all interested in this book, ignore Hoan Chau's review. How does Cowen know Mexicans enjoy the choices available at Wal-Mart? Simple, they shop there and keep it in business. You don't have to like Wal-Mart (I sure don't) to recognize that it doesn't coerce anyone into its store. In an impoverished country like Mexico, it brings in more goods at lower prices than were previously available, thus improving people's standard of living.
On creativity: Cowen isn't writing a philosophical treatise on creativity, so if he ignores the "external influences" on it, that's not a just criticism. But it's surprising that someone could read this book and miss the point: Cowen is arguing that the creativity of others is an external influence on an individual's creativity, so the value of global exchange is that our creativity is stimulated by contact with other country's cultural goods.
Consider the U.S. without Chinese or Mexican food (or, in my case, the nightmare of not having Thai food). Consider the U.S. without the influence of African music. No spirituals, no jazz or blues, no "Graceland" by Paul Simon. Consider how popular Jackie Chan is, not to mention the more respectable Chinese films such as "Crouching Tiger, Hidden Dragon." If you're more highbrow, consider the absence of Mozart or Paganini. Imagine no access to Sun Tzu's "The Art of War" or the Tao Te Ching, or the Boddhisatva.
In short, Cowen's point is that the global exchange of cultural goods enriches our lives. Efforts to restrict globalization will restrict the flow of these goods, impoverishing us all in ways that are hard to measure in dollar terms, but are easily understood in terms of cultural vivacity and creativity.
And, importantly, contrary to popular wisdom, America isn't exerting cultural hegemony--the Disneyfication of the world is overstated (easy to do when we have such jarring sights as a McDonalds jammed next to Beijing's Forbidden City. But other countries, including developing countries, export their cultural goods to the U.S. This increases the value of their cultural traditions, making it beneficial for people to hang onto them.
Remember, it's individual people (you and me) making these choices. We don't choose them unless we believe we're benefitting. And while we will make mistakes, it's a bit hard to believe that almost all our decisions almost all the time are actually harmful to us. It's even harder to believe that a small group of elites--whether in government or the self-appointed protectors of culture--will be able to make better choices for us. In short, this book is also an argument for preserving individual liberty.
On creativity: Cowen isn't writing a philosophical treatise on creativity, so if he ignores the "external influences" on it, that's not a just criticism. But it's surprising that someone could read this book and miss the point: Cowen is arguing that the creativity of others is an external influence on an individual's creativity, so the value of global exchange is that our creativity is stimulated by contact with other country's cultural goods.
Consider the U.S. without Chinese or Mexican food (or, in my case, the nightmare of not having Thai food). Consider the U.S. without the influence of African music. No spirituals, no jazz or blues, no "Graceland" by Paul Simon. Consider how popular Jackie Chan is, not to mention the more respectable Chinese films such as "Crouching Tiger, Hidden Dragon." If you're more highbrow, consider the absence of Mozart or Paganini. Imagine no access to Sun Tzu's "The Art of War" or the Tao Te Ching, or the Boddhisatva.
In short, Cowen's point is that the global exchange of cultural goods enriches our lives. Efforts to restrict globalization will restrict the flow of these goods, impoverishing us all in ways that are hard to measure in dollar terms, but are easily understood in terms of cultural vivacity and creativity.
And, importantly, contrary to popular wisdom, America isn't exerting cultural hegemony--the Disneyfication of the world is overstated (easy to do when we have such jarring sights as a McDonalds jammed next to Beijing's Forbidden City. But other countries, including developing countries, export their cultural goods to the U.S. This increases the value of their cultural traditions, making it beneficial for people to hang onto them.
Remember, it's individual people (you and me) making these choices. We don't choose them unless we believe we're benefitting. And while we will make mistakes, it's a bit hard to believe that almost all our decisions almost all the time are actually harmful to us. It's even harder to believe that a small group of elites--whether in government or the self-appointed protectors of culture--will be able to make better choices for us. In short, this book is also an argument for preserving individual liberty.
17 of 23 people found the following review helpful
the economics of culture
29 April 2003
Format:Hardcover
Cowen's book is one of the few books to
discuss free trade in the context of
cultural goods. easy and fun to read.
No economics background needed.
You will learn a lot about
the history of different cultural goods, including
persian rugs and the successful
movie industry in India (Bollywood).
simply great!
discuss free trade in the context of
cultural goods. easy and fun to read.
No economics background needed.
You will learn a lot about
the history of different cultural goods, including
persian rugs and the successful
movie industry in India (Bollywood).
simply great!
3 of 3 people found the following review helpful
Interesting Book
6 Feb 2007
Format:Paperback
This book is about how globalization is *changing* world cultures, for better or for worse. One of Cowen's central arguments is that globalization creates less diversity between cultures but more between individuals. So should we be pro individualism or pro collectivism?
His last three chapters on Hollywood, Dumbing Down, and National Culture are the most memorable, and persuasive. I especially enjoyed the chapter on Hollywood. His explanation of how modern cinema is what it is was enlightening.
Overall Cowen does what he set out to do; explained how globalization has changed world cultures. More often than not Cowen thinks this has had a net positive effect, but he does argue the other side of the coin. In my opinion Cowen contributes to the globalization vs. anti-globalization debate arguing that it's really one of collectivist culture vs. individual culture.
His last three chapters on Hollywood, Dumbing Down, and National Culture are the most memorable, and persuasive. I especially enjoyed the chapter on Hollywood. His explanation of how modern cinema is what it is was enlightening.
Overall Cowen does what he set out to do; explained how globalization has changed world cultures. More often than not Cowen thinks this has had a net positive effect, but he does argue the other side of the coin. In my opinion Cowen contributes to the globalization vs. anti-globalization debate arguing that it's really one of collectivist culture vs. individual culture.
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