This highly influential UK band made different styles of experimental music throughout the various phases of their career. They were pioneers of the use of found sounds and tape loops. Their most memorable song, in my opinion, is the classic single Nag Nag Nag with its compelling beat and appealing guitar distortion.
The Crackdown from 1986 found them in a dance/electronic mood, with a sound not unlike some of the work of Brian Eno, Simple Minds or even the much later Autechre. At fist listen, the album may come across as somewhat monotonous although repeated listens will reveal the subtle textures that make the music absorbing and enjoyable.
The opening track 24-24 is spacious and melodious while In The Shadows has interesting percussion and keyboard. The lilting Talking Time is quite tuneful and accessible, reminding me of the classic number I Travel by Simple Minds. Another highlight is the hypnotic track Over And Over with its appealing instrumental mix. Just Fascination is atmospheric and mesmeric whilst the rhythmic Why Kill Time has an innovative texture.
The song with the most discernible found sounds is Haiti, an ominous experimental excursion. The title track is a rhytmic dancefloor classic and is followed by four extra tracks on this issue. The Crackdown is not Cabaret Voltaire's most innovative or memorable album, but fans will enjoy it. Real rating: three and a half stars.