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Cracking the Symbol Code: The Hidden Message within Church and Renaissance Art
 
 
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Cracking the Symbol Code: The Hidden Message within Church and Renaissance Art [Hardcover]

Tim Wallace-Murphy
4.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Hardcover: 320 pages
  • Publisher: Watkins Publishing (15 Sep 2005)
  • Language English
  • ISBN-10: 1842931369
  • ISBN-13: 978-1842931363
  • Product Dimensions: 23.6 x 16 x 3.3 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 382,932 in Books (See Top 100 in Books)

Product Description

Product Description

A heretic in medieval times was anyone who dissented from the Church. Courageous and steadfast dissenters included the Knights Templar, the Freemasons, the Cathars, and scientists of the day. These groups had a mission: to safeguard the truth about Jesus Christ and his ministry, which they believed had been rejected and suppressed by ruthless oppressors in the name of the established Church. Persecuted, they devised an ingenious and complex secret code for communicating with others of like minds and to preserve the truth for future generations. The code was concealed in symbols, hidden in the art, artefacts and architecture of the medieval world. Although this "hidden symbolism" can be deciphered with the help of certain keys, there will always be an intuitive element to the understanding of the coded messages. This book is an inspiration to examine the artefacts, paintings and architecture, looking for the hidden codes - to experience the mystical sensation of discovering the secret messages meant for us and our descendants as much as for the artists' contemporaries.

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The field of symbolism is one that spans the entire history of man, for sacred symbolism pervades and charts almost the entire history of mankind from distant Palaeolithic times to the present. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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3 of 3 people found the following review helpful
By Pieter HALL OF FAME TOP 500 REVIEWER
Format:Hardcover
Subtitled: The Hidden Message within Church and Renaissance Art, the book deals with the history and significance of symbolism in Christian art, explaining how and why heretical ideas were hidden from the church hierarchy right under its nose. Wallace-Murphy points out the indicators of hidden symbolism and explores the manifold layers of meaning thus conveyed.

Section I covers the birth and development of sacred symbolism and the legacy of ancient Egyptian gnosis. This section includes discussions of cave paintings, the power of sacred sites as well as Sumerian & Egyptian religious symbolism. The author then explores the origins of Egyptian civilization, astronomy and religion, demonstrating how Egyptian symbols have survived to the present day.

In the next section he discusses the Bible, the supposed Egyptian origins of Judaism, and two conflicting views of the life and ministry of Jesus. The Old Testament text's four levels of meaning receive a thorough explanation as do the dating & compilation of the various books. In this regard, I recommend Richard Elliott Friedman's Hidden Book in the Bible.

The connection between Atenism and Judaism has been made before and is not convincing as Wallace-Murphy is clearly unaware that the word "Adonai' functions as a substitute for the Tetragrammaton or Holy Name in the Shema Yisrael confession. He furthermore fails to recognize the fundamental differences between Egyptian and Hebrew religion; greater clarity may be obtained from Thomas Troward in Bible Mystery and Bible Meaning. He is on much firmer ground when discussing the two conflicting accounts of the life and message of Jesus, the variants of Judaism at that time and the nature of the New Testament.

Drawing on the pioneering work of the great Robert Eisenman, the author provides a brief but fascinating look at early Christianity, the person and religion of Saul or Paul of Tarsus, his struggle with James the Just, the destruction of Jerusalem and the subsequent development of Christianity. Here he further deals with the foundations of Christian symbolism, the consolidation of Christian Europe and Gothic symbolism.

The last section discusses the hidden streams coming to the surface through what he claims to be the descendants of Jesus and of Jerusalem's priestly families. It includes arresting passages on Sacred Geometry and its use in architecture with reference to Gothic buildings like Amiens, Chartres, Notre Dame de Paris and Santiago de Compostela's cathedrals plus Rosslyn Chapel.

Great significance is attached to Bernard of Clairvaux, the Knights Templar and their symbols. Other topics include the Tarot, the craft of Freemasonry and the implication of the richly symbolic Grail Legends. Leonardo da Vinci and the Medicis feature in the informative chapter on Renaissance paintings. Less clear is the relationship of the Black Madonna to these themes; one could hardly imagine a greater anathema to the teachings of Jesus, James & John the Baptist than this sinister fertility goddess of prehistoric Europe that has become connected to the Magdalene Myth.

In the epilogue, the reader is brought up to date in discussions of the Cathars, Rennes-le-Chateau, relevant TV programmes of recent decades, books like The Holy Blood & the Holy Grail and new discoveries at Amiens. For more detailed studies of important aspects of this thought-provoking work, I recommend Symbolism by Alfred North Whitehead, The Mind In The Cave by Lewis-Williams, The New Testament Code by Robert Eisenman, A History of Christianity by Paul Johnson, The Orthodox Corruption of Scripture by Bart Ehrman, The Nag Hammadi Library edited by James M Robinson and Cracking the Bible Code by Jeffrey Satinover.

Black & white figures throughout the text enhance the reading experience and the book contains 30 beautiful plates of sculptures, carvings, pillars, stained glass windows and paintings, plus photographs of features at Rennes-le-Chateau. There are thirteen pages of source notes arranged by chapter, an extensive bibliography and an index.
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Amazon.com:  5 reviews
2 of 2 people found the following review helpful
A Disappointment 9 Jan 2007
By Grail Questor - Published on Amazon.com
Format:Hardcover|Amazon Verified Purchase
I was disappointed with this work by one of my favorite authors. For one thing, the subtitle of this book, "Revealing the Secret Heretical Messages within Church and Renaissance Art" is very misleading. In almost three hundred pages of material, exactly ten pages are dedicated to the mystery of Renaissance art, and that adds up to a few mentions of certain DaVinci works. The rest is alternative Bible history and an examination of Gothic Cathedral art in stone. Mr. Wallace-Murphy misses the mark with this one.
2 of 2 people found the following review helpful
Very highly recommended for general readers, but particularly those following the Da Vinci mystery's progression 9 Mar 2006
By Midwest Book Review - Published on Amazon.com
Format:Hardcover
Cracking The Symbol Cone: Revealing The Secret Heretical Messages Within The Church An Renaissance Art by British author, lecturer, and historian Tim Wallace-Murphy is among the most informative explanations to the mysteries left behind of the Knights Templar, Leonardo Da Vinci, King Solomon, and the metaphorical art of the medieval Christian era. Explore a culture and time of mystery, until recent time not at all understood, and now publicly understood. Never before has a book revealed all that Cracking The Symbol Code depicts to its readers. Informed and informative, Tim Wallace-Murphy's Cracking The Symbol Code is very highly recommended for general readers, but particularly those following the Da Vinci mystery's progression.
1 of 1 people found the following review helpful
Great Read 26 Jun 2010
By infmar - Published on Amazon.com
Format:Hardcover|Amazon Verified Purchase
Although a bit rambling, this book raises intellectually challenging qustions about the established accounts on the history of the Judeo-Christian religions. tlhe section on the Gothic, the semiotics so to speak of the architecute and sculpture of the cathedrals aroused my interest in again visiting Chartres, Amiens and Rheims.

The segment on the rise of the Knights Templar, and their susequent persecution by the Church is also worth reading as is the writers's assessment of Saul/Paul and the conflict between this person and St. James the Elder and St. John.

In other words, this work goes far beyond Dan Brown and "The Da Vinci Code.
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