The New York Times sparked my interest in this age-old literary subject--city dweller finds renewal in the country, with all the highs and lows and informative or interesting tidbits of making the transition. My interest in this subject goes all they way back to Crazy-White-Man (Sha-ga-na-she Wa-du-kee) by Richard Morenus, published by Rand McNally and Co. in 1952. So, I am not a newcomer to the genre. In fact, my wife and I recently put the finishing touches on a 3-year restoration of a century-old lodge on an island in Maine. Therefore, I do not place a low rating on this book without careful thought and regret. Usually, one thinks that if the Times views a book as newsworthy, it will be a bit special. In this case, I think it is Korda's professional connections in the publishing industry (and not the merit of the piece) which earned the publicity, and possibly the initial printing. Korda would like the reader to believe that he is about to introduce them to the quaint, evolutionary transition of a (very, very sophisticated) city couple and a country estate from strangers to partners, each helped to reach the synergy by a cast of colorful local citizens with special skills and memorable characters. The book fails, however, to continue its early, promising pace, and eventually trails off into a series of random recollections, failing to develop the supporting characters in favor of repetitive, gratuitous references to Mrs. Korda's achievements as a horsewoman, and Mr. Korda's irrelevant pride in having read the classics. In the end, the country life which Mr. Korda portrays seems as shallow and trite as the city life he almost left behind. He is more often a disconnected observer than influential participant, and leaves the reader wondering whether, for the Kordas, the country really matters.