With a pitch that sounds like an especially absurd Geraldo Rivera show - American symphony orchestra captured by Nazis in medieval castle and forced to give Wagner concert! - Counterpoint may well be one of the oddest mainstream studio releases of the sixties. Charlton Heston (his first lines appropriately joking about the exodus) is the egomaniac conductor complete with Dracula cape on a USO tour of the frontline who gets captured during the Battle of the Bulge by a ruthless German lieutenant with orders to execute all prisoners ("Typical minor executive. I've been dealing with his type all my life") and finds himself given a brief respite when Maximilian Schell's equally egomaniacal but much more genially ruthless commanding officer turns out to be a fan and wants him to perform for him before he kills the orchestra. Cue a battle of wills between the intransigent conductor and the deviously pragmatic Nazi in a script that's full of bum notes and bad dialogue but which does improve as it goes along, particularly when using orchestra rehearsals as cover for the noise of escape attempts in the film's best moments.
The `clash of moralities' the film aspires to is no better developed than the plot or the characterisation - it's the kind of film where Anton Diffring turns up as usual as yet another of his patented ruthless and humourless Nazi officers, the musicians are all bickering and selfish whingers you'd probably like to line up against a wall yourself and the script can't even be bothered to attempt to build any suspense around the identity of the inevitable informer in their ranks - but it does manage turn into something of a guilty pleasure long before Chuck's maestro picks up a submachine gun for the inevitable shoot `em up grand finale.
No extras on Universal's Spanish PAL DVD, though it offers a decent 2.35:1 widescreen transfer with English subtitles for the German language scenes.