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A politically nervous district attorney (Brendan Fraser) and his high-strung wife (Sandra Bullock, biting into a welcome change of pace from Miss Congeniality) get car-jacked by an oddly sociological pair of young black men (Larenz Tate and Chris "Ludacris" Bridges); a rich black T.V. director (Terrence Howard) and his wife (Thandie Newton) get pulled over by a white racist cop (Matt Dillon) and his reluctant partner (Ryan Phillipe); a detective (Don Cheadle) and his Latina partner and lover (Jennifer Esposito) investigate a white cop who shot a black cop--these are only three of the interlocking stories that reach up and down class lines.
Writer/director Paul Haggis (who wrote the screenplay for Million Dollar Baby) spins every character in unpredictable directions, refusing to let anyone sink into a stereotype. The cast--ranging from the famous names above to lesser-known but just as capable actors like Michael Pena (Buffalo Soldiers) and Loretta Devine (Woman Thou Art Loosed)--meets the strong script head-on, delivering galvanizing performances in short vignettes, brief glimpses that build with gut-wrenching force. This sort of multi-character mosaic is hard to pull off; Crash rivals such classics as Nashville and Short Cuts. A knockout. --Bret Fetzer
It shows extremes of behaviour and bigotry that you may find distasteful but then it explores the reasons and experiences that have brought those individuals to do the things they have. As other reviewers have said it is difficult to explain without giving away specific plot lines so i agree that this is a film that you must watch and make up your own mind.
As for the reviewers who have criticised the racism and bad language HELLO! this is the real world! if you really think that there are no racists, no people with prejudices and no one who swears in the world, then you obviously dont live on this planet.
This is not a film for the faint hearted or easily offended so be warned, but if you like a challenging subject, and a film that makes you reconsider your own morals and beliefs, whilst treating you as an adult, then this film is for you. Anyone else should pull their curtains, lock their doors and crawl back under their duvet because the real world is obviously not for you.
This is the best film I have seen since hotel rwanda, so please watch this film with an open mind and draw your own conclusions, but for me it is a stunning and thought provoking piece of film making and worthy of 5 stars and a bucket load of oscars.
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